Khadija Von Zinnenburg Carroll
Biographic Data
| ID | 762886 |
|---|---|
| NAME | Khadija Von Zinnenburg Carroll |
| GIVEN NAMES | Khadija Von Zinnenburg |
| FAMILY NAME | Carroll |
| SIGNATURE | CARROLL K Z |
| AFFILIATIONS | University of Birmingham |
| ORCID | 0000-0003-2519-6823 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Polyphony: Voice, Method, Archive
This special issue explores the concept of polyphony in writing art history, using it as a methodological lens to examine diverse voices, along with their intricate interactions and contradictions, archival practices, and the collective creation of knowledge. Ranging from dialogic and experimental approaches to academic styles in writing, the authors embrace a spectrum of narratives in their writing to challenge canonical art history. Exploration…
Differential Dispossession and the White Indigenous Counter-Reformation
A history of inheritance in the thinking of Karrabing Film Collective, from Belyuen, the small Indigenous community in Australia. Speaking across from Oceania to Alps, to Central Europe via Australia, and finally on zoom between New York and Vienna, Elizabeth Povinelli and Khadija von Zinnenburg Carroll discuss relations to Country through the voices of ancestors. This is a polyphony in an everywhen in which everyone is present. Possessive indivi…
Interlude 1: Crablike Collective Moves
This interlude follows the AAH conference, when all of the authors who contribute to the special journal edition are present. Their wide-ranging conversation covers the idea and possibilities of a polyphonic history of art. This interlude is a starting point, a jumping off point from where a group of authors, researchers and artists reflect on new ways of thinking about, and new ways of presenting, art history. Their conversation develops an ambi…
Migration
Migration is in the news every day. Whether it be the plight of refugees fleeing Syria, or the outbreak of the Zika virus across Latin America, the modern world is fundamentally shaped by movement across borders. Migration, arising from the 2018 Darwin College Lectures, brings together eight leading scholars across the arts, humanities, and sciences to help tackle one of the most important topics of our time. What is migration? How has it changed…
Museopiracy: Redressing the Commemoration of the Endeavour ’s Voyage to the Pacific in Processions for Tupaia
Museopiracy is a way of working with/challenging the workings of museum collections as an outsider to the institution. It takes as its basis the project Cook’s New Clothes, which was a performative subversion of the commemoration of the British ‘discovery’ of the Pacific in an artistic-research program based at the National Maritime Museum as part of the Endeavour project and new Pacific Gallery (2018). In three parts, this article is a critical …
NonWest by North: Marianne North and William Colenso’s Responses to Plant Life and the Classification of Economic Botany
What is at stake in traditional botany and how has it historically swept aside even the most eminent of botanical artists such as Marianne North (1830–1890)? In three sections, this article explores themes of plant sexuality, colonisation and the relationships between botany at the metropolitan centre and at the empire’s peripheries. Marianne North and Julia Margaret Cameron’s amateur science and experimentation are the subject of the first secti…
The Art of Dissident Domesticity
This article explores the relationship between state and international orders of coercion and control at the intersections of digital media, popular culture, and high art. Collaboratively written, it elaborates what we call the concept of dissident domesticity that describes how confined subjects respond to the overwhelming spatial and temporal control of confinement; political opposition conducted through domestic forms shows the tensions betwee…
The presence of absence: Tommy McRae and Judy Watson in Australia , the imaginary grandstand at the Royal Academy in London
The presence of absence: Tommy McRae and Judy Watson in Australia, the imaginary grandstand at the Royal Academy in LondonAll authorsKhadija von Zinnenburg Carrollhttps://doi.org/10.1080/21500894.2014.921863Published online:07 November 2014Display full sizeDetail of Tommy McRae, Corroboree or William Buckley and Dancers from the Wathaurong People, c. 1890, ink on paper. University of Melbourne Archives.Nineteenth-century Indigenous art is remarka…
Museopiracy: Redressing the Commemoration of the Endeavour ’s Voyage to the Pacific in Processions for Tupaia
Museopiracy is a way of working with/challenging the workings of museum collections as an outsider to the institution. It takes as its basis the project Cook’s New Clothes, which was a performative subversion of the commemoration of the British ‘discovery’ of the Pacific in an artistic-research program based at the National Maritime Museum as part of the Endeavour project and new Pacific Gallery (2018). In three parts, this article is a critical …
