Hannah Holtzman
Biographic Data
| ID | 768196 |
|---|---|
| NAME | Hannah Holtzman |
| GIVEN NAMES | Hannah |
| FAMILY NAME | Holtzman |
| SIGNATURE | HOLTZMAN H |
| AFFILIATIONS | Sophia University |
| ORCID | 0000-0001-6327-3725 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
A risky venture: Typhoon Over Nagasaki and the particularity of Franco-Japanese cinematic co-production
The 1950s saw the rise of Japanese cinema as a foreign export at the same time as international co-productions across Europe were rapidly increasing. These tendencies intersected in 1955 with the creation of what has been called the first Franco-Japanese feature-length co-production. This film, released in Japan as Wasure enu bojō (Unforgettable Affection) (1956) and in France as Typhon sur Nagasaki/Typhoon Over Nagasaki (1957), was initiated in …
Akane Kawakami , Michaël Ferrier, Transnational Novelist: French without Borders
Les Français ne savent pas où me mettre: Placing Michaël Ferrier's petits portraits from Japan
Much of Michaël Ferrier’s writing has dealt with Japan, and yet his work does not really fit within the tradition of Japonisme, at least not when strictly defined as a style in nineteenth-century art. Ferrier himself views Japonisme as a trend associated with modernity and aesthetic revolution in architecture and visual art but linked to literature that is often seen as outmoded today.1 Recently, however, scholars writing in the Journal of Japoni…
A fifty-two-year love affair: Rewatching Hiroshima mon amour after Fukushima
The film Hiroshima mon amour (1959), one of the first major Franco-Japanese co-productions, was released the same year in Japan with the title A Twenty-four-hour love affair. The Japanese title’s emphasis on time presents a move away from the film’s historical and political particularity as well as from the space evoked by the name “Hiroshima.” In watching Hiroshima mon amour after the 2011 nuclear disaster at Fukushima Daiichi, the film’s nuclea…
A fifty-two-year love affair: Rewatching Hiroshima mon amour after Fukushima
The film Hiroshima mon amour (1959), one of the first major Franco-Japanese co-productions, was released the same year in Japan with the title A Twenty-four-hour love affair. The Japanese title’s emphasis on time presents a move away from the film’s historical and political particularity as well as from the space evoked by the name “Hiroshima.” In watching Hiroshima mon amour after the 2011 nuclear disaster at Fukushima Daiichi, the film’s nuclea…
A fifty-two-year love affair: Rewatching Hiroshima mon amour after Fukushima
The film Hiroshima mon amour (1959), one of the first major Franco-Japanese co-productions, was released the same year in Japan with the title A Twenty-four-hour love affair. The Japanese title’s emphasis on time presents a move away from the film’s historical and political particularity as well as from the space evoked by the name “Hiroshima.” In watching Hiroshima mon amour after the 2011 nuclear disaster at Fukushima Daiichi, the film’s nuclea…
Les Français ne savent pas où me mettre: Placing Michaël Ferrier's petits portraits from Japan
Much of Michaël Ferrier’s writing has dealt with Japan, and yet his work does not really fit within the tradition of Japonisme, at least not when strictly defined as a style in nineteenth-century art. Ferrier himself views Japonisme as a trend associated with modernity and aesthetic revolution in architecture and visual art but linked to literature that is often seen as outmoded today.1 Recently, however, scholars writing in the Journal of Japoni…
Akane Kawakami , Michaël Ferrier, Transnational Novelist: French without Borders
A risky venture: Typhoon Over Nagasaki and the particularity of Franco-Japanese cinematic co-production
The 1950s saw the rise of Japanese cinema as a foreign export at the same time as international co-productions across Europe were rapidly increasing. These tendencies intersected in 1955 with the creation of what has been called the first Franco-Japanese feature-length co-production. This film, released in Japan as Wasure enu bojō (Unforgettable Affection) (1956) and in France as Typhon sur Nagasaki/Typhoon Over Nagasaki (1957), was initiated in …
Art (2 works) · French Historical and Cultural Studies (2 works) · History (2 works) · Political science (2 works) · Art history (1 works) · Cinema and Media Studies (1 works) · French (1 works) · Historical and Scientific Studies (1 works) · Historical Studies and Socio-cultural Analysis (1 works) · Humanities (1 works)