Lynn A Higgins
Biographic Data
| ID | 768601 |
|---|---|
| NAME | Lynn A Higgins |
| GIVEN NAMES | Lynn A |
| FAMILY NAME | Higgins |
| SIGNATURE | HIGGINS L A |
| AFFILIATIONS | Dartmouth College |
| VERIFIED | No |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 16 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 1 |
Old Waves, New Waves
Screening America
Screening America
Detecting Texts
Que Peut Le Cinéma? 1
Cet article retrace la filmographie du cineaste B. Tavernier et pose la question de l'engagement des non intellectuels. En effet, il est difficile en France d'etre reconnu pour ses convictions, son engagement par son metier, ses actions si on n'est pas un intellectuel a temps plein. L'article analyse les prises de position du cineaste pour chacun de ses films
New Novel, New Wave, New Politics
Two women filmmakers remember the dark years
This article examines Diane Kurys's Entre Nous (1983) and Chantai Akerman's Les Rendez‐vous d'Anna (1978) and Window Shopping (1986). Born after the war years, both filmmakers use an autobiographical persona who ‘remembers’ the war through the memories of a parental generation, particularly through the mother. In both films, history is inscribed, firstly, in relationships that are represented as the consequence of catastrophe; secondly, in persis…
New Novel, New Wave, New Politics
The May 1968 Events in France
New Novel, New Wave, New Politics
New Novel, New Wave, New Politics
Rape and Representation
Prior violence the rhetoric of elision writing the victim framing institutions unthinking the metaphor
Masks of Tradition
The Self-Begetting Novel
The Red Virgin
Nouvelle Nouvelle Autobiographie
This double project, outlined and begun in the earlier work, is fully carried out in Le Corps lesbien. Creating and defining the relationship between self and world, between je and tu, has been the central concern of autobiography since Saint Augustine. The choice of a language is no less a question of autobiography, To consent to speak a language is to assume an identity. (One need only consult the works of Franz Fanon, Aimr6 Cdsaire and many ot…
Two women filmmakers remember the dark years
This article examines Diane Kurys's Entre Nous (1983) and Chantai Akerman's Les Rendez‐vous d'Anna (1978) and Window Shopping (1986). Born after the war years, both filmmakers use an autobiographical persona who ‘remembers’ the war through the memories of a parental generation, particularly through the mother. In both films, history is inscribed, firstly, in relationships that are represented as the consequence of catastrophe; secondly, in persis…
Nouvelle Nouvelle Autobiographie
This double project, outlined and begun in the earlier work, is fully carried out in Le Corps lesbien. Creating and defining the relationship between self and world, between je and tu, has been the central concern of autobiography since Saint Augustine. The choice of a language is no less a question of autobiography, To consent to speak a language is to assume an identity. (One need only consult the works of Franz Fanon, Aimr6 Cdsaire and many ot…
The Red Virgin
The Self-Begetting Novel
Masks of Tradition
Rape and Representation
Prior violence the rhetoric of elision writing the victim framing institutions unthinking the metaphor
New Novel, New Wave, New Politics
The May 1968 Events in France
New Novel, New Wave, New Politics
New Novel, New Wave, New Politics
New Novel, New Wave, New Politics
Two women filmmakers remember the dark years
This article examines Diane Kurys's Entre Nous (1983) and Chantai Akerman's Les Rendez‐vous d'Anna (1978) and Window Shopping (1986). Born after the war years, both filmmakers use an autobiographical persona who ‘remembers’ the war through the memories of a parental generation, particularly through the mother. In both films, history is inscribed, firstly, in relationships that are represented as the consequence of catastrophe; secondly, in persis…
Que Peut Le Cinéma? 1
Cet article retrace la filmographie du cineaste B. Tavernier et pose la question de l'engagement des non intellectuels. En effet, il est difficile en France d'etre reconnu pour ses convictions, son engagement par son metier, ses actions si on n'est pas un intellectuel a temps plein. L'article analyse les prises de position du cineaste pour chacun de ses films
Detecting Texts
Screening America
Screening America
Old Waves, New Waves
Art (11 works) · French Historical and Cultural Studies (9 works) · Political science (9 works) · History (8 works) · Law (6 works) · Literature (6 works) · Politics (6 works) · Historical Studies and Socio-cultural Analysis (5 works) · Literature and Culture Studies (4 works) · Sociology (4 works)