David Locke
Biographic Data
| ID | 75835 |
|---|---|
| NAME | David Locke |
| GIVEN NAMES | David |
| FAMILY NAME | Locke |
| SIGNATURE | LOCKE D |
| AFFILIATIONS | Tufts University |
| ORCID | 0009-0003-1054-2970 |
| VERIFIED | Yes |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 22 |
| WORKS AS AUTHOR | 16 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 3 |
Analysis and Perspectives on the ANA Avatar XPRIZE Competition
Being universitas
This paper considers what is at stake in the idea of universitas – a community of masters and scholars – in the context of the shifting landscape of higher education engendered by the COVID-19 pandemic. Drawing on the philosophy of Gabriel Marcel, we consider what it means to be together in a university community. We draw a distinction between the idea of ‘functioning’ as universitas and ‘being’ universitas, arguing that, that while universities …
Yewevuin the Metric Matrix
Simultaneous multidimensionality in African music
Simultaneous multidimensionality" names a condition prevalent in many African traditions of performance art in which music is coherent from different aural and kinesthetic perspectives at the same time. This changeable, plural quality is preset in composed musical works and, in musical performance, affects on-the-spot decisions. Simultaneously multidimensional music can have charismatic force that is capable of generating a transformative affecti…
Music in East Africa
Book Review| April 01 2007 Music in East Africa Music in East Africa, Gregory Barz. David Locke David Locke Search for other works by this author on: This Site Google Ethnomusicology (2007) 51 (2): 351–352. https://doi.org/10.2307/20174532 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation David Locke; Music in East Africa. Ethnomusicology 1 January 2007; 51 (2): 351–352. doi: https://doi.org/10.2307…
Choeurs royaux du Benin
African Rhythm
The Theory of Participatory Discrepancies
James R. Cowdery, Dane L. Harwood, James Kippen, Michele Kisliuk, David Locke, Eddie S. Meadows, Leonard B. Meyer, Ingrid Monson, John Shepherd, Christopher Small, Christopher A. Waterman, [The Theory of Participatory Discrepancies: A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Responses, Ethnomusicology, Vol. 39, No. 1, Special Issue: Participato…
Drum Damba
Dance and Human History, 1974. Palm Play, 1977. Step Style, 1977
Dried Millet Breaking
Drum Gahu
Principles of Offbeat Timing and Cross-Rhythm in Southern Eve Dance Drumming
African polyrhythmic drumming has long fascinated ethnomusicologists. In particular, the dance drumming of the southern Eyespeaking people of the Guinea Coast of West Africa has been the subject of several lengthy studies (Jones 1959; Pantaleoni 1972a)l and its performance has been taught in many schools in the United States.2 But although this music has been well studied, a coherent system of its basic rhythmic principles has yet to be developed…
Drum Language in Adzogbo
Cantometrics
Drums of West Africa
Cantometrics
Principles of Offbeat Timing and Cross-Rhythm in Southern Eve Dance Drumming
African polyrhythmic drumming has long fascinated ethnomusicologists. In particular, the dance drumming of the southern Eyespeaking people of the Guinea Coast of West Africa has been the subject of several lengthy studies (Jones 1959; Pantaleoni 1972a)l and its performance has been taught in many schools in the United States.2 But although this music has been well studied, a coherent system of its basic rhythmic principles has yet to be developed…
Drum Language in Adzogbo
Yewevuin the Metric Matrix
Simultaneous multidimensionality in African music
Simultaneous multidimensionality" names a condition prevalent in many African traditions of performance art in which music is coherent from different aural and kinesthetic perspectives at the same time. This changeable, plural quality is preset in composed musical works and, in musical performance, affects on-the-spot decisions. Simultaneously multidimensional music can have charismatic force that is capable of generating a transformative affecti…
Drums of West Africa
Drum Language in Adzogbo
Cantometrics
Principles of Offbeat Timing and Cross-Rhythm in Southern Eve Dance Drumming
African polyrhythmic drumming has long fascinated ethnomusicologists. In particular, the dance drumming of the southern Eyespeaking people of the Guinea Coast of West Africa has been the subject of several lengthy studies (Jones 1959; Pantaleoni 1972a)l and its performance has been taught in many schools in the United States.2 But although this music has been well studied, a coherent system of its basic rhythmic principles has yet to be developed…
Dried Millet Breaking
Drum Gahu
Dance and Human History, 1974. Palm Play, 1977. Step Style, 1977
Drum Damba
The Theory of Participatory Discrepancies
James R. Cowdery, Dane L. Harwood, James Kippen, Michele Kisliuk, David Locke, Eddie S. Meadows, Leonard B. Meyer, Ingrid Monson, John Shepherd, Christopher Small, Christopher A. Waterman, [The Theory of Participatory Discrepancies: A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Responses, Ethnomusicology, Vol. 39, No. 1, Special Issue: Participato…
African Rhythm
Choeurs royaux du Benin
Music in East Africa
Book Review| April 01 2007 Music in East Africa Music in East Africa, Gregory Barz. David Locke David Locke Search for other works by this author on: This Site Google Ethnomusicology (2007) 51 (2): 351–352. https://doi.org/10.2307/20174532 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation David Locke; Music in East Africa. Ethnomusicology 1 January 2007; 51 (2): 351–352. doi: https://doi.org/10.2307…
Simultaneous multidimensionality in African music
Simultaneous multidimensionality" names a condition prevalent in many African traditions of performance art in which music is coherent from different aural and kinesthetic perspectives at the same time. This changeable, plural quality is preset in composed musical works and, in musical performance, affects on-the-spot decisions. Simultaneously multidimensional music can have charismatic force that is capable of generating a transformative affecti…
Yewevuin the Metric Matrix
Being universitas
This paper considers what is at stake in the idea of universitas – a community of masters and scholars – in the context of the shifting landscape of higher education engendered by the COVID-19 pandemic. Drawing on the philosophy of Gabriel Marcel, we consider what it means to be together in a university community. We draw a distinction between the idea of ‘functioning’ as universitas and ‘being’ universitas, arguing that, that while universities …
Analysis and Perspectives on the ANA Avatar XPRIZE Competition
Art (11 works) · Visual arts (7 works) · Aesthetics (5 works) · History (5 works) · Diverse Musicological Studies (4 works) · Music History and Culture (4 works) · Musicology and Musical Analysis (4 works) · Computer Science (3 works) · Drum (3 works) · Geography (3 works)