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Ricardo L Ortíz

Biographic Data

ID762410
NAMERicardo L Ortíz
GIVEN NAMESRicardo L
FAMILY NAMEOrtíz
SIGNATUREORTÍZ R L
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS1
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Burning X's

    Ricardo L Ortíz, Ricardo Lobato‐ortiz•ARTICLE•Aztlán A Journal of Chicano Studies•2020

    Research Article| September 01 2020 Burning X’s: Critical Futurities within Latinx Studies’ Disidentifying Present Ricardo L. Ortiz Ricardo L. Ortiz Ricardo L. Ortiz is chair and associate professor of Latinx literature and culture in the Department of English at Georgetown University. Ortiz’s first book, Cultural Erotics in Cuban America was published in 2007; his second book, Latinx Literature Now: Between Evanescence and Event was published in…

  • Latinx Literature Now

    Open Access•Ricardo L Ortíz, Ricardo Lobato‐ortiz•BOOK•Latinx Literature Now•2019

  • The Cambridge Companion to Latina/o American Literature

    Open Access•Rodrigo Lazo, Laura Lomas et al.•BOOK•Cambridge Companion to Latina/o…•2016

    The Cambridge Companion to Latina/o American Literature provides a thorough yet accessible overview of a literary phenomenon that has been rapidly globalizing over the past two decades. It takes an innovative approach that underscores the importance of understanding Latina/o literature not merely as an ethnic phenomenon in the United States, but more broadly as a crucial element of a trans-American literary imagination. Leading scholars in the fi…

  • "Queer" en Latin

    Ricardo L Ortíz, Ricardo Lobato‐ortiz•ARTICLE•GLQ A Journal of Lesbian and Gay…•2014

    This essay reviews three scholarly works of queer-inflected US Chican@ and Latin@ studies that appeared in 2009 and 2010. The projects range in disciplinary approach from cultural studies (Rodríguez) to literary studies (Soto) to performance studies (Gutiérrez), but the review situates them on the common ground of a critical, interdisciplinary (queer) "humanities" methodology that continues to test its efficacy in accounting for ongoing processes…

  • Cultural Erotics in Cuban America

    Ricardo L Ortíz, Ricardo Lobato‐ortiz•BOOK•Cultural Erotics in Cuban America•2010

  • On (Our) American Ground

    Ricardo L Ortíz, Ricardo Lobato‐ortiz•ARTICLE•Social Text•2008

    “On (Our) American Ground” traces the relevant genealogies, and itineraries, of a song and a site whose various symbolic and practical constructions have helped to determine what a transnational American historical past can allow us to imagine of a postnational American future. The song “Guantanamera” is a quasi-officially Cuban cultural and national artifact, though in fact its history of composition, performance, and recording reveals it to be …

  • Cafe, Culpa and Capital

    Ricardo L Ortíz, Ricardo Lobato‐ortiz•ARTICLE•Yale journal of criticism/ The…•1997

    Café, Culpa and Capital: Nostalgic Addictions of Cuban Exile Ricardo L. Ortíz (bio) Prologue: an anecdote over coffee David Rieff opens The Exile, his study of “Cuba in the Heart of Miami,” with a chapter that combines an archetypal formulation of the expectation of a general return with anecdotal details of specific recent voyages back to Cuba on the part of various Cuban exiles. 1 In many ways Rieff’s work in The Exile demands this precarious b…

  • Sexuality Degree Zero

    Ricardo L Ortíz, Ricardo Lobato‐ortiz•ARTICLE•Journal of Homosexuality•1993•Cited by: 1

    Sexuality Degree Zero" explores common themes and formal strategies in the fiction of three prominent gay Chicano writers: John Rechy, Arturo Islas, and Michael Nava. Employing the concept of a politicized textual "pleasure" as theorized by French critic Roland Barthes, the study argues for the political efficacy of aesthetic choices characteristic to the three authors. Analyses of Rechy's use of pornography, of Islas' transgressive use of cultur…

  • Sexuality Degree Zero

    Ricardo L Ortíz, Ricardo Lobato‐ortiz•ARTICLE•Journal of Homosexuality•1993•Cited by: 1

