James Kippen
Biographic Data
| ID | 75833 |
|---|---|
| NAME | James Kippen |
| GIVEN NAMES | James |
| FAMILY NAME | Kippen |
| SIGNATURE | KIPPEN J |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 1997 |
| H-INDEX | 1 |
The Rāgas of Early Indian Music: Modes, Melodies and Musical Notations from the Gupta Period to c. 1250
The Theory of Participatory Discrepancies: [A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Responses
James R. Cowdery, Dane L. Harwood, James Kippen, Michele Kisliuk, David Locke, Eddie S. Meadows, Leonard B. Meyer, Ingrid Monson, John Shepherd, Christopher Small, Christopher A. Waterman, [The Theory of Participatory Discrepancies: A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Responses, Ethnomusicology, Vol. 39, No. 1, Special Issue: Participato…
Computers, Composition and the Challenge of "New Music" in Modern India
The use of sophisticated computer systems in the design and performance of music has taken place in the context of a society that demands novelty and expects technology to play a leading role in extending the boundaries of what is musically possible. This article describes a different approach to the use of technology in composition and an alternative technology that grew out of research into the complex rhythmic intricacies of Indian drum music.…
Music and Musical Thought in Early India
Ethnomusicology in Canada
The Life of Music in North India: The Organization of an Artistic Tradition
Daniel M. Neuman offers an account of North Indian Hindustani music culture and the changing social context of which it is part, as expressed in the thoughts and actions of its professional musicians. Drawing primarily from fieldwork performed in Delhi in 1969-71?from interviewing musicians, learning and performing on the Indian fiddle, and speaking with music connoisseurs?Neuman examines the cultural and social matrix in which Hindustani music i…
The Tabla of Lucknow: A Cultural Analysis of a Musical Tradition
Can a Computer Help Resolve the Problem of Ethnographic Description
Jim Kippen, Bernard Bel, Can a Computer Help Resolve the Problem of Ethnographic Description?, Anthropological Quarterly, Vol. 62, No. 3, Expert Systems Applications in Anthropology, Part 2 (Jul., 1989), pp. 131-144
On the Uses of Computers in Anthropological Research
Can a Computer Help Resolve the Problem of Ethnographic Description
Jim Kippen, Bernard Bel, Can a Computer Help Resolve the Problem of Ethnographic Description?, Anthropological Quarterly, Vol. 62, No. 3, Expert Systems Applications in Anthropology, Part 2 (Jul., 1989), pp. 131-144
On the Uses of Computers in Anthropological Research
On the Uses of Computers in Anthropological Research
Can a Computer Help Resolve the Problem of Ethnographic Description
Jim Kippen, Bernard Bel, Can a Computer Help Resolve the Problem of Ethnographic Description?, Anthropological Quarterly, Vol. 62, No. 3, Expert Systems Applications in Anthropology, Part 2 (Jul., 1989), pp. 131-144
The Tabla of Lucknow: A Cultural Analysis of a Musical Tradition
Ethnomusicology in Canada
The Life of Music in North India: The Organization of an Artistic Tradition
Daniel M. Neuman offers an account of North Indian Hindustani music culture and the changing social context of which it is part, as expressed in the thoughts and actions of its professional musicians. Drawing primarily from fieldwork performed in Delhi in 1969-71?from interviewing musicians, learning and performing on the Indian fiddle, and speaking with music connoisseurs?Neuman examines the cultural and social matrix in which Hindustani music i…
Computers, Composition and the Challenge of "New Music" in Modern India
The use of sophisticated computer systems in the design and performance of music has taken place in the context of a society that demands novelty and expects technology to play a leading role in extending the boundaries of what is musically possible. This article describes a different approach to the use of technology in composition and an alternative technology that grew out of research into the complex rhythmic intricacies of Indian drum music.…
Music and Musical Thought in Early India
The Theory of Participatory Discrepancies: [A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Responses
James R. Cowdery, Dane L. Harwood, James Kippen, Michele Kisliuk, David Locke, Eddie S. Meadows, Leonard B. Meyer, Ingrid Monson, John Shepherd, Christopher Small, Christopher A. Waterman, [The Theory of Participatory Discrepancies: A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Responses, Ethnomusicology, Vol. 39, No. 1, Special Issue: Participato…
The Rāgas of Early Indian Music: Modes, Melodies and Musical Notations from the Gupta Period to c. 1250
Art (7 works) · History (7 works) · Literature (6 works) · Musical (5 works) · Aesthetics (4 works) · Visual arts (4 works) · Computer Science (3 works) · Musicology and Musical Analysis (3 works) · Sociology (3 works) · Anthropology (2 works)