Rosemarie Scullion
Biographic Data
| ID | 758670 |
|---|---|
| NAME | Rosemarie Scullion |
| GIVEN NAMES | Rosemarie |
| FAMILY NAME | Scullion |
| SIGNATURE | SCULLION R |
| AFFILIATIONS | University of Iowa |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 18 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Mediating Memory: The Paris Commune and Postwar French Cinema
In the late summer of 1944, members of the Comité de la Libération du Cinéma Français (CLCF) seized the historical moment and captured on film the popular uprising that swept across the capital city in the week that preceded the arrival of Allied armies in Paris on 25 August, 1944. For filmmakers such as Jean Grémillon, an active member of the French Resistance and founding member of the CLCF, the scenes of ordinary Parisians battling Hitler’s oc…
Gasping for Breath: Democracy à bout de souffle
Gasping for Breath:Democracy à bout de souffle? Rosemarie Scullion (bio) In 1947, Winston Churchill looked out on the ruin in which Europe lay after the experience of totalitarian rule the continent had just survived and famously remarked: "Many forms of government have been tried, and will be tried in this world of sin and woe. No one pretends that democracy is perfect or all-wise. Indeed, it has been said that democracy is the worst form of gov…
This is our land!”: Owning the Nation in Luc Belvaux’s Chez Nous (2017)
Far-Right, white nationalist movements are now threatening liberal democracies across the West in ways not seen since the interwar years, turbulent times that set the stage for catastrophic violence that razed the European continent during World War II. In his recent film Chez Nous (2017), Luc Belvaux takes a fictional look at the inner workings of a far-right party striving to shed its identity as a fringe movement long steeped in racism, xenoph…
Unspeakable Histories: Film and the Experience of Catastrophe by William Guynn, and: On Tyranny: Twenty Lessons From the Twentieth-Century by Timothy Snyder
Reviewed by: Unspeakable Histories: Film and the Experience of Catastrophe by William Guynn, and: On Tyranny: Twenty Lessons From the Twentieth-Century by Timothy Snyder Rosemarie Scullion Guynn, William. Unspeakable Histories: Film and the Experience of Catastrophe. Columbia University Press, 2016. 251 pp. Snyder, Timothy. On Tyranny: Twenty Lessons From the Twentieth-Century. Tim Duggins Books, 2017. 128 pp. On the Lessons and Experience of His…
Lessons for the Neoliberal Age: Cinema and Social Solidarity from Jean Renoir to Jean-Pierre and Luc Dardenne
Introduction: From Engagé to Indigné: French Cinema and the Crises of Globalization
Introduction:From Engagé to Indigné: French Cinema and the Crises of Globalization Nathalie Rachlin (bio) and Rosemarie Scullion (bio) In 2010, two years after the global financial collapse that triggered the worst economic crisis since the Great Depression of the 1930s, the best-selling publication in France was not that year’s Prix Goncourt,1 Michel Houellebecq’s La carte et le territoire (The Map and the Territory), a novel published by Flamma…
France and the Maghreb: Performative Encounters
Reviewed by: France and the Maghreb: Performative Encounters Carla Calargé Translated by Rosemarie Scullion Rosello, Mireille . France and the Maghreb: Performative Encounters. Gainesville: University Press of Florida, 2005. Pp. 231. In the opening pages of Mireille Rosello's France and the Maghreb: Performative Encounters, the reader will find an answer to the question its title begs: "What is a 'performative encounter?'" Inspired by J. L. Austi…
Ersatz Materinty in Occupied France: Jean Stelli's Le Voile Bleu (1942)
On the Waterfront: "Class Action and Anti-Colonial Engagements in Paul Carpita's "Le Rendez-vous des quais
Rosemarie Scullion, On the Waterfront: Class Action and Anti-Colonial Engagements in Paul Carpita's "Le Rendez-vous des quais", South Central Review, Vol. 17, No. 3, Cinema Engage: Activist Filmmaking in French and Francophone Contexts (Autumn, 2000), pp. 35-49
Celine and the Politics of Difference
Francis Ponge, Le Savon, and the Occupation
poet's oeuvreJ The work occupies a pivotal position in development of Ponge's writing from Douze Petits Ecrits (1926), Le Parti pris des choses (1942) and other collections of short pieces, to more theoretical works such as Proemes (1948) or Mithodes (1961). It further marks poet's turn toward book-poem, or dossier-poem, form he adopted in Pour un Malherbe (1965), and Le Savon (1967), and continued to favor in La Fabrique du prd (1971), Comme une…
Georges Perec, W, and the Memory of Vichy France
At nightfall, the gates of the VWlodrome d'Hiver were closed, shutting in the stench which, of all the physical tortures inflicted on prisoners, proved to be the most difficult to bear.... From the first day, this pestilential smell settled over the place, and it is striking how all of the eyewitness accounts mention and agree on its pervasiveness and overpowering quality. The V~1 d'Hiv had been sealed. The swinging doors on the Rue Nelaton were …
Michel Foucault the Orientalist: "On Revolutionary Iran and the "Spirit of Islam
