Deborah A Miranda
Dados Biográficos
| ID | 768165 |
|---|---|
| NOME | Deborah A Miranda |
| PRENOMES | Deborah A |
| SOBRENOME | Miranda |
| ASSINATURA | MIRANDA D A |
| AFILIAÇÕES | Instituto de Pesca |
| ORCID | 0000-0002-9412-9125 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 17 |
| TOTAL DE CITAÇÕES | 49 |
| TOTAL COMO AUTOR | 17 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2003 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 2 |
Desvendando os Suicídios Entre Profissionais de Segurança Pública
Este artigo analisa 18 autópsias psicossociais de 14 casos de suicídio de profissionais de segurança pública do estado do Espírito Santo, ocorridos entre 2010 e 2019. Partindo da compreensão de que o suicídio é um fenômeno multifatorial, a pesquisa buscou investigar como fatores organizacionais e operacionais interagem com fatores individuais e sociais, contribuindo para o adoecimento mental e para a ocorrência dos suicídios. Entre as especificid…
Comportamento suicida no contexto universitário
O comportamento suicida é compreendido como um fenômeno complexo e resultante da interação de múltiplos fatores - genéticos, psicológicos, sociais, históricos e culturais - que interagem de forma singular em cada indivíduo. O suicídio é considerado um grave problema de saúde pública, sendo a segunda maior causa de morte entre universitários. Este trabalho pretende compreender o comportamento suicida em universitários através da análise de publica…
Surfing the Tsunami
This is the keynote delivered by Deborah Miranda at the CISSA symposium. Beginning with a set of questions she has received since writing Bad Indians: A Tribal Memoir, Miranda reflects on the life of the book as well as the material circumstances of its writing through the image of a tsunami. Thinking about the damage, the survivors and debris, and the lasting effects of histories of catastrophe and violence, Miranda asserts that Bad Indians is a…
Ularia's Curse
This is an excerpted section from Deborah Miranda's Bad Indians: A Tribal Memoir. It retells a story told by Isabel Meadows about an Esselen woman who, in complicity with a river, cursed the white man who stole her people's land and removed them
Luto por suicídio e posvenção na Polícia Militar
Este artigo apresenta e analisa o processo de luto vivenciado por familiares de policiais militares mortos por suicídio. Dez entrevistas com familiares de policiais da Polícia Militar do Estado do Rio de Janeiro (PMERJ) foram examinadas. Esses dados foram coletados pela pesquisa sobre o suicídio e risco ocupacional desenvolvido na referida instituição, entre 2010 e 2012. Destacamos cinco fatores principais nas narrativas, três específicos ao suic…
Desdobramentos teórico-metodológicos do hibridismo romanesco contemporâneo
Este artigo tem como objetivo discutir os desdobramentos teórico-metodológicos do hibridismo romancesco contemporâneo, partindo do romance gráfico enquanto gênero literário, e o conceito de dobra apresentado por Deleuze. Apresentamos o que faz do romance gráfico uma dobra do romance e consequentemente uma obra literária; o romance gráfico como obra híbrida e, também, a proximidade do romance gráfico com a literatura dita menor, apresentada por De…
Fireborn
Liberdade sexual feminina em Aya de Yopougon
The female liberty has been conquered gradually in particular with the development of the feminist movement more recently, since they evidenced necessity of the rupture with the restricting patterns. Over the history, it was this flank that added most of the taboos that afflict the female body, and by thinking of these issues by directing our gaze to the African continent, we see that the problems surrounding female sexual liberty need to be furt…
Poetry
interview Deborah A. Miranda (Ohlone/Costanoan Esselen nation) is an important voice in contemporary Native literature, and her memoirBad Indians: A Tribal Memoir (2013) won multiple awards. This conversation was held in June 2015 in Mainz, Germany, in the context of a symposium during which she gave a reading at a local bookstore. Covering a range of topics on her composition and thematic foci of her memoir and most recent poetry collection, Rai…
Tuolumne
Tuolumne
WORLDLIT.ORG 65 Tuolumne by Deborah A. Miranda “Tuolumne River. My father took me there when I was a baby to show me ‘the Indian river,’ and again when I was released from prison. We went to see the salmon.” – Al Miranda Sr. (November 19, 1927 – June 28, 2009) M y father walked out of San Quentin after eight years and somehow ended up at the Tuolumne River. My father’s forty-fouryear -old body was hardened, callused, scarred, and tattooed with ei…
They were tough, those old women before us
This essay argues that the immense and powerful reservoir of “ethnographic notes” is actually the Indigenous storyteller’s body of work. Focusing exclusively on the narratives of Carmel Indian Isabel Meadows about a Carmel woman named Estéfana Real, the lens of Athabascan scholar Dian Million’s “felt theory” establishes Isabel as a storyteller, scholar, and cultural activist who essentially uses Harrington as a note taker for communicating with f…
Bad indians
If we allow the pieces of our culture to lie scattered in the dust of history, trampled on by racism and grief, then yes, we are irreparably damaged. But if we pick up the pieces and use them in new ways that honor their integrity, their colors, textures, stories, then we do those pieces justice, no matter how sharp they are, no matter how much handling them slices our fingers and makes us bleed." This book, part tribal history, part lyric and in…