    Sexuality Degree Zero" explores common themes and formal strategies in the fiction of three prominent gay Chicano writers: John Rechy, Arturo Islas, and Michael Nava. Employing the concept of a politicized textual "pleasure" as theorized by French critic Roland Barthes, the study argues for the political efficacy of aesthetic choices characteristic to the three authors. Analyses of Rechy's use of pornography, of Islas' transgressive use of cultur…

  • Sexuality Degree Zero

    Ricardo L Ortíz, Ricardo Lobato‐ortiz•ARTICLE•Journal of Homosexuality•1993•Cited by: 1

    Sexuality Degree Zero" explores common themes and formal strategies in the fiction of three prominent gay Chicano writers: John Rechy, Arturo Islas, and Michael Nava. Employing the concept of a politicized textual "pleasure" as theorized by French critic Roland Barthes, the study argues for the political efficacy of aesthetic choices characteristic to the three authors. Analyses of Rechy's use of pornography, of Islas' transgressive use of cultur…

  • Cafe, Culpa and Capital

    Ricardo L Ortíz, Ricardo Lobato‐ortiz•ARTICLE•Yale journal of criticism/ The…•1997

    Café, Culpa and Capital: Nostalgic Addictions of Cuban Exile Ricardo L. Ortíz (bio) Prologue: an anecdote over coffee David Rieff opens The Exile, his study of “Cuba in the Heart of Miami,” with a chapter that combines an archetypal formulation of the expectation of a general return with anecdotal details of specific recent voyages back to Cuba on the part of various Cuban exiles. 1 In many ways Rieff’s work in The Exile demands this precarious b…

  • On (Our) American Ground

    Ricardo L Ortíz, Ricardo Lobato‐ortiz•ARTICLE•Social Text•2008

    “On (Our) American Ground” traces the relevant genealogies, and itineraries, of a song and a site whose various symbolic and practical constructions have helped to determine what a transnational American historical past can allow us to imagine of a postnational American future. The song “Guantanamera” is a quasi-officially Cuban cultural and national artifact, though in fact its history of composition, performance, and recording reveals it to be …

  • Cultural Erotics in Cuban America

    Ricardo L Ortíz, Ricardo Lobato‐ortiz•BOOK•Cultural Erotics in Cuban America•2010

  • "Queer" en Latin

    Ricardo L Ortíz, Ricardo Lobato‐ortiz•ARTICLE•GLQ A Journal of Lesbian and Gay…•2014

    This essay reviews three scholarly works of queer-inflected US Chican@ and Latin@ studies that appeared in 2009 and 2010. The projects range in disciplinary approach from cultural studies (Rodríguez) to literary studies (Soto) to performance studies (Gutiérrez), but the review situates them on the common ground of a critical, interdisciplinary (queer) "humanities" methodology that continues to test its efficacy in accounting for ongoing processes…

  • The Cambridge Companion to Latina/o American Literature

    Open Access•Rodrigo Lazo, Laura Lomas et al.•BOOK•Cambridge Companion to Latina/o…•2016

    The Cambridge Companion to Latina/o American Literature provides a thorough yet accessible overview of a literary phenomenon that has been rapidly globalizing over the past two decades. It takes an innovative approach that underscores the importance of understanding Latina/o literature not merely as an ethnic phenomenon in the United States, but more broadly as a crucial element of a trans-American literary imagination. Leading scholars in the fi…

  • Latinx Literature Now

    Open Access•Ricardo L Ortíz, Ricardo Lobato‐ortiz•BOOK•Latinx Literature Now•2019

  • Burning X's

    Ricardo L Ortíz, Ricardo Lobato‐ortiz•ARTICLE•Aztlán A Journal of Chicano Studies•2020

    Research Article| September 01 2020 Burning X’s: Critical Futurities within Latinx Studies’ Disidentifying Present Ricardo L. Ortiz Ricardo L. Ortiz Ricardo L. Ortiz is chair and associate professor of Latinx literature and culture in the Department of English at Georgetown University. Ortiz’s first book, Cultural Erotics in Cuban America was published in 2007; his second book, Latinx Literature Now: Between Evanescence and Event was published in…

Latin American and Latino Studies (8 works) · Sociology (6 works) · History (5 works) · Political science (5 works) · Art (4 works) · Art history (4 works) · Law (4 works) · Cuban History and Society (3 works) · Gender Studies (3 works) · History and criticism (3 works)

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