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Jerome Klinkowitz

Biographic Data

ID760895
NAMEJerome Klinkowitz
GIVEN NAMESJerome
FAMILY NAMEKlinkowitz
SIGNATUREKLINKOWITZ J
VERIFIEDNo
TOTAL WORKS31
TOTAL CITATIONS0
AUTHOR COUNT31
EDITOR COUNT0
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2012
H-INDEX0
  • Vonnegut in Fact

    Jerome Klinkowitz•BOOK•Vonnegut in Fact•2012

  • Conversations with Clarence Major

    Jerome Klinkowitz, Nancy Bunge•ARTICLE•African American Review•2003

  • Clarence Major and His Art

    Jerome Klinkowitz, Bernard W Bell•ARTICLE•African American Review•2001

  • Containment Culture

    Jerome Klinkowitz, Alan Nadel•ARTICLE•American Literature•1996

  • Life of Death

    Jerome Klinkowitz, Philip Lewis•ARTICLE•African American Review•1996

  • Fire and Power

    Jerome Klinkowitz, William D Atwill•ARTICLE•American Literature•1995

    This text maps the cultural contours of space-age America through readings of some of the era's narratives. It is argued that these texts comprise a literary history of the space age, an exploration of the novel's possibilities in uncertain times and a critique of postwar society

  • Clarence Major's Innovative Fiction

    Jerome Klinkowitz•ARTICLE•African American Review•1994

    In a novel,Clarence Major told interviewer John O'Brien only thing you really have is words. You begin with words, and you end with words. The content exists in our minds. I don't firm it has to be a reflection of anything(130). With this statement Major separated himself from the dominantly realistic tradition of both commercial publishing and the academic canon and identified his work with the disruptively experimental style being explored by w…

  • What Comes Next

    Jerome Klinkowitz•ARTICLE•ANQ A Quarterly Journal of Short…•1992

  • Donald Barthelme

    Glen Scott Allen, Jerome Klinkowitz•ARTICLE•American Literature•1992

  • Structuring the Void

    Samuel Chase Coale, Samuel Coale et al.•ARTICLE•American Literature•1992

    If, as the literary theorists of postmodernism contend, does not exist, then how can fiction continue to be written? Jerome Klinkowitz, himself a veteran practitioner and theorist of fiction, addresses this question in Structuring the Void, an account of what today's novelists and short story writers do when they produce a fictive work. Klinkowitz's focus is on the way in which writers have turned this lack of content itself into subject matter, …

  • The New American Novel of Manners

    Edward Haworth Hoeppner, Jerome Klinkowitz•ARTICLE•South Atlantic Review•1988

  • "The West German and American Editions of Peter Handke's "Das Gewicht der Welt

    Fritz Konig, Jerome Klinkowitz•ARTICLE•German Studies Review•1988

  • God the Artist

    Jerome Klinkowitz, Jan Gorak•ARTICLE•American Literature•1987

  • The New American Novel of Manners

    Frank R Cunningham, Jerome Klinkowitz•ARTICLE•American Literature•1987

  • The Novel as Performance

    B Mch, Jerzy Kutnik et al.•ARTICLE•Poetics Today•1987

  • Pynchon's Mythography

    B Mch, Kathryn Hume et al.•ARTICLE•Poetics Today•1987

    The exhausting plenitude of loosely connected detail in Gravity s Rainbow makes it a favorite of postmodern critics, who claim it describes a modern, random, unknowable universe. Hume expands the possibilities as she discloses a mythic structure that underlies Pynchon s work and provides easier access to his Myth turns chaos into cosmos, Hume explains, describing how the profuse detail of Pynchon s book allows for the creation of a world humankin…

  • Words in Reflection

    Jerome Klinkowitz, Allen Thiher•ARTICLE•SubStance•1986

  • Peter Handke and the Post-Modern Transformation

    Judith Ricker-Abderhalden, Jerome Klinkowitz et al.•ARTICLE•German Studies Review•1985

  • The Self-Apparent Word

    Melvin J Friedman, Jerome Klinkowitz•ARTICLE•American Literature•1985

    The novel dead was the cry of the 1960s, and so it was as an authoritative report concerning the world; but from that death, Klinkowitz argues, arose a form of writing that celebrates the creative process, a narrative that not about something but is something.Klinkowitz first characterizes the modern fiction of the earlier 20th century wherein the word fades into the background because the story line forms the essence of the fiction. Thus the wor…

  • The Self-Apparent Word

    Curtis White, Jerome Klinkowitz•ARTICLE•SubStance•1985

  • The Exploded Form

    Jerome Klinkowitz, James M Mellard•ARTICLE•South Atlantic Review•1982

  • The American 1960s

    Jerome Klinkowitz•ARTICLE•Poetics Today•1982

  • Pynchon's Fictions

    Jerome Klinkowitz, John Stark•ARTICLE•American Literature•1981

  • Literary Disruptions

    James H Justus, Jerome Klinkowitz•ARTICLE•American Literature•1981

  • The Diaries of Willard Motley

    Robert E Fleming, Jerome Klinkowitz•ARTICLE•Black American Literature Forum•1980

Next

No prominent works on this page.