"Saying the Padre Had Grabbed Her"
"Saying the Padre Had Grabbed Her":Rape is the Weapon, Story is the Cure Deborah A. Miranda (bio) Vicenta Gutierrez, sister of 'The Blonde' Gutierrez, when [she was] a girl went to confession one evening during Lent, and Father Real wanted her, to grab her over there in the church. And next day there was no trace of the padre there, and he was never seen again. He probably fled on horseback in the night. Some said he fled to Spain. He was a Spani…
Extermination of the Joyas
Prior to contact with Europeans, California Indigenous peoples maintained a culture of three genders: male, female, and joya. Spanish missionaries and soldiers, however, viewed joyas as practicing "the execrable, unnatural abuse of their bodies" and reported that "we place our trust in God and expect that these accursed people will disappear with the growth of the missions. The abominable vice will be eliminated to the extent that the Catholic fa…
Like melody or witchcraft
I would like to learn. Could you tell me how to grow, or is it unconveyed, like melody or witchcraft? Emily Dickinson [I]t is not so easy. There are no roads through, no paths known, no maps or directions... Who knows where to step, how to find wholeness? It's not that we have lost the old ways and intelligences, but that we are lost from them... all the elements of ourselves and our world are more than can be held in words alone; there is someth…
What's Wrong with a Little Fantasy
The literature of the aboriginal people of North America defines America." Joy Harjo1 I found This Bridge Called My Back at the local public library when I was, at age thirty-three, finally beginning to write again, and write honestly. I had also recently re-connected with my Esselen Nation family, from which I had been separated by both history and my parents' divorce. I was just beginning to trust my own interpretations of what it meant to be a…
Extermination of the Joyas
Prior to contact with Europeans, California Indigenous peoples maintained a culture of three genders: male, female, and joya. Spanish missionaries and soldiers, however, viewed joyas as practicing "the execrable, unnatural abuse of their bodies" and reported that "we place our trust in God and expect that these accursed people will disappear with the growth of the missions. The abominable vice will be eliminated to the extent that the Catholic fa…
What's Wrong with a Little Fantasy
The literature of the aboriginal people of North America defines America." Joy Harjo1 I found This Bridge Called My Back at the local public library when I was, at age thirty-three, finally beginning to write again, and write honestly. I had also recently re-connected with my Esselen Nation family, from which I had been separated by both history and my parents' divorce. I was just beginning to trust my own interpretations of what it meant to be a…
They were tough, those old women before us
This essay argues that the immense and powerful reservoir of “ethnographic notes” is actually the Indigenous storyteller’s body of work. Focusing exclusively on the narratives of Carmel Indian Isabel Meadows about a Carmel woman named Estéfana Real, the lens of Athabascan scholar Dian Million’s “felt theory” establishes Isabel as a storyteller, scholar, and cultural activist who essentially uses Harrington as a note taker for communicating with f…
What's Wrong with a Little Fantasy
The literature of the aboriginal people of North America defines America." Joy Harjo1 I found This Bridge Called My Back at the local public library when I was, at age thirty-three, finally beginning to write again, and write honestly. I had also recently re-connected with my Esselen Nation family, from which I had been separated by both history and my parents' divorce. I was just beginning to trust my own interpretations of what it meant to be a…
Like melody or witchcraft
I would like to learn. Could you tell me how to grow, or is it unconveyed, like melody or witchcraft? Emily Dickinson [I]t is not so easy. There are no roads through, no paths known, no maps or directions... Who knows where to step, how to find wholeness? It's not that we have lost the old ways and intelligences, but that we are lost from them... all the elements of ourselves and our world are more than can be held in words alone; there is someth…
"Saying the Padre Had Grabbed Her"
"Saying the Padre Had Grabbed Her":Rape is the Weapon, Story is the Cure Deborah A. Miranda (bio) Vicenta Gutierrez, sister of 'The Blonde' Gutierrez, when [she was] a girl went to confession one evening during Lent, and Father Real wanted her, to grab her over there in the church. And next day there was no trace of the padre there, and he was never seen again. He probably fled on horseback in the night. Some said he fled to Spain. He was a Spani…
Extermination of the Joyas
Prior to contact with Europeans, California Indigenous peoples maintained a culture of three genders: male, female, and joya. Spanish missionaries and soldiers, however, viewed joyas as practicing "the execrable, unnatural abuse of their bodies" and reported that "we place our trust in God and expect that these accursed people will disappear with the growth of the missions. The abominable vice will be eliminated to the extent that the Catholic fa…
