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Willem Adriaansz

Biographic Data

ID75918
NAMEWillem Adriaansz
GIVEN NAMESWillem
FAMILY NAMEAdriaansz
SIGNATUREADRIAANSZ W
VERIFIEDNo
TOTAL WORKS21
TOTAL CITATIONS4
AUTHOR COUNT21
EDITOR COUNT0
FIRST PUBLICATION YEAR1966
LATEST PUBLICATION YEAR1981
H-INDEX1
  • Introduction to Shamisen Kumiuta

    Yoshihiko Tokumaru, Willem Adriaansz•ARTICLE•Ethnomusicology•1981

  • Japanese

    Laurence Picken, Willem Adriaansz•ARTICLE•The Musical Times•1980

  • Introduction to Shamisen Kumiuta

    Henry Burnett, Willem Adriaansz•ARTICLE•Yearbook of the International…•1979

  • The Kumiuta and Danmono Traditions of Japanese Koto Music

    Ury Eppstein, Willem Adriaansz•ARTICLE•Monumenta Nipponica•1975•Cited by: 4

  • The Kumiuta and Danmono Traditions of Japanese Koto Music

    Bonnie C Wade, Bonnie Wade et al.•ARTICLE•Ethnomusicology•1975

  • A History of Japanese Music

    Willem Adriaansz, Eta Harich-Schneider et al.•ARTICLE•Monumenta Nipponica•1974

    This study provides a chronological survey of two thousand years of musical activity in Japan. It begins with evidence discovered in prehistoric excavations, and includes discussions of surviving instruments, pictorial evidence, written records of successive periods, and the modern acceptance of Western music. Offering a comprensive view of the changes, developments, and consistencies in Japanese music-making, Harich-Schneider presents the social…

  • Kagok: A Traditional Korean Vocal Form

    Willem Adriaansz, Bang-Song Song et al.•ARTICLE•Ethnomusicology•1974

  • The Kumiuta and Danmono Traditions of Japanese Koto Music

    Willem Adriaansz•BOOK•The Kumiuta and Danmono…•1973

  • The Music of Viet-Nam

    Willem Adriaansz, Tran Van Khe et al.•ARTICLE•Ethnomusicology•1972

  • The Yatsuhashi-Ryu. A Seventeenth Century School of Koto Music

    Willem Adriaansz•ARTICLE•Acta Musicologica•1971

  • The Music of Tibetan Buddhism

    Willem Adriaansz, Peter Crossley-Holland•ARTICLE•Ethnomusicology•1970

  • Rosai

    Willem Adriaansz•ARTICLE•Ethnomusicology•1969

  • Southeastern Europe

    Willem Adriaansz, Vilma Matchette•ARTICLE•Journal of American Folklore•1968

  • Reply to Kikkawa and Holvik

    Willem Adriaansz•ARTICLE•Ethnomusicology•1968

  • Eastern Music

    Willem Adriaansz•ARTICLE•Journal of American Folklore•1968

  • Japan. Unesco Collection--A Musical Anthology of the Orient

    Willem Adriaansz, Alain Danielou•ARTICLE•Ethnomusicology•1968

  • Les traditions musicales

    Willem Adriaansz•ARTICLE•Ethnomusicology•1968

  • The Koto Music of Japan

    Willem Adriaansz, Hagiwara et al.•ARTICLE•Ethnomusicology•1968

  • Korea: Vocal and Instrumental Music

    Willem Adriaansz, Paul M Ochojski et al.•ARTICLE•Ethnomusicology•1967

  • Research into the Chronology of Danmono

    Willem Adriaansz•ARTICLE•Ethnomusicology•1967

    The origins of the modern repertoire for the koto-the thirteenstringed Japanese zither-are not completely clear. It is known that by the middle of the Heian period (794-1185) a literature for solo koto had developed among the court aristocracy. This music, however, was lost during the turbulent Japanese Middle Ages and our knowledge of it depends entirely on literary sources of the late Heian and early Kamakura (1185-1336) periods, such as the Ge…

