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Kate Kangaslahti

Biographic Data

ID759101
NAMEKate Kangaslahti
GIVEN NAMESKate
FAMILY NAMEKangaslahti
SIGNATUREKANGASLAHTI K
AFFILIATIONSKatholieke Universiteit (KU) Leuven
ORCID0000-0001-8534-4619
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS1
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2018
H-INDEX1
  • The (French) origins and development of international independent Art at the Musée du Jeu de Paume in 1937

    Open Access•Kate Kangaslahti•ARTICLE•MODOS Revista de História da Arte•2018•Cited by: 1

    Em abril de 1937, Wassily Kandinsky, ressentido pelo fato de os artistas surrealistas e abstratos estrangeiros terem sido amplamente excluídos da Exposição Internacional, em Paris, daquele ano, aproximou-se do diretor do Musée du Jeu de Paume visando montar uma mostra de arte contemporânea. Três meses mais tarde, o museu inaugurou uma exposição de pequena escala, mas bastante ambiciosa: Origens e desenvolvimento da arte internacional independente…

  • A forum for encounters

    Kate Kangaslahti•ARTICLE•Contemporary French Civilization•2017

    When Cahiers d’Art first appeared in Paris in 1926, the new publication was quickly prized among the international cognoscenti for the diversity of its contents and the quality of its photographic reproductions. Founding editor Christian Zervos deftly intermixed a diverse range of subjects and approaches in the pages of his review. This essay examines how, why, and to what lasting effect the editor and his contributors interlaced European modern …

  • The (French) origins and development of international independent Art at the Musée du Jeu de Paume in 1937

    Open Access•Kate Kangaslahti•ARTICLE•MODOS Revista de História da Arte•2018•Cited by: 1

    Em abril de 1937, Wassily Kandinsky, ressentido pelo fato de os artistas surrealistas e abstratos estrangeiros terem sido amplamente excluídos da Exposição Internacional, em Paris, daquele ano, aproximou-se do diretor do Musée du Jeu de Paume visando montar uma mostra de arte contemporânea. Três meses mais tarde, o museu inaugurou uma exposição de pequena escala, mas bastante ambiciosa: Origens e desenvolvimento da arte internacional independente…

  • A forum for encounters

    Kate Kangaslahti•ARTICLE•Contemporary French Civilization•2017

    When Cahiers d’Art first appeared in Paris in 1926, the new publication was quickly prized among the international cognoscenti for the diversity of its contents and the quality of its photographic reproductions. Founding editor Christian Zervos deftly intermixed a diverse range of subjects and approaches in the pages of his review. This essay examines how, why, and to what lasting effect the editor and his contributors interlaced European modern …

  • The (French) origins and development of international independent Art at the Musée du Jeu de Paume in 1937

    Open Access•Kate Kangaslahti•ARTICLE•MODOS Revista de História da Arte•2018•Cited by: 1

    Em abril de 1937, Wassily Kandinsky, ressentido pelo fato de os artistas surrealistas e abstratos estrangeiros terem sido amplamente excluídos da Exposição Internacional, em Paris, daquele ano, aproximou-se do diretor do Musée du Jeu de Paume visando montar uma mostra de arte contemporânea. Três meses mais tarde, o museu inaugurou uma exposição de pequena escala, mas bastante ambiciosa: Origens e desenvolvimento da arte internacional independente…

Art (2 works) · French Historical and Cultural Studies (2 works) · Historical Studies and Socio-cultural Analysis (2 works) · Humanities (2 works) · Art history (1 work) · Contemporary art (1 work) · Cultural Identity and Heritage (1 work) · History, Culture, and Diplomacy (1 work) · Law (1 work) · Opposition (politics) (1 work)

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