Marie-Pierre Le Hir
Biographic Data
| ID | 765212 |
|---|---|
| NAME | Marie-Pierre Le Hir |
| GIVEN NAMES | Marie-Pierre |
| FAMILY NAME | Le Hir |
| SIGNATURE | LE HIR M |
| AFFILIATIONS | Department of Modern Languages & Literatures Case Western Reserve University |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
Adapting Nineteenth-Century France: Literature in Film, Theatre, Television, Radio and Print
Pierre Bourdieu: A Critical Introduction
Peasants into revolutionaries? - between camps during the Algerian War de-mythologising consumer society -class and culture in France, 1962-69 continuity, change and crisis in French higher education, 1964-70 returning to Kabylia - the theory and poetics of practice an imaginary variation - the role of Kabylia la distinction - old wine in new bottles? le nouvel opium des intellectuels - neo-liberalism and the defence of the universal
Transatlantic Solidarity in the Age of Globalization
Dans cet article, l'A fait part de ses refexions concernant la culture francaise a l'heure de la mondialisation. L'A revient sur les principes universalistes de la culture francaise en opposition au modele d'integration americain, pour deconstruire les stereotypes socioculturels ayant cours des deux cotes de l'Atlantique
Imagining the Discipline: Beyond Frenchness and Francophilia
French Odysseys: Greece in French Travel Literature from the Renaissance to the Romantic Era
Le romantisme aux enchères: Ducange, Pixerécourt, Hugo
Authors vs. Playwrights: The Two Authorship Systems of the Old Regime in France and the Repercussions of Their Merger
This study of copyright and authorship originates in the observation of a recurrent phenomenon, well-known to historians of French theatre the of novels to the stage--and more particularly in the desire to understand why, in spite of the existence of copyright legislation, this kind of was such a common practice in France during the first decades of the nineteenth century. Playwrights, sometimes several together, would adapt a best selling novel …
Le Romantisme aux enchères: Ducange, Pixerécourt, Hugo
Reassessing the theoretical usefulness of the “high/low culture” perspective often found in writings on Romantic theater, this book shows how this dichotomy has obscured the centrality of melodrama as a dominant mode of Romantic expression in post-revolutionary France. The book focuses on Victor Ducange's production (1813-33) in order to reveal melodrama's aesthetic and political contribution to the Romantic movement during the Restoration. The r…
Fictional Genders, Role and Representation in Nineteenth-Century French Narrative
Le Romantisme aux enchères: Ducange, Pixerécourt, Hugo
Reassessing the theoretical usefulness of the “high/low culture” perspective often found in writings on Romantic theater, this book shows how this dichotomy has obscured the centrality of melodrama as a dominant mode of Romantic expression in post-revolutionary France. The book focuses on Victor Ducange's production (1813-33) in order to reveal melodrama's aesthetic and political contribution to the Romantic movement during the Restoration. The r…
Pierre Bourdieu: A Critical Introduction
Peasants into revolutionaries? - between camps during the Algerian War de-mythologising consumer society -class and culture in France, 1962-69 continuity, change and crisis in French higher education, 1964-70 returning to Kabylia - the theory and poetics of practice an imaginary variation - the role of Kabylia la distinction - old wine in new bottles? le nouvel opium des intellectuels - neo-liberalism and the defence of the universal
Imagining the Discipline: Beyond Frenchness and Francophilia
Authors vs. Playwrights: The Two Authorship Systems of the Old Regime in France and the Repercussions of Their Merger
This study of copyright and authorship originates in the observation of a recurrent phenomenon, well-known to historians of French theatre the of novels to the stage--and more particularly in the desire to understand why, in spite of the existence of copyright legislation, this kind of was such a common practice in France during the first decades of the nineteenth century. Playwrights, sometimes several together, would adapt a best selling novel …
Fictional Genders, Role and Representation in Nineteenth-Century French Narrative
Le romantisme aux enchères: Ducange, Pixerécourt, Hugo
Authors vs. Playwrights: The Two Authorship Systems of the Old Regime in France and the Repercussions of Their Merger
This study of copyright and authorship originates in the observation of a recurrent phenomenon, well-known to historians of French theatre the of novels to the stage--and more particularly in the desire to understand why, in spite of the existence of copyright legislation, this kind of was such a common practice in France during the first decades of the nineteenth century. Playwrights, sometimes several together, would adapt a best selling novel …
Le Romantisme aux enchères: Ducange, Pixerécourt, Hugo
Reassessing the theoretical usefulness of the “high/low culture” perspective often found in writings on Romantic theater, this book shows how this dichotomy has obscured the centrality of melodrama as a dominant mode of Romantic expression in post-revolutionary France. The book focuses on Victor Ducange's production (1813-33) in order to reveal melodrama's aesthetic and political contribution to the Romantic movement during the Restoration. The r…
French Odysseys: Greece in French Travel Literature from the Renaissance to the Romantic Era
Imagining the Discipline: Beyond Frenchness and Francophilia
Transatlantic Solidarity in the Age of Globalization
Dans cet article, l'A fait part de ses refexions concernant la culture francaise a l'heure de la mondialisation. L'A revient sur les principes universalistes de la culture francaise en opposition au modele d'integration americain, pour deconstruire les stereotypes socioculturels ayant cours des deux cotes de l'Atlantique
Pierre Bourdieu: A Critical Introduction
Peasants into revolutionaries? - between camps during the Algerian War de-mythologising consumer society -class and culture in France, 1962-69 continuity, change and crisis in French higher education, 1964-70 returning to Kabylia - the theory and poetics of practice an imaginary variation - the role of Kabylia la distinction - old wine in new bottles? le nouvel opium des intellectuels - neo-liberalism and the defence of the universal
Adapting Nineteenth-Century France: Literature in Film, Theatre, Television, Radio and Print
Art (6 works) · Literature (4 works) · Historical and Literary Analyses (3 works) · Historical and Literary Studies (3 works) · History (3 works) · Political science (3 works) · Sociology (3 works) · French Literature and Criticism (2 works) · History (2 works) · Politics (2 works)