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Frank Jolles

Biographic Data

ID76863
NAMEFrank Jolles
GIVEN NAMESFrank
FAMILY NAMEJolles
SIGNATUREJOLLES F
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS16
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1964
LATEST PUBLICATION YEAR2000
H-INDEX2
  • Zulu Ritual Immunisation in Perspective

    Open Access•Frank Jolles, Stephen Jolle et al.•ARTICLE•Africa•2000•Cited by: 10•References: 14

    This article arose out of an attempt to quantify the risk of transmitting blood-borne diseases, in particular Hepatitis B and HIV, through the practice of making incisions (umgcabo) and punctures (ukutshobha) in the skin for the purpose of introducing medication (muthi) into the human body. The intention was to examine means of containing the risk. It soon became apparent that the practice of these therapies was inextricably bound up with legal a…

  • Zulu Earplugs: A Study in Transformation

    Frank Jolles•ARTICLE•African Arts•1997•Cited by: 2

    L'A. s'interesse a l'evolution des boucles d'oreilles zulu. Il se demande pourquoi certaines formes de boucles d'oreilles se sont adaptees aux changements alors que d'autres formes sont devenues redondantes. Quels effets les facteurs politique et sociaux ont-ils eu sur leur style et leur fonction ? Les questions de genres sont-elles impliquees : pourquoi les boucles d'oreilles etaient-elles davantage portees par les hommes au XIX e siecle et ensu…

  • Contemporary Zulu Dolls from KwaLatha: The Work of Mrs. Hluphekile Zuma and Her Friends

    Frank Jolles•ARTICLE•African Arts•1994

    A partir du travail d'un groupe zulu de producteurs de poupees, situe a kwaLatha (Natal, Afrique du Sud), l'A. etudie les causes geographiques et economiques qui ont entraine la commercialisation des poupees a l'origine reservees a un usage prive (poupees ou animaux crees en argile ou grains de mais pour les enfants, poupees fabriquees par des jeunes filles pour courtiser un garcon). Les modeles originaux ont ete modifie pour la vente (ajout des …

  • Traditional Zulu Beadwork of the Msinga Area

    Frank Jolles•ARTICLE•African Arts•1993•Cited by: 3

    The aim of this article is to demonstrate the artistic conventions of a historical beadwork style among the Zulu living in the Msinga district of Natal, and to try to define the extent of individual variation that these conventions allow. Style, in this context, is taken to mean the combinations of colors and patterns that characterize the beadwork of a region

  • Zulu Trade Dolls From Natal: Towards an Aesthetic of Tourist Art

    Open Access•Frank Jolles•ARTICLE•Museum Anthropology•1993•Cited by: 1•References: 10

  • The Hazards of Travel in Medieval Germany: An Attempt at an Interpretation of the Altdeutsche Gespräche

    Open Access•For K H Bertau, Frank Jolles•ARTICLE•German Life and Letters•1968

  • Zur Frage Des Stils in Den Wissenschaftlichen Schriften Des George‐kreises

    Open Access•Frank Jolles, F E F Jolles•ARTICLE•German Life and Letters•1966

  • An Eighteenth‐century German Dog Lover: F. L. G. G öckingk

    Open Access•Frank Jolles•ARTICLE•German Life and Letters•1964

  • Zulu Ritual Immunisation in Perspective

    Open Access•Frank Jolles, Stephen Jolle et al.•ARTICLE•Africa•2000•Cited by: 10•References: 14

    This article arose out of an attempt to quantify the risk of transmitting blood-borne diseases, in particular Hepatitis B and HIV, through the practice of making incisions (umgcabo) and punctures (ukutshobha) in the skin for the purpose of introducing medication (muthi) into the human body. The intention was to examine means of containing the risk. It soon became apparent that the practice of these therapies was inextricably bound up with legal a…

  • Traditional Zulu Beadwork of the Msinga Area

    Frank Jolles•ARTICLE•African Arts•1993•Cited by: 3

    The aim of this article is to demonstrate the artistic conventions of a historical beadwork style among the Zulu living in the Msinga district of Natal, and to try to define the extent of individual variation that these conventions allow. Style, in this context, is taken to mean the combinations of colors and patterns that characterize the beadwork of a region