The Art of Dissident Domesticity
This article explores the relationship between state and international orders of coercion and control at the intersections of digital media, popular culture, and high art. Collaboratively written, it elaborates what we call the concept of dissident domesticity that describes how confined subjects respond to the overwhelming spatial and temporal control of confinement; political opposition conducted through domestic forms shows the tensions betwee…
The presence of absence: Tommy McRae and Judy Watson in Australia , the imaginary grandstand at the Royal Academy in London
The presence of absence: Tommy McRae and Judy Watson in Australia, the imaginary grandstand at the Royal Academy in LondonAll authorsKhadija von Zinnenburg Carrollhttps://doi.org/10.1080/21500894.2014.921863Published online:07 November 2014Display full sizeDetail of Tommy McRae, Corroboree or William Buckley and Dancers from the Wathaurong People, c. 1890, ink on paper. University of Melbourne Archives.Nineteenth-century Indigenous art is remarka…
The Art of Dissident Domesticity
This article explores the relationship between state and international orders of coercion and control at the intersections of digital media, popular culture, and high art. Collaboratively written, it elaborates what we call the concept of dissident domesticity that describes how confined subjects respond to the overwhelming spatial and temporal control of confinement; political opposition conducted through domestic forms shows the tensions betwee…
NonWest by North: Marianne North and William Colenso’s Responses to Plant Life and the Classification of Economic Botany
What is at stake in traditional botany and how has it historically swept aside even the most eminent of botanical artists such as Marianne North (1830–1890)? In three sections, this article explores themes of plant sexuality, colonisation and the relationships between botany at the metropolitan centre and at the empire’s peripheries. Marianne North and Julia Margaret Cameron’s amateur science and experimentation are the subject of the first secti…
Museopiracy: Redressing the Commemoration of the Endeavour ’s Voyage to the Pacific in Processions for Tupaia
Museopiracy is a way of working with/challenging the workings of museum collections as an outsider to the institution. It takes as its basis the project Cook’s New Clothes, which was a performative subversion of the commemoration of the British ‘discovery’ of the Pacific in an artistic-research program based at the National Maritime Museum as part of the Endeavour project and new Pacific Gallery (2018). In three parts, this article is a critical …
Migration
Migration is in the news every day. Whether it be the plight of refugees fleeing Syria, or the outbreak of the Zika virus across Latin America, the modern world is fundamentally shaped by movement across borders. Migration, arising from the 2018 Darwin College Lectures, brings together eight leading scholars across the arts, humanities, and sciences to help tackle one of the most important topics of our time. What is migration? How has it changed…
Polyphony: Voice, Method, Archive
This special issue explores the concept of polyphony in writing art history, using it as a methodological lens to examine diverse voices, along with their intricate interactions and contradictions, archival practices, and the collective creation of knowledge. Ranging from dialogic and experimental approaches to academic styles in writing, the authors embrace a spectrum of narratives in their writing to challenge canonical art history. Exploration…
Differential Dispossession and the White Indigenous Counter-Reformation
A history of inheritance in the thinking of Karrabing Film Collective, from Belyuen, the small Indigenous community in Australia. Speaking across from Oceania to Alps, to Central Europe via Australia, and finally on zoom between New York and Vienna, Elizabeth Povinelli and Khadija von Zinnenburg Carroll discuss relations to Country through the voices of ancestors. This is a polyphony in an everywhen in which everyone is present. Possessive indivi…
Interlude 1: Crablike Collective Moves
This interlude follows the AAH conference, when all of the authors who contribute to the special journal edition are present. Their wide-ranging conversation covers the idea and possibilities of a polyphonic history of art. This interlude is a starting point, a jumping off point from where a group of authors, researchers and artists reflect on new ways of thinking about, and new ways of presenting, art history. Their conversation develops an ambi…
Art (7 works) · History (6 works) · History (5 works) · Sociology (5 works) · Archaeology (4 works) · Political science (4 works) · Empire (3 works) · Indigenous (3 works) · Law (3 works) · Politics (3 works)