Christopher A Waterman
Biographic Data
| ID | 75840 |
|---|---|
| NAME | Christopher A Waterman |
| GIVEN NAMES | Christopher A |
| FAMILY NAME | Waterman |
| SIGNATURE | WATERMAN C A |
| AFFILIATIONS | University of Washington |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 42 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 1 |
The Musical Human
Saying Something
In this work, Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about saying something through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has interactiveness at its core, in the creation of music through improvisational interaction,…
Chop and Quench
The Theory of Participatory Discrepancies
James R. Cowdery, Dane L. Harwood, James Kippen, Michele Kisliuk, David Locke, Eddie S. Meadows, Leonard B. Meyer, Ingrid Monson, John Shepherd, Christopher Small, Christopher A. Waterman, [The Theory of Participatory Discrepancies: A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Responses, Ethnomusicology, Vol. 39, No. 1, Special Issue: Participato…
Black Critics and Kings
Power and Performance
Social/Cultural Anthropology
Juju
Our Tradition Is a Very Modern Tradition
n Anthropology as Cultural Critique George Marcus and Michael Fischer pose a dilemma for those human sciences which rely upon ethnography as a mode of inquiry and representation, that is: to represent the embedding of richly described local cultural worlds in larger impersonal systems of political economy. This dilemma suggests a repositioning of ethnomusicological cliches about the continuity of change within an analytical framework concerned wi…
More than Drumming
In Township Tonight! South Africa's Black City Music and Theatre
I'm a Leader, Not a Boss
Our Tradition Is a Very Modern Tradition
n Anthropology as Cultural Critique George Marcus and Michael Fischer pose a dilemma for those human sciences which rely upon ethnography as a mode of inquiry and representation, that is: to represent the embedding of richly described local cultural worlds in larger impersonal systems of political economy. This dilemma suggests a repositioning of ethnomusicological cliches about the continuity of change within an analytical framework concerned wi…
I'm a Leader, Not a Boss
I'm a Leader, Not a Boss
In Township Tonight! South Africa's Black City Music and Theatre
More than Drumming
Our Tradition Is a Very Modern Tradition
n Anthropology as Cultural Critique George Marcus and Michael Fischer pose a dilemma for those human sciences which rely upon ethnography as a mode of inquiry and representation, that is: to represent the embedding of richly described local cultural worlds in larger impersonal systems of political economy. This dilemma suggests a repositioning of ethnomusicological cliches about the continuity of change within an analytical framework concerned wi…
Juju
Social/Cultural Anthropology
Black Critics and Kings
Power and Performance
The Theory of Participatory Discrepancies
James R. Cowdery, Dane L. Harwood, James Kippen, Michele Kisliuk, David Locke, Eddie S. Meadows, Leonard B. Meyer, Ingrid Monson, John Shepherd, Christopher Small, Christopher A. Waterman, [The Theory of Participatory Discrepancies: A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Responses, Ethnomusicology, Vol. 39, No. 1, Special Issue: Participato…
Chop and Quench
Saying Something
In this work, Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about saying something through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has interactiveness at its core, in the creation of music through improvisational interaction,…
The Musical Human
Sociology (8 works) · Art (7 works) · Music History and Culture (7 works) · Aesthetics (5 works) · Visual arts (5 works) · Diverse Musicological Studies (4 works) · History (4 works) · Linguistics (4 works) · Literature (4 works) · Musicology and Musical Analysis (4 works)