  • The Vonnegut Statement

    Richard Boyd Hauck, R Hauck et al.•ARTICLE•American Literature•1974

  • Literary Disruptions

    Larry Mccaffery, Jerome Klinkowitz•ARTICLE•boundary 2•1976

  • Literary Disruptions

    Brom Weber, Jerome Klinkowitz•ARTICLE•American Literature•1976

  • Kurt Vonnegut

    Jerome Klinkowitz, James Lundquist•ARTICLE•American Literature•1978

  • It Takes a Large Cemetery to Bury All of Our Dreams

    Bernie Lovely, Jerome Klinkowitz•ARTICLE•Callaloo•1979

  • The Diaries of Willard Motley

    Robert E Fleming, Jerome Klinkowitz•ARTICLE•Black American Literature Forum•1980

  • Avant-Garde and after

    Jerome Klinkowitz•ARTICLE•SubStance•1980

    American fiction in the 1970s had stood at the brink of degeneration or transformation, of death or rebirth, according to which critical school one heeds. By the end of the previous decade its self-consciously problematic nature, dating back to Hawthorne's prefaces and Howells' theology of realism, clearly had reached the point of crisis. The issues were representation and mimesis-with one group of novelists and critics insisting that the true ar…

  • Pynchon's Fictions

    Jerome Klinkowitz, John Stark•ARTICLE•American Literature•1981

  • Literary Disruptions

    James H Justus, Jerome Klinkowitz•ARTICLE•American Literature•1981

  • The Exploded Form

    Jerome Klinkowitz, James M Mellard•ARTICLE•South Atlantic Review•1982

  • The American 1960s

    Jerome Klinkowitz•ARTICLE•Poetics Today•1982

  • Peter Handke and the Post-Modern Transformation

    Judith Ricker-Abderhalden, Jerome Klinkowitz et al.•ARTICLE•German Studies Review•1985

  • The Self-Apparent Word

    Melvin J Friedman, Jerome Klinkowitz•ARTICLE•American Literature•1985

    The novel dead was the cry of the 1960s, and so it was as an authoritative report concerning the world; but from that death, Klinkowitz argues, arose a form of writing that celebrates the creative process, a narrative that not about something but is something.Klinkowitz first characterizes the modern fiction of the earlier 20th century wherein the word fades into the background because the story line forms the essence of the fiction. Thus the wor…

  • The Self-Apparent Word

    Curtis White, Jerome Klinkowitz•ARTICLE•SubStance•1985

  • Words in Reflection

    Jerome Klinkowitz, Allen Thiher•ARTICLE•SubStance•1986

  • God the Artist

    Jerome Klinkowitz, Jan Gorak•ARTICLE•American Literature•1987

  • The New American Novel of Manners

    Frank R Cunningham, Jerome Klinkowitz•ARTICLE•American Literature•1987

  • The Novel as Performance

    B Mch, Jerzy Kutnik et al.•ARTICLE•Poetics Today•1987

  • Pynchon's Mythography

    B Mch, Kathryn Hume et al.•ARTICLE•Poetics Today•1987

    The exhausting plenitude of loosely connected detail in Gravity s Rainbow makes it a favorite of postmodern critics, who claim it describes a modern, random, unknowable universe. Hume expands the possibilities as she discloses a mythic structure that underlies Pynchon s work and provides easier access to his Myth turns chaos into cosmos, Hume explains, describing how the profuse detail of Pynchon s book allows for the creation of a world humankin…

  • The New American Novel of Manners

    Edward Haworth Hoeppner, Jerome Klinkowitz•ARTICLE•South Atlantic Review•1988

  • "The West German and American Editions of Peter Handke's "Das Gewicht der Welt

    Fritz Konig, Jerome Klinkowitz•ARTICLE•German Studies Review•1988

  • What Comes Next

    Jerome Klinkowitz•ARTICLE•ANQ A Quarterly Journal of Short…•1992

  • Donald Barthelme

    Glen Scott Allen, Jerome Klinkowitz•ARTICLE•American Literature•1992

  • Structuring the Void

    Samuel Chase Coale, Samuel Coale et al.•ARTICLE•American Literature•1992

    If, as the literary theorists of postmodernism contend, does not exist, then how can fiction continue to be written? Jerome Klinkowitz, himself a veteran practitioner and theorist of fiction, addresses this question in Structuring the Void, an account of what today's novelists and short story writers do when they produce a fictive work. Klinkowitz's focus is on the way in which writers have turned this lack of content itself into subject matter, …

  • Clarence Major's Innovative Fiction

    Jerome Klinkowitz•ARTICLE•African American Review•1994

    In a novel,Clarence Major told interviewer John O'Brien only thing you really have is words. You begin with words, and you end with words. The content exists in our minds. I don't firm it has to be a reflection of anything(130). With this statement Major separated himself from the dominantly realistic tradition of both commercial publishing and the academic canon and identified his work with the disruptively experimental style being explored by w…

Art (21 works) · History (21 works) · Literature (14 works) · Philosophy (12 works) · Contemporary Literature and Criticism (11 works) · History (9 works) · Aesthetics (8 works) · American and British Literature Analysis (6 works) · Computer Science (6 works) · Themes in Literature Analysis (6 works)

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