  • Zulu Earplugs: A Study in Transformation

    Frank Jolles•ARTICLE•African Arts•1997•Cited by: 2

    L'A. s'interesse a l'evolution des boucles d'oreilles zulu. Il se demande pourquoi certaines formes de boucles d'oreilles se sont adaptees aux changements alors que d'autres formes sont devenues redondantes. Quels effets les facteurs politique et sociaux ont-ils eu sur leur style et leur fonction ? Les questions de genres sont-elles impliquees : pourquoi les boucles d'oreilles etaient-elles davantage portees par les hommes au XIX e siecle et ensu…

  • Zulu Trade Dolls From Natal: Towards an Aesthetic of Tourist Art

    Open Access•Frank Jolles•ARTICLE•Museum Anthropology•1993•Cited by: 1•References: 10

  • An Eighteenth‐century German Dog Lover: F. L. G. G öckingk

    Open Access•Frank Jolles•ARTICLE•German Life and Letters•1964

  • Zur Frage Des Stils in Den Wissenschaftlichen Schriften Des George‐kreises

    Open Access•Frank Jolles, F E F Jolles•ARTICLE•German Life and Letters•1966

  • The Hazards of Travel in Medieval Germany: An Attempt at an Interpretation of the Altdeutsche Gespräche

    Open Access•For K H Bertau, Frank Jolles•ARTICLE•German Life and Letters•1968

  • Traditional Zulu Beadwork of the Msinga Area

    Frank Jolles•ARTICLE•African Arts•1993•Cited by: 3

    The aim of this article is to demonstrate the artistic conventions of a historical beadwork style among the Zulu living in the Msinga district of Natal, and to try to define the extent of individual variation that these conventions allow. Style, in this context, is taken to mean the combinations of colors and patterns that characterize the beadwork of a region

  • Zulu Trade Dolls From Natal: Towards an Aesthetic of Tourist Art

    Open Access•Frank Jolles•ARTICLE•Museum Anthropology•1993•Cited by: 1•References: 10

  • Contemporary Zulu Dolls from KwaLatha: The Work of Mrs. Hluphekile Zuma and Her Friends

    Frank Jolles•ARTICLE•African Arts•1994

    A partir du travail d'un groupe zulu de producteurs de poupees, situe a kwaLatha (Natal, Afrique du Sud), l'A. etudie les causes geographiques et economiques qui ont entraine la commercialisation des poupees a l'origine reservees a un usage prive (poupees ou animaux crees en argile ou grains de mais pour les enfants, poupees fabriquees par des jeunes filles pour courtiser un garcon). Les modeles originaux ont ete modifie pour la vente (ajout des …

  • Zulu Earplugs: A Study in Transformation

    Frank Jolles•ARTICLE•African Arts•1997•Cited by: 2

    L'A. s'interesse a l'evolution des boucles d'oreilles zulu. Il se demande pourquoi certaines formes de boucles d'oreilles se sont adaptees aux changements alors que d'autres formes sont devenues redondantes. Quels effets les facteurs politique et sociaux ont-ils eu sur leur style et leur fonction ? Les questions de genres sont-elles impliquees : pourquoi les boucles d'oreilles etaient-elles davantage portees par les hommes au XIX e siecle et ensu…

  • Zulu Ritual Immunisation in Perspective

    Open Access•Frank Jolles, Stephen Jolle et al.•ARTICLE•Africa•2000•Cited by: 10•References: 14

    This article arose out of an attempt to quantify the risk of transmitting blood-borne diseases, in particular Hepatitis B and HIV, through the practice of making incisions (umgcabo) and punctures (ukutshobha) in the skin for the purpose of introducing medication (muthi) into the human body. The intention was to examine means of containing the risk. It soon became apparent that the practice of these therapies was inextricably bound up with legal a…

Linguistics (7 works) · Philosophy (7 works) · Art (5 works) · Philosophy (5 works) · Zulu (4 works) · Art history (3 works) · Citation (3 works) · Computer Science (3 works) · German (3 works) · History (3 works)

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