James R Cowdery
Biographic Data
| ID | 75831 |
|---|---|
| NAME | James R Cowdery |
| GIVEN NAMES | James R |
| FAMILY NAME | Cowdery |
| SIGNATURE | COWDERY J R |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2001 |
| H-INDEX | 1 |
Mode
The Theory of Participatory Discrepancies: [A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Responses
James R. Cowdery, Dane L. Harwood, James Kippen, Michele Kisliuk, David Locke, Eddie S. Meadows, Leonard B. Meyer, Ingrid Monson, John Shepherd, Christopher Small, Christopher A. Waterman, [The Theory of Participatory Discrepancies: A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Responses, Ethnomusicology, Vol. 39, No. 1, Special Issue: Participato…
From Shore to Shore: Traditional Irish Music in New York City
The Melodic Tradition of Ireland
This book draws on previous studies of Irish music and general melodic theory to describe the inner workings of a rich melodic tradition. Irish folk music, resting upon monophonic melodies which are varied and ornamented, are thus viewed from several perspectives - ethnographic and musical, insider and theoretical - to weave an integrated image of a still thriving genre. The concepts of family and melody type are starting points for the qualitati…
The Melodic Tradition of Ireland
"Sam Henry's "Songs of the People
A record of Irish folk songs, mainly 19th century in origin, collected and originally published between 1923 and 1939. Each selection includes lyrics, melodies in staff notation and information about the song
The Traditional Music of Britain and Ireland: A Research and Information Guide
A Fresh Look at the Concept of Tune Family
The metaphor is not particularly new. In mid-nineteenth century, scholars like George Petrie and William Forde were grouping together Irish tunes which they considered be related of one (Petrie 1855:5). Later scholars such as Francis O'Neill and Phillips Barry were quite aware of these relationships, but Samuel Bayard was first propose an actual tune-family theory. Bayard sought to identify specific melodies in as many of their forms as possible …
A Fresh Look at the Concept of Tune Family
The metaphor is not particularly new. In mid-nineteenth century, scholars like George Petrie and William Forde were grouping together Irish tunes which they considered be related of one (Petrie 1855:5). Later scholars such as Francis O'Neill and Phillips Barry were quite aware of these relationships, but Samuel Bayard was first propose an actual tune-family theory. Bayard sought to identify specific melodies in as many of their forms as possible …
The Melodic Tradition of Ireland
This book draws on previous studies of Irish music and general melodic theory to describe the inner workings of a rich melodic tradition. Irish folk music, resting upon monophonic melodies which are varied and ornamented, are thus viewed from several perspectives - ethnographic and musical, insider and theoretical - to weave an integrated image of a still thriving genre. The concepts of family and melody type are starting points for the qualitati…
A Fresh Look at the Concept of Tune Family
The metaphor is not particularly new. In mid-nineteenth century, scholars like George Petrie and William Forde were grouping together Irish tunes which they considered be related of one (Petrie 1855:5). Later scholars such as Francis O'Neill and Phillips Barry were quite aware of these relationships, but Samuel Bayard was first propose an actual tune-family theory. Bayard sought to identify specific melodies in as many of their forms as possible …
"Sam Henry's "Songs of the People
A record of Irish folk songs, mainly 19th century in origin, collected and originally published between 1923 and 1939. Each selection includes lyrics, melodies in staff notation and information about the song
The Traditional Music of Britain and Ireland: A Research and Information Guide
The Melodic Tradition of Ireland
This book draws on previous studies of Irish music and general melodic theory to describe the inner workings of a rich melodic tradition. Irish folk music, resting upon monophonic melodies which are varied and ornamented, are thus viewed from several perspectives - ethnographic and musical, insider and theoretical - to weave an integrated image of a still thriving genre. The concepts of family and melody type are starting points for the qualitati…
The Melodic Tradition of Ireland
The Theory of Participatory Discrepancies: [A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Responses
James R. Cowdery, Dane L. Harwood, James Kippen, Michele Kisliuk, David Locke, Eddie S. Meadows, Leonard B. Meyer, Ingrid Monson, John Shepherd, Christopher Small, Christopher A. Waterman, [The Theory of Participatory Discrepancies: A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Responses, Ethnomusicology, Vol. 39, No. 1, Special Issue: Participato…
From Shore to Shore: Traditional Irish Music in New York City
Mode
Art (5 works) · History (4 works) · Musicology and Musical Analysis (4 works) · Diverse Musicological Studies (3 works) · Literature (3 works) · Computer Science (2 works) · Irish and British Studies (2 works) · Linguistics (2 works) · Melody (2 works) · Music History and Culture (2 works)