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Charles R Batson

Biographic Data

ID758702
NAMECharles R Batson
GIVEN NAMESCharles R
FAMILY NAMEBatson
SIGNATUREBATSON C R
AFFILIATIONSUnion College
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS2
WORKS AS AUTHOR15
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Circo

    Open Access•Olga Lucía Sorzano, Julieta Infantino et al.•ARTICLE•Corpo Grafías Estudios críticos…•2024

    La presente edición de Corpo-grafías, incluye un dossier especial de estudios de circo, con una selección de 11 artículos originalmente presentados en la cuarta edición de la conferencia internacional de estudios de circo Circus and its Others [Circo y sus Otros, en adelante CaiO] que se realizó en Bogotá a inicios de 2024, con el propósito de promover y difundir esta área de estudios en Colombia y Latinoamérica; una traducción al español de Sorz…

  • April in Paris

    Open Access•Charles R Batson•ARTICLE•French History•2020

    April in Paris: Theatricality, Modernism, and Politics at the 1925 Art Deco Expo April in Paris: Theatricality, Modernism, and Politics at the 1925 Art Deco Expo. By Irena R Makaryk. Toronto: University of Toronto Press. 2018. 298 pp. £52.99. ISBN: 9781487503727. Charles R Batson Charles R Batson Union College Search for other works by this author on: Oxford Academic Google Scholar French History, Volume 34, Issue 3, September 2020, Pages 399–401…

  • Introduction

    Charles R Batson, Denis M Provencher•ARTICLE•Contemporary French Civilization•2018

  • Bagne , a queer re-creation

    Charles R Batson•ARTICLE•Contemporary French Civilization•2018

  • Pink, Cirque and the Québécisation de l’industrie

    Open Access•Charles R Batson•ARTICLE•London Journal of Canadian Studies•2017

    On 31 January 2010, during the broadcast of the 52 nd Grammy awards, the multiple-prize-winning vocal artist Pink offered a performance of the hit single Glitter in the Air that stunned many viewers. Spectators present in Los Angeles’s Staples Center, along with those watching via electronic media that reached some 26 million people through television in the United States alone, were both thrilled and astonished. ‘C’est la Québécisation de l’indu…

  • Cirque Global

    Louis Patrick Leroux, Charles R Batson•EDITOR•BOOK•Cirque Global•2016

  • Les 7 doigts de la main and Their Cirque

    Open Access•Charles R Batson•CHAPTER•Cirque Global•2016

  • Queer (Again) in Québec

    Charles R Batson, Denis M Provencher•ARTICLE•Quebec Studies•2016

  • Feeling, Doing, Acting, Seeing, Being Queer in Québec

    Charles R Batson, Denis M Provencher•ARTICLE•Quebec Studies•2015

  • Pink, Cirque, and the Québécisation de l'industrie

    Charles R Batson, Charles Batson•ARTICLE•Quebec Studies•2014

    During the broadcast of the 2010 Grammy Awards, the vocal artist Pink offered an aerial performance that immediately was labeled "Cirque du Soleil-esque" in the popular media and elicited a remark that her work pointed to "la Québécisation de l'industrie." This article explores this celebration of a Québécois influence on, evens signs of Québec itself in, the performance industry in the United States. Through an analysis of genealogies of both th…

  • BêTes De ScèNe”

    Charles R Batson•ARTICLE•Contemporary French and…•2012•References: 2

    The 2010 première of Cirque du Soleil's Totem immediately sparked comments about the human animal at the heart of the show. With his mise-en-scène tracking an evolutionary journey from the beginnings of life to human development of flight, Robert Lepage expressly calls attention to the animal in the human. This article traces particular moments of the spectacle that underscore a reading in which limits are disturbed and where the ordinary and the…

  • Dis/locating dominion

    Charles R Batson, Charles Batson•ARTICLE•Contemporary French Civilization•2012

    This article proposes to excavate layers of queer constellations around the Montreal of Rene-Daniel Dubois's 1985 stage-play Being at Home with Claude and its 1992 cinematic adaption by Jean Beaudin. Presenting a city, which, at its heart, is populated and marked by men having homosex, this analysis uncovers possibilities for a queered urban space and national identity. Revealing a queer Montreal that is an intersection of (re)appropriated public…

  • Introduction

    Charles R Batson, Charles Batson et al.•ARTICLE•Contemporary French Civilization•2012

  • Panique Celtique

    Charles R Batson•ARTICLE•French Politics Culture & Society•2009

  • Men in Tights

    Charles R Batson, Charles Batson•ARTICLE•Contemporary French Civilization•2004•Cited by: 1•References: 6

  • Borlin, masculinity, and L'Homme et son désir

    Charles R Batson•ARTICLE•Dance Chronicle•1999•Cited by: 1•References: 1

    M. Jean Borlin, bastard son of the king of Sweden, has come to Paris to show us his thighs and his navel. ... In one of his latest choreographic manifestations [L'Homme et son desir], he appears completely naked. Naked women, on stage, that finally can be understood. It is permissible for a daughter of Eve to believe herself well enough made to show her nakedness to all passersby; and besides, women have no shame, everyone knows that.... The nake…

  • Men in Tights

    Charles R Batson, Charles Batson•ARTICLE•Contemporary French Civilization•2004•Cited by: 1•References: 6

