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Zachary R Hagins

Biographic Data

ID763105
NAMEZachary R Hagins
GIVEN NAMESZachary R
FAMILY NAMEHagins
SIGNATUREHAGINS Z R
AFFILIATIONSRhodes College
ORCID0000-0002-7571-2817
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Clothing and refugee identity in Des sneakers comme Jay-Z

    Zachary R Hagins•ARTICLE•Contemporary French Civilization•2020

    This article presents and analyzes how clothing shapes refugee identity in Des sneakers comme Jay-Z, an engaged photographic project from 2018 by French photographers Frédéric Delangle and Ambroise Tézenas. Commissioned by the association Emmaüs Solidarité, the series features forty-six portraits of men seeking asylum in France. The refugees wear outfits they selected from available donations at the Centre de premier accueil de la Porte de la Cha…

  • Staging masculinity for the lens

    Zachary R Hagins•ARTICLE•Contemporary French Civilization•2015

    While the fraught history of civil unrest in France’s disadvantaged suburbs casts them as sites of inherent violence and crime, recent cultural texts featuring the banlieues propose alternative discourses that contest clichés of disorder and delinquency. This article presents and analyzes visual performances of masculinity in Algerian-born photographer Mohamed Bourouissa’s series of photographic tableaux entitled Périphérique (2005–2009). I argue…

  • Fashioning the ‘Born Criminal’ on the Beat

    Zachary R Hagins•ARTICLE•Modern & Contemporary France•2013•Cited by: 2•References: 5

    Fin-de-siècle French criminologists opposed the Italian positivists' theories of the ‘born criminal’, yet the French school's theory of determinism contained a biological component, a broad similarity often overlooked. Evolving parallel to criminological discourse, juridical photography, owning to Alphonse Bertillon's standardisation of the process, gained momentum in identifying recidivists. This article analyses these two historical entities' i…

  • Fashioning the ‘Born Criminal’ on the Beat

    Zachary R Hagins•ARTICLE•Modern & Contemporary France•2013•Cited by: 2•References: 5

    Fin-de-siècle French criminologists opposed the Italian positivists' theories of the ‘born criminal’, yet the French school's theory of determinism contained a biological component, a broad similarity often overlooked. Evolving parallel to criminological discourse, juridical photography, owning to Alphonse Bertillon's standardisation of the process, gained momentum in identifying recidivists. This article analyses these two historical entities' i…

  • Fashioning the ‘Born Criminal’ on the Beat

    Zachary R Hagins•ARTICLE•Modern & Contemporary France•2013•Cited by: 2•References: 5

    Fin-de-siècle French criminologists opposed the Italian positivists' theories of the ‘born criminal’, yet the French school's theory of determinism contained a biological component, a broad similarity often overlooked. Evolving parallel to criminological discourse, juridical photography, owning to Alphonse Bertillon's standardisation of the process, gained momentum in identifying recidivists. This article analyses these two historical entities' i…

  • Staging masculinity for the lens

    Zachary R Hagins•ARTICLE•Contemporary French Civilization•2015

    While the fraught history of civil unrest in France’s disadvantaged suburbs casts them as sites of inherent violence and crime, recent cultural texts featuring the banlieues propose alternative discourses that contest clichés of disorder and delinquency. This article presents and analyzes visual performances of masculinity in Algerian-born photographer Mohamed Bourouissa’s series of photographic tableaux entitled Périphérique (2005–2009). I argue…

  • Clothing and refugee identity in Des sneakers comme Jay-Z

    Zachary R Hagins•ARTICLE•Contemporary French Civilization•2020

    This article presents and analyzes how clothing shapes refugee identity in Des sneakers comme Jay-Z, an engaged photographic project from 2018 by French photographers Frédéric Delangle and Ambroise Tézenas. Commissioned by the association Emmaüs Solidarité, the series features forty-six portraits of men seeking asylum in France. The refugees wear outfits they selected from available donations at the Centre de premier accueil de la Porte de la Cha…

Art (3 works) · Art history (2 works) · French Historical and Cultural Studies (2 works) · Humanities (2 works) · Law (2 works) · Photography (2 works) · Political science (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 work)

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