  • The Ballad-Drama of Medieval Japan

    Willem Adriaansz, James T Araki•ARTICLE•Ethnomusicology•1966

  • The Kumiuta and Danmono Traditions of Japanese Koto Music

    Ury Eppstein, Willem Adriaansz•ARTICLE•Monumenta Nipponica•1975•Cited by: 4

  • The Ballad-Drama of Medieval Japan

    Willem Adriaansz, James T Araki•ARTICLE•Ethnomusicology•1966

  • Korea: Vocal and Instrumental Music

    Willem Adriaansz, Paul M Ochojski et al.•ARTICLE•Ethnomusicology•1967

  • Research into the Chronology of Danmono

    Willem Adriaansz•ARTICLE•Ethnomusicology•1967

    The origins of the modern repertoire for the koto-the thirteenstringed Japanese zither-are not completely clear. It is known that by the middle of the Heian period (794-1185) a literature for solo koto had developed among the court aristocracy. This music, however, was lost during the turbulent Japanese Middle Ages and our knowledge of it depends entirely on literary sources of the late Heian and early Kamakura (1185-1336) periods, such as the Ge…

  • Southeastern Europe

    Willem Adriaansz, Vilma Matchette•ARTICLE•Journal of American Folklore•1968

  • Reply to Kikkawa and Holvik

    Willem Adriaansz•ARTICLE•Ethnomusicology•1968

  • Eastern Music

    Willem Adriaansz•ARTICLE•Journal of American Folklore•1968

  • Japan. Unesco Collection--A Musical Anthology of the Orient

    Willem Adriaansz, Alain Danielou•ARTICLE•Ethnomusicology•1968

  • Les traditions musicales

    Willem Adriaansz•ARTICLE•Ethnomusicology•1968

  • The Koto Music of Japan

    Willem Adriaansz, Hagiwara et al.•ARTICLE•Ethnomusicology•1968

  • Rosai

    Willem Adriaansz•ARTICLE•Ethnomusicology•1969

  • The Music of Tibetan Buddhism

    Willem Adriaansz, Peter Crossley-Holland•ARTICLE•Ethnomusicology•1970

  • The Yatsuhashi-Ryu. A Seventeenth Century School of Koto Music

    Willem Adriaansz•ARTICLE•Acta Musicologica•1971

  • The Music of Viet-Nam

    Willem Adriaansz, Tran Van Khe et al.•ARTICLE•Ethnomusicology•1972

  • The Kumiuta and Danmono Traditions of Japanese Koto Music

    Willem Adriaansz•BOOK•The Kumiuta and Danmono…•1973

  • A History of Japanese Music

    Willem Adriaansz, Eta Harich-Schneider et al.•ARTICLE•Monumenta Nipponica•1974

    This study provides a chronological survey of two thousand years of musical activity in Japan. It begins with evidence discovered in prehistoric excavations, and includes discussions of surviving instruments, pictorial evidence, written records of successive periods, and the modern acceptance of Western music. Offering a comprensive view of the changes, developments, and consistencies in Japanese music-making, Harich-Schneider presents the social…

  • Kagok: A Traditional Korean Vocal Form

    Willem Adriaansz, Bang-Song Song et al.•ARTICLE•Ethnomusicology•1974

  • The Kumiuta and Danmono Traditions of Japanese Koto Music

    Ury Eppstein, Willem Adriaansz•ARTICLE•Monumenta Nipponica•1975•Cited by: 4

  • The Kumiuta and Danmono Traditions of Japanese Koto Music

    Bonnie C Wade, Bonnie Wade et al.•ARTICLE•Ethnomusicology•1975

  • Introduction to Shamisen Kumiuta

    Henry Burnett, Willem Adriaansz•ARTICLE•Yearbook of the International…•1979

  • Japanese

    Laurence Picken, Willem Adriaansz•ARTICLE•The Musical Times•1980

  • Introduction to Shamisen Kumiuta

    Yoshihiko Tokumaru, Willem Adriaansz•ARTICLE•Ethnomusicology•1981

Art (10 works) · Asian Culture and Media Studies (10 works) · History (9 works) · Japanese History and Culture (5 works) · Visual arts (5 works) · Computer Science (4 works) · Psychology (4 works) · Geography (3 works) · Musicology and Musical Analysis (3 works) · Archaeology (2 works)

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