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Suzanne Anker

Biographic Data

ID767629
NAMESuzanne Anker
GIVEN NAMESSuzanne
FAMILY NAMEAnker
SIGNATUREANKER S
AFFILIATIONSSuzanne Anker, 101 Wooster St., #7F, New York, NY 10012, U.S.A.
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS9
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Art’s Work in the Age of Biotechnology

    Hannah Star Rogers, Diana Eusebio et al.•ARTICLE•Leonardo•2022

    Art’s Work in the Age of Biotechnology: Shaping Our Genetic Futures is a multisite exhibition that explores art’s relationship to biotechnology. The main exhibition was held at North Carolina State University, October 2019–March 2020, and was sponsored by the Genetic Engineering and Society Center, the North Carolina State University Libraries and the Gregg Museum of Art & Design. The project included a Field Trial exhibition at Contemporary Art …

  • Epistemic practices in Bio Art

    Open Access•Suzanne Anker•ARTICLE•AI & Society•2021

  • Gallery Artists

    E V Day, Emma Day et al.•ARTICLE•Leonardo•2013

    February 01 2013 Gallery Artists E.V. Day, E.V. Day U.S.A. http://carolinanitsch.com/index.php?/projects/ev-day/ Search for other works by this author on: This Site Google Scholar Chris Drury, Chris Drury U.K. http://carolinanitsch.com/index.php?/projects/ev-day/ Search for other works by this author on: This Site Google Scholar Anthony Discenza, Anthony Discenza U.S.A. http://cclarkgallery.com/artists/works/anthony-discenza Search for other work…

  • Specimens as Spectacles

    Suzanne Anker, Franklin et al.•ARTICLE•Social Text•2011•Cited by: 9

    Questions about the meaning of the human species have also raised the issue of its representation, and in this article the authors consider the role of bio-art in the production of the specimen as spectacle. Something we look both at and through, specimens have a long visual history that has recently become the subject of both artistic and scholarly re-evaluation. Here, bio-artist Suzanne Anker is interviewed by feminist science studies scholar S…

  • Bio Art

    Suzanne Anker•CHAPTER•2010

  • Gene Culture

    Suzanne Anker•ARTICLE•Leonardo•2000•References: 1

    This paper addresses visual art's relationship to genetics and its attendant metaphorical representation. By diagramming models of the ways in which DNA is visualized and comprehended as a system of signs, parallel conceptions between art history's engagement with abstraction, recontextualization, and duplication is compared to genetic process and laboratory experimentation

  • Specimens as Spectacles

    Suzanne Anker, Franklin et al.•ARTICLE•Social Text•2011•Cited by: 9

    Questions about the meaning of the human species have also raised the issue of its representation, and in this article the authors consider the role of bio-art in the production of the specimen as spectacle. Something we look both at and through, specimens have a long visual history that has recently become the subject of both artistic and scholarly re-evaluation. Here, bio-artist Suzanne Anker is interviewed by feminist science studies scholar S…

  • Gene Culture

    Suzanne Anker•ARTICLE•Leonardo•2000•References: 1

    This paper addresses visual art's relationship to genetics and its attendant metaphorical representation. By diagramming models of the ways in which DNA is visualized and comprehended as a system of signs, parallel conceptions between art history's engagement with abstraction, recontextualization, and duplication is compared to genetic process and laboratory experimentation

  • Bio Art

    Suzanne Anker•CHAPTER•2010

  • Specimens as Spectacles

    Suzanne Anker, Franklin et al.•ARTICLE•Social Text•2011•Cited by: 9

    Questions about the meaning of the human species have also raised the issue of its representation, and in this article the authors consider the role of bio-art in the production of the specimen as spectacle. Something we look both at and through, specimens have a long visual history that has recently become the subject of both artistic and scholarly re-evaluation. Here, bio-artist Suzanne Anker is interviewed by feminist science studies scholar S…

  • Gallery Artists

    E V Day, Emma Day et al.•ARTICLE•Leonardo•2013

    February 01 2013 Gallery Artists E.V. Day, E.V. Day U.S.A. http://carolinanitsch.com/index.php?/projects/ev-day/ Search for other works by this author on: This Site Google Scholar Chris Drury, Chris Drury U.K. http://carolinanitsch.com/index.php?/projects/ev-day/ Search for other works by this author on: This Site Google Scholar Anthony Discenza, Anthony Discenza U.S.A. http://cclarkgallery.com/artists/works/anthony-discenza Search for other work…

  • Epistemic practices in Bio Art

    Open Access•Suzanne Anker•ARTICLE•AI & Society•2021

  • Art’s Work in the Age of Biotechnology

    Hannah Star Rogers, Diana Eusebio et al.•ARTICLE•Leonardo•2022

    Art’s Work in the Age of Biotechnology: Shaping Our Genetic Futures is a multisite exhibition that explores art’s relationship to biotechnology. The main exhibition was held at North Carolina State University, October 2019–March 2020, and was sponsored by the Genetic Engineering and Society Center, the North Carolina State University Libraries and the Gregg Museum of Art & Design. The project included a Field Trial exhibition at Contemporary Art …

Science Education and Perceptions (5 works) · Art (4 works) · Computer Science (4 works) · Sociology (3 works) · Visual arts (3 works) · Art history (2 works) · Epistemology (2 works) · Philosophy (2 works) · Abstraction (1 work) · Art History and Market Analysis (1 work)

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