Nathalie Rachlin
Biographic Data
| ID | 762720 |
|---|---|
| NAME | Nathalie Rachlin |
| GIVEN NAMES | Nathalie |
| FAMILY NAME | Rachlin |
| SIGNATURE | RACHLIN N |
| AFFILIATIONS | Scripps College |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Imaginative resistance and documentary cinema: The case of Claude Lanzmann's The Last of the Unjust (2013)
If trust and belief are at the root of the documentary experience, what happens if a documentary encourages the spectator to adopt a point of view that is unethical - at least according to the viewer? What if the director violates the viewer's moral autonomy? Taking her own experience of spectatorial resistance watching Claude Lanzmann's The Last of the Unjust as a case in point, Nathalie Rachlin explores the limits of the documentary pact and us…
From author films to operational images: French and francophone documentary practices in the new millennium
The Last Working Class City in France: Gheerbrant's La république Marseille and Post-Global Cinema
The Last Working Class City in France:Gheerbrant's La république Marseille and Post-Global Cinema Nathalie Rachlin (bio) The title of this essay is not to be taken literally: I will not be making the case that Marseille is actually the last working class city in France. My title is a reference to Chris Marker's 1993 film The Last Bolshevik (Le Tombeau d'Alexandre), a film about Alexander Medvedkin, one of the pioneers of early Soviet cinema. Medv…
Introduction: From Engagé to Indigné: French Cinema and the Crises of Globalization
Introduction:From Engagé to Indigné: French Cinema and the Crises of Globalization Nathalie Rachlin (bio) and Rosemarie Scullion (bio) In 2010, two years after the global financial collapse that triggered the worst economic crisis since the Great Depression of the 1930s, the best-selling publication in France was not that year’s Prix Goncourt,1 Michel Houellebecq’s La carte et le territoire (The Map and the Territory), a novel published by Flamma…
Francis Ponge, Le Savon, and the Occupation
poet's oeuvreJ The work occupies a pivotal position in development of Ponge's writing from Douze Petits Ecrits (1926), Le Parti pris des choses (1942) and other collections of short pieces, to more theoretical works such as Proemes (1948) or Mithodes (1961). It further marks poet's turn toward book-poem, or dossier-poem, form he adopted in Pour un Malherbe (1965), and Le Savon (1967), and continued to favor in La Fabrique du prd (1971), Comme une…
Alain Finkielkraut and the Politics of Cultural Identity
L'A. porte son attention sur l'œuvre d'A. Finkielkraut. Il s'interesse plus particulierement a son approche de la notion d'identite culturelle. Il montre que celle-ci vise a depasser l'opposition entre universalisme et particularisme et a se situer en dehors de toute vision hegemonique. Il souligne que Finkielkraut a elabore une vision de la politique sur le plan identitaire qui met en exergue la memoire. Il affirme que Finkielkraut denonce la tr…
From author films to operational images: French and francophone documentary practices in the new millennium
Introduction: From Engagé to Indigné: French Cinema and the Crises of Globalization
Introduction:From Engagé to Indigné: French Cinema and the Crises of Globalization Nathalie Rachlin (bio) and Rosemarie Scullion (bio) In 2010, two years after the global financial collapse that triggered the worst economic crisis since the Great Depression of the 1930s, the best-selling publication in France was not that year’s Prix Goncourt,1 Michel Houellebecq’s La carte et le territoire (The Map and the Territory), a novel published by Flamma…
Alain Finkielkraut and the Politics of Cultural Identity
L'A. porte son attention sur l'œuvre d'A. Finkielkraut. Il s'interesse plus particulierement a son approche de la notion d'identite culturelle. Il montre que celle-ci vise a depasser l'opposition entre universalisme et particularisme et a se situer en dehors de toute vision hegemonique. Il souligne que Finkielkraut a elabore une vision de la politique sur le plan identitaire qui met en exergue la memoire. Il affirme que Finkielkraut denonce la tr…
Alain Finkielkraut and the Politics of Cultural Identity
L'A. porte son attention sur l'œuvre d'A. Finkielkraut. Il s'interesse plus particulierement a son approche de la notion d'identite culturelle. Il montre que celle-ci vise a depasser l'opposition entre universalisme et particularisme et a se situer en dehors de toute vision hegemonique. Il souligne que Finkielkraut a elabore une vision de la politique sur le plan identitaire qui met en exergue la memoire. Il affirme que Finkielkraut denonce la tr…
Francis Ponge, Le Savon, and the Occupation
poet's oeuvreJ The work occupies a pivotal position in development of Ponge's writing from Douze Petits Ecrits (1926), Le Parti pris des choses (1942) and other collections of short pieces, to more theoretical works such as Proemes (1948) or Mithodes (1961). It further marks poet's turn toward book-poem, or dossier-poem, form he adopted in Pour un Malherbe (1965), and Le Savon (1967), and continued to favor in La Fabrique du prd (1971), Comme une…
The Last Working Class City in France: Gheerbrant's La république Marseille and Post-Global Cinema
The Last Working Class City in France:Gheerbrant's La république Marseille and Post-Global Cinema Nathalie Rachlin (bio) The title of this essay is not to be taken literally: I will not be making the case that Marseille is actually the last working class city in France. My title is a reference to Chris Marker's 1993 film The Last Bolshevik (Le Tombeau d'Alexandre), a film about Alexander Medvedkin, one of the pioneers of early Soviet cinema. Medv…
Introduction: From Engagé to Indigné: French Cinema and the Crises of Globalization
Introduction:From Engagé to Indigné: French Cinema and the Crises of Globalization Nathalie Rachlin (bio) and Rosemarie Scullion (bio) In 2010, two years after the global financial collapse that triggered the worst economic crisis since the Great Depression of the 1930s, the best-selling publication in France was not that year’s Prix Goncourt,1 Michel Houellebecq’s La carte et le territoire (The Map and the Territory), a novel published by Flamma…
Imaginative resistance and documentary cinema: The case of Claude Lanzmann's The Last of the Unjust (2013)
If trust and belief are at the root of the documentary experience, what happens if a documentary encourages the spectator to adopt a point of view that is unethical - at least according to the viewer? What if the director violates the viewer's moral autonomy? Taking her own experience of spectatorial resistance watching Claude Lanzmann's The Last of the Unjust as a case in point, Nathalie Rachlin explores the limits of the documentary pact and us…
From author films to operational images: French and francophone documentary practices in the new millennium
Art history (5 works) · Art (4 works) · Historical and Political Studies (3 works) · History (3 works) · Law (3 works) · Movie theater (3 works) · Philosophy (3 works) · Political science (3 works) · Politics (3 works) · Sociology (3 works)