Bad indians
If we allow the pieces of our culture to lie scattered in the dust of history, trampled on by racism and grief, then yes, we are irreparably damaged. But if we pick up the pieces and use them in new ways that honor their integrity, their colors, textures, stories, then we do those pieces justice, no matter how sharp they are, no matter how much handling them slices our fingers and makes us bleed." This book, part tribal history, part lyric and in…
They were tough, those old women before us
This essay argues that the immense and powerful reservoir of “ethnographic notes” is actually the Indigenous storyteller’s body of work. Focusing exclusively on the narratives of Carmel Indian Isabel Meadows about a Carmel woman named Estéfana Real, the lens of Athabascan scholar Dian Million’s “felt theory” establishes Isabel as a storyteller, scholar, and cultural activist who essentially uses Harrington as a note taker for communicating with f…
Tuolumne
Tuolumne
WORLDLIT.ORG 65 Tuolumne by Deborah A. Miranda “Tuolumne River. My father took me there when I was a baby to show me ‘the Indian river,’ and again when I was released from prison. We went to see the salmon.” – Al Miranda Sr. (November 19, 1927 – June 28, 2009) M y father walked out of San Quentin after eight years and somehow ended up at the Tuolumne River. My father’s forty-fouryear -old body was hardened, callused, scarred, and tattooed with ei…
Poetry
interview Deborah A. Miranda (Ohlone/Costanoan Esselen nation) is an important voice in contemporary Native literature, and her memoirBad Indians: A Tribal Memoir (2013) won multiple awards. This conversation was held in June 2015 in Mainz, Germany, in the context of a symposium during which she gave a reading at a local bookstore. Covering a range of topics on her composition and thematic foci of her memoir and most recent poetry collection, Rai…
Fireborn
Liberdade sexual feminina em Aya de Yopougon
The female liberty has been conquered gradually in particular with the development of the feminist movement more recently, since they evidenced necessity of the rupture with the restricting patterns. Over the history, it was this flank that added most of the taboos that afflict the female body, and by thinking of these issues by directing our gaze to the African continent, we see that the problems surrounding female sexual liberty need to be furt…
Luto por suicídio e posvenção na Polícia Militar
Este artigo apresenta e analisa o processo de luto vivenciado por familiares de policiais militares mortos por suicídio. Dez entrevistas com familiares de policiais da Polícia Militar do Estado do Rio de Janeiro (PMERJ) foram examinadas. Esses dados foram coletados pela pesquisa sobre o suicídio e risco ocupacional desenvolvido na referida instituição, entre 2010 e 2012. Destacamos cinco fatores principais nas narrativas, três específicos ao suic…
Desdobramentos teórico-metodológicos do hibridismo romanesco contemporâneo
Este artigo tem como objetivo discutir os desdobramentos teórico-metodológicos do hibridismo romancesco contemporâneo, partindo do romance gráfico enquanto gênero literário, e o conceito de dobra apresentado por Deleuze. Apresentamos o que faz do romance gráfico uma dobra do romance e consequentemente uma obra literária; o romance gráfico como obra híbrida e, também, a proximidade do romance gráfico com a literatura dita menor, apresentada por De…
Surfing the Tsunami
This is the keynote delivered by Deborah Miranda at the CISSA symposium. Beginning with a set of questions she has received since writing Bad Indians: A Tribal Memoir, Miranda reflects on the life of the book as well as the material circumstances of its writing through the image of a tsunami. Thinking about the damage, the survivors and debris, and the lasting effects of histories of catastrophe and violence, Miranda asserts that Bad Indians is a…
Ularia's Curse
This is an excerpted section from Deborah Miranda's Bad Indians: A Tribal Memoir. It retells a story told by Isabel Meadows about an Esselen woman who, in complicity with a river, cursed the white man who stole her people's land and removed them
Comportamento suicida no contexto universitário
O comportamento suicida é compreendido como um fenômeno complexo e resultante da interação de múltiplos fatores - genéticos, psicológicos, sociais, históricos e culturais - que interagem de forma singular em cada indivíduo. O suicídio é considerado um grave problema de saúde pública, sendo a segunda maior causa de morte entre universitários. Este trabalho pretende compreender o comportamento suicida em universitários através da análise de publica…
Desvendando os Suicídios Entre Profissionais de Segurança Pública
Este artigo analisa 18 autópsias psicossociais de 14 casos de suicídio de profissionais de segurança pública do estado do Espírito Santo, ocorridos entre 2010 e 2019. Partindo da compreensão de que o suicídio é um fenômeno multifatorial, a pesquisa buscou investigar como fatores organizacionais e operacionais interagem com fatores individuais e sociais, contribuindo para o adoecimento mental e para a ocorrência dos suicídios. Entre as especificid…
Art (10 obras) · Sociology (8 obras) · History (7 obras) · Literature (6 obras) · Philosophy (5 obras) · Psychology (5 obras) · Political science (4 obras) · Aesthetics (3 obras) · Anthropology (3 obras) · History (3 obras)