Uta Liebmann Schaub has observed that a meeting of East and West occurs in the writings of Michel Foucault where, she asserts, a strong undercurrent of Buddhist thought is detectable. Although he never explicitly acknowledged its influence, Foucault appears to have been seduced by a radical otherness in Eastern philosophy, consistently drawing upon its premises in his historical critique of modern Western subjectivity. Surprisingly, in her analys…
Vicious Circles: Immigration and National Identity in Twentieth-Century France
IN AUGUST 1993, THE FRENCH GOVERNMENT'S Journal Officiel published the terms of newly-adopted legislation designed, according to Interior Minister Charles Pasqua, to stem the tide of would-be immigrants threatening to overwhelm France's political, cultural and social institutions. Impelled by ambitions to see the country achieve a state of policy nirvana he called Zero Immigration,' between May and August 1993, Pasqua ushered into existence a clu…
Céline in Cross-Cultural Perspective
Research Article| April 01 1994 Céline in Cross-Cultural Perspective Rosemarie Scullion Rosemarie Scullion Search for other works by this author on: This Site Google South Atlantic Quarterly (1994) 93 (2): 513–522. https://doi.org/10.1215/00382876-93-2-513 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Rosemarie Scullion; Céline in Cross-Cultural Perspective. South Atlantic Quarterly 1 April 1994…
Celine and His Critics: Scandals and Paradox
Reproductions of Banality: Fascism, Literature and French Intellectual Life
Celine
Vicious Circles: Immigration and National Identity in Twentieth-Century France
IN AUGUST 1993, THE FRENCH GOVERNMENT'S Journal Officiel published the terms of newly-adopted legislation designed, according to Interior Minister Charles Pasqua, to stem the tide of would-be immigrants threatening to overwhelm France's political, cultural and social institutions. Impelled by ambitions to see the country achieve a state of policy nirvana he called Zero Immigration,' between May and August 1993, Pasqua ushered into existence a clu…
Introduction: From Engagé to Indigné: French Cinema and the Crises of Globalization
Introduction:From Engagé to Indigné: French Cinema and the Crises of Globalization Nathalie Rachlin (bio) and Rosemarie Scullion (bio) In 2010, two years after the global financial collapse that triggered the worst economic crisis since the Great Depression of the 1930s, the best-selling publication in France was not that year’s Prix Goncourt,1 Michel Houellebecq’s La carte et le territoire (The Map and the Territory), a novel published by Flamma…
France and the Maghreb: Performative Encounters
Reviewed by: France and the Maghreb: Performative Encounters Carla Calargé Translated by Rosemarie Scullion Rosello, Mireille . France and the Maghreb: Performative Encounters. Gainesville: University Press of Florida, 2005. Pp. 231. In the opening pages of Mireille Rosello's France and the Maghreb: Performative Encounters, the reader will find an answer to the question its title begs: "What is a 'performative encounter?'" Inspired by J. L. Austi…
Celine and the Politics of Difference
Georges Perec, W, and the Memory of Vichy France
At nightfall, the gates of the VWlodrome d'Hiver were closed, shutting in the stench which, of all the physical tortures inflicted on prisoners, proved to be the most difficult to bear.... From the first day, this pestilential smell settled over the place, and it is striking how all of the eyewitness accounts mention and agree on its pervasiveness and overpowering quality. The V~1 d'Hiv had been sealed. The swinging doors on the Rue Nelaton were …
Celine
Celine and His Critics: Scandals and Paradox
Reproductions of Banality: Fascism, Literature and French Intellectual Life
Céline in Cross-Cultural Perspective
Research Article| April 01 1994 Céline in Cross-Cultural Perspective Rosemarie Scullion Rosemarie Scullion Search for other works by this author on: This Site Google South Atlantic Quarterly (1994) 93 (2): 513–522. https://doi.org/10.1215/00382876-93-2-513 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Rosemarie Scullion; Céline in Cross-Cultural Perspective. South Atlantic Quarterly 1 April 1994…
Michel Foucault the Orientalist: "On Revolutionary Iran and the "Spirit of Islam
Uta Liebmann Schaub has observed that a meeting of East and West occurs in the writings of Michel Foucault where, she asserts, a strong undercurrent of Buddhist thought is detectable. Although he never explicitly acknowledged its influence, Foucault appears to have been seduced by a radical otherness in Eastern philosophy, consistently drawing upon its premises in his historical critique of modern Western subjectivity. Surprisingly, in her analys…
Vicious Circles: Immigration and National Identity in Twentieth-Century France
IN AUGUST 1993, THE FRENCH GOVERNMENT'S Journal Officiel published the terms of newly-adopted legislation designed, according to Interior Minister Charles Pasqua, to stem the tide of would-be immigrants threatening to overwhelm France's political, cultural and social institutions. Impelled by ambitions to see the country achieve a state of policy nirvana he called Zero Immigration,' between May and August 1993, Pasqua ushered into existence a clu…
