François Massonnat
Biographic Data
| ID | 757346 |
|---|---|
| NAME | François Massonnat |
| GIVEN NAMES | François |
| FAMILY NAME | Massonnat |
| SIGNATURE | MASSONNAT F |
| AFFILIATIONS | Villanova University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Jouer avec la page: Les Romans de Stéphane Vanderhaeghe
My paper shows how Stéphane Vanderhaeghe’s work goes against the grain of a literary mainstream whose most prominent authors (and literary prizes) favor autofiction or narratives re-exploring a more or less recent historical past. Instead, Vanderhaeghe’s radical writing seeks to challenge the formal potentialities of literature, thus inscribing his work in the experimental traditions of Oulipo and Nouveau Roman. Charøgnards, his first published n…
Jean-Pierre, c'est moi: Polyglossia and blurred identities in the films of Jacques Audiard
This article engages a heretofore unexplored dimension of Jacques Audiard’s work, the prevalence of languages other than the director’s native French. Winner of the Cannes Festival Palme d’Or, Dheepan (2015), whose dialogues are predominantly in Tamil, constitutes the most extreme manifestation of polyglossia in the director’s filmography. Each of his earlier films participates in a system of representation in which communication never comes easi…
Tu Boiras À La France: Alcool Et Colonialisme Dans La Victoire en Chantant, Coup De Torchon Et Chocolat
Jean-Pierre, c'est moi: Polyglossia and blurred identities in the films of Jacques Audiard
This article engages a heretofore unexplored dimension of Jacques Audiard’s work, the prevalence of languages other than the director’s native French. Winner of the Cannes Festival Palme d’Or, Dheepan (2015), whose dialogues are predominantly in Tamil, constitutes the most extreme manifestation of polyglossia in the director’s filmography. Each of his earlier films participates in a system of representation in which communication never comes easi…
Tu Boiras À La France: Alcool Et Colonialisme Dans La Victoire en Chantant, Coup De Torchon Et Chocolat
Jean-Pierre, c'est moi: Polyglossia and blurred identities in the films of Jacques Audiard
This article engages a heretofore unexplored dimension of Jacques Audiard’s work, the prevalence of languages other than the director’s native French. Winner of the Cannes Festival Palme d’Or, Dheepan (2015), whose dialogues are predominantly in Tamil, constitutes the most extreme manifestation of polyglossia in the director’s filmography. Each of his earlier films participates in a system of representation in which communication never comes easi…
Jouer avec la page: Les Romans de Stéphane Vanderhaeghe
My paper shows how Stéphane Vanderhaeghe’s work goes against the grain of a literary mainstream whose most prominent authors (and literary prizes) favor autofiction or narratives re-exploring a more or less recent historical past. Instead, Vanderhaeghe’s radical writing seeks to challenge the formal potentialities of literature, thus inscribing his work in the experimental traditions of Oulipo and Nouveau Roman. Charøgnards, his first published n…
Art (3 works) · Philosophy (3 works) · Art history (2 works) · Humanities (2 works) · Aesthetics (1 works) · French (1 works) · French Historical and Cultural Studies (1 works) · French Literature and Critical Theory (1 works) · French Literature and Criticism (1 works) · French Literature and Poetry (1 works)