T Jefferson Kline
Biographic Data
| ID | 764699 |
|---|---|
| NAME | T Jefferson Kline |
| GIVEN NAMES | T Jefferson |
| FAMILY NAME | Kline |
| SIGNATURE | KLINE T J |
| ORCID | 0000-0001-5963-3118 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 0 |
The Film Theories of Bazin and Epstein
When in 1958 André Bazin published the first volume of What is Cinema?, he was already recognized as French film's pre-eminent thinker. His position at Cahiers du cinéma and his influence on the young directors who were to launch the New Wave guaranteed his centrality and his influence. What is nevertheless surprising about this unparalleled success is how fundamentally conservative his writing was. His belief that 'true realism' constituted the …
I film di Bernardo Bertolucci
Breaking the Frame
Ranging over the broad spectrum of contemporary literary and film theory, Breaking the Frame explores the different approaches to cinematic art that are offered by cognitive psychology, feminist theory, aesthetics, and psychoanalysis. In this study Inez Hedges looks closely at films that challenge accepted norms in both form and content. The films discussed here, including Zazie, La Nuit de Varennes, and Interiors, break out of conventional frame…
Bertolucci's Dream Loom
The Absent Presence
In an unusual sequence early in Bertolucci's Prima della rivoluzione (Before the Revolution), Fabrizio (Francesco Barilli) meets his friend Agostino (Allen Migette), on the road in front of Cesare's house. As Fabrizio approaches the camera, we hear insistent circuslike music and the sound of a bike. For a few moments, Fabrizio passes out of range of the camera which has not yet located Agostino on his bike. Once Agostino appears, he begins a danc…
No prominent works on this page.
The Absent Presence
In an unusual sequence early in Bertolucci's Prima della rivoluzione (Before the Revolution), Fabrizio (Francesco Barilli) meets his friend Agostino (Allen Migette), on the road in front of Cesare's house. As Fabrizio approaches the camera, we hear insistent circuslike music and the sound of a bike. For a few moments, Fabrizio passes out of range of the camera which has not yet located Agostino on his bike. Once Agostino appears, he begins a danc…
Bertolucci's Dream Loom
Breaking the Frame
Ranging over the broad spectrum of contemporary literary and film theory, Breaking the Frame explores the different approaches to cinematic art that are offered by cognitive psychology, feminist theory, aesthetics, and psychoanalysis. In this study Inez Hedges looks closely at films that challenge accepted norms in both form and content. The films discussed here, including Zazie, La Nuit de Varennes, and Interiors, break out of conventional frame…
I film di Bernardo Bertolucci
The Film Theories of Bazin and Epstein
When in 1958 André Bazin published the first volume of What is Cinema?, he was already recognized as French film's pre-eminent thinker. His position at Cahiers du cinéma and his influence on the young directors who were to launch the New Wave guaranteed his centrality and his influence. What is nevertheless surprising about this unparalleled success is how fundamentally conservative his writing was. His belief that 'true realism' constituted the …
Art (4 works) · Art history (3 works) · Italian Fascism and Post-war Society (3 works) · Italian Literature and Culture (3 works) · Movie theater (3 works) · Bernardo Bertolucci (2 works) · Bertolucci, Bernardo (2 works) · Cinema and Media Studies (2 works) · Computer Science (2 works) · Linguistics (2 works)