Celine and the Politics of Difference
Francis Ponge, Le Savon, and the Occupation
poet's oeuvreJ The work occupies a pivotal position in development of Ponge's writing from Douze Petits Ecrits (1926), Le Parti pris des choses (1942) and other collections of short pieces, to more theoretical works such as Proemes (1948) or Mithodes (1961). It further marks poet's turn toward book-poem, or dossier-poem, form he adopted in Pour un Malherbe (1965), and Le Savon (1967), and continued to favor in La Fabrique du prd (1971), Comme une…
Georges Perec, W, and the Memory of Vichy France
At nightfall, the gates of the VWlodrome d'Hiver were closed, shutting in the stench which, of all the physical tortures inflicted on prisoners, proved to be the most difficult to bear.... From the first day, this pestilential smell settled over the place, and it is striking how all of the eyewitness accounts mention and agree on its pervasiveness and overpowering quality. The V~1 d'Hiv had been sealed. The swinging doors on the Rue Nelaton were …
On the Waterfront: "Class Action and Anti-Colonial Engagements in Paul Carpita's "Le Rendez-vous des quais
Rosemarie Scullion, On the Waterfront: Class Action and Anti-Colonial Engagements in Paul Carpita's "Le Rendez-vous des quais", South Central Review, Vol. 17, No. 3, Cinema Engage: Activist Filmmaking in French and Francophone Contexts (Autumn, 2000), pp. 35-49
France and the Maghreb: Performative Encounters
Reviewed by: France and the Maghreb: Performative Encounters Carla Calargé Translated by Rosemarie Scullion Rosello, Mireille . France and the Maghreb: Performative Encounters. Gainesville: University Press of Florida, 2005. Pp. 231. In the opening pages of Mireille Rosello's France and the Maghreb: Performative Encounters, the reader will find an answer to the question its title begs: "What is a 'performative encounter?'" Inspired by J. L. Austi…
Ersatz Materinty in Occupied France: Jean Stelli's Le Voile Bleu (1942)
Lessons for the Neoliberal Age: Cinema and Social Solidarity from Jean Renoir to Jean-Pierre and Luc Dardenne
Introduction: From Engagé to Indigné: French Cinema and the Crises of Globalization
Introduction:From Engagé to Indigné: French Cinema and the Crises of Globalization Nathalie Rachlin (bio) and Rosemarie Scullion (bio) In 2010, two years after the global financial collapse that triggered the worst economic crisis since the Great Depression of the 1930s, the best-selling publication in France was not that year’s Prix Goncourt,1 Michel Houellebecq’s La carte et le territoire (The Map and the Territory), a novel published by Flamma…
Unspeakable Histories: Film and the Experience of Catastrophe by William Guynn, and: On Tyranny: Twenty Lessons From the Twentieth-Century by Timothy Snyder
Reviewed by: Unspeakable Histories: Film and the Experience of Catastrophe by William Guynn, and: On Tyranny: Twenty Lessons From the Twentieth-Century by Timothy Snyder Rosemarie Scullion Guynn, William. Unspeakable Histories: Film and the Experience of Catastrophe. Columbia University Press, 2016. 251 pp. Snyder, Timothy. On Tyranny: Twenty Lessons From the Twentieth-Century. Tim Duggins Books, 2017. 128 pp. On the Lessons and Experience of His…
This is our land!”: Owning the Nation in Luc Belvaux’s Chez Nous (2017)
Far-Right, white nationalist movements are now threatening liberal democracies across the West in ways not seen since the interwar years, turbulent times that set the stage for catastrophic violence that razed the European continent during World War II. In his recent film Chez Nous (2017), Luc Belvaux takes a fictional look at the inner workings of a far-right party striving to shed its identity as a fringe movement long steeped in racism, xenoph…
Mediating Memory: The Paris Commune and Postwar French Cinema
In the late summer of 1944, members of the Comité de la Libération du Cinéma Français (CLCF) seized the historical moment and captured on film the popular uprising that swept across the capital city in the week that preceded the arrival of Allied armies in Paris on 25 August, 1944. For filmmakers such as Jean Grémillon, an active member of the French Resistance and founding member of the CLCF, the scenes of ordinary Parisians battling Hitler’s oc…
Gasping for Breath: Democracy à bout de souffle
Gasping for Breath:Democracy à bout de souffle? Rosemarie Scullion (bio) In 1947, Winston Churchill looked out on the ruin in which Europe lay after the experience of totalitarian rule the continent had just survived and famously remarked: "Many forms of government have been tried, and will be tried in this world of sin and woe. No one pretends that democracy is perfect or all-wise. Indeed, it has been said that democracy is the worst form of gov…
Art (13 works) · History (10 works) · Law (10 works) · Political science (10 works) · Politics (8 works) · Sociology (8 works) · Art history (7 works) · French Historical and Cultural Studies (7 works) · Democracy (4 works) · Italian Fascism and Post-war Society (4 works)