  • Borlin, masculinity, and L'Homme et son désir

    Charles R Batson•ARTICLE•Dance Chronicle•1999•Cited by: 1•References: 1

    M. Jean Borlin, bastard son of the king of Sweden, has come to Paris to show us his thighs and his navel. ... In one of his latest choreographic manifestations [L'Homme et son desir], he appears completely naked. Naked women, on stage, that finally can be understood. It is permissible for a daughter of Eve to believe herself well enough made to show her nakedness to all passersby; and besides, women have no shame, everyone knows that.... The nake…

  • Borlin, masculinity, and L'Homme et son désir

    Charles R Batson•ARTICLE•Dance Chronicle•1999•Cited by: 1•References: 1

    M. Jean Borlin, bastard son of the king of Sweden, has come to Paris to show us his thighs and his navel. ... In one of his latest choreographic manifestations [L'Homme et son desir], he appears completely naked. Naked women, on stage, that finally can be understood. It is permissible for a daughter of Eve to believe herself well enough made to show her nakedness to all passersby; and besides, women have no shame, everyone knows that.... The nake…

  • Men in Tights

    Charles R Batson, Charles Batson•ARTICLE•Contemporary French Civilization•2004•Cited by: 1•References: 6

  • Panique Celtique

    Charles R Batson•ARTICLE•French Politics Culture & Society•2009

  • BêTes De ScèNe”

    Charles R Batson•ARTICLE•Contemporary French and…•2012•References: 2

    The 2010 première of Cirque du Soleil's Totem immediately sparked comments about the human animal at the heart of the show. With his mise-en-scène tracking an evolutionary journey from the beginnings of life to human development of flight, Robert Lepage expressly calls attention to the animal in the human. This article traces particular moments of the spectacle that underscore a reading in which limits are disturbed and where the ordinary and the…

  • Dis/locating dominion

    Charles R Batson, Charles Batson•ARTICLE•Contemporary French Civilization•2012

    This article proposes to excavate layers of queer constellations around the Montreal of Rene-Daniel Dubois's 1985 stage-play Being at Home with Claude and its 1992 cinematic adaption by Jean Beaudin. Presenting a city, which, at its heart, is populated and marked by men having homosex, this analysis uncovers possibilities for a queered urban space and national identity. Revealing a queer Montreal that is an intersection of (re)appropriated public…

  • Introduction

    Charles R Batson, Charles Batson et al.•ARTICLE•Contemporary French Civilization•2012

  • Pink, Cirque, and the Québécisation de l'industrie

    Charles R Batson, Charles Batson•ARTICLE•Quebec Studies•2014

    During the broadcast of the 2010 Grammy Awards, the vocal artist Pink offered an aerial performance that immediately was labeled "Cirque du Soleil-esque" in the popular media and elicited a remark that her work pointed to "la Québécisation de l'industrie." This article explores this celebration of a Québécois influence on, evens signs of Québec itself in, the performance industry in the United States. Through an analysis of genealogies of both th…

  • Feeling, Doing, Acting, Seeing, Being Queer in Québec

    Charles R Batson, Denis M Provencher•ARTICLE•Quebec Studies•2015

  • Cirque Global

    Louis Patrick Leroux, Charles R Batson•EDITOR•BOOK•Cirque Global•2016

  • Les 7 doigts de la main and Their Cirque

    Open Access•Charles R Batson•CHAPTER•Cirque Global•2016

  • Queer (Again) in Québec

    Charles R Batson, Denis M Provencher•ARTICLE•Quebec Studies•2016

  • Pink, Cirque and the Québécisation de l’industrie

    Open Access•Charles R Batson•ARTICLE•London Journal of Canadian Studies•2017

    On 31 January 2010, during the broadcast of the 52 nd Grammy awards, the multiple-prize-winning vocal artist Pink offered a performance of the hit single Glitter in the Air that stunned many viewers. Spectators present in Los Angeles’s Staples Center, along with those watching via electronic media that reached some 26 million people through television in the United States alone, were both thrilled and astonished. ‘C’est la Québécisation de l’indu…

  • Introduction

    Charles R Batson, Denis M Provencher•ARTICLE•Contemporary French Civilization•2018

  • Bagne , a queer re-creation

    Charles R Batson•ARTICLE•Contemporary French Civilization•2018

  • April in Paris

    Open Access•Charles R Batson•ARTICLE•French History•2020

    April in Paris: Theatricality, Modernism, and Politics at the 1925 Art Deco Expo April in Paris: Theatricality, Modernism, and Politics at the 1925 Art Deco Expo. By Irena R Makaryk. Toronto: University of Toronto Press. 2018. 298 pp. £52.99. ISBN: 9781487503727. Charles R Batson Charles R Batson Union College Search for other works by this author on: Oxford Academic Google Scholar French History, Volume 34, Issue 3, September 2020, Pages 399–401…

  • Circo

    Open Access•Olga Lucía Sorzano, Julieta Infantino et al.•ARTICLE•Corpo Grafías Estudios críticos…•2024

    La presente edición de Corpo-grafías, incluye un dossier especial de estudios de circo, con una selección de 11 artículos originalmente presentados en la cuarta edición de la conferencia internacional de estudios de circo Circus and its Others [Circo y sus Otros, en adelante CaiO] que se realizó en Bogotá a inicios de 2024, con el propósito de promover y difundir esta área de estudios en Colombia y Latinoamérica; una traducción al español de Sorz…

Art (11 works) · Canadian Identity and History (8 works) · Art history (6 works) · French Historical and Cultural Studies (6 works) · Sociology (6 works) · Gender Studies (5 works) · Queer (5 works) · Cirque (4 works) · Geography (4 works) · History (4 works)

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