Anne-Gaëlle Saliot
Biographic Data
| ID | 769877 |
|---|---|
| NAME | Anne-Gaëlle Saliot |
| GIVEN NAMES | Anne-Gaëlle |
| FAMILY NAME | Saliot |
| SIGNATURE | SALIOT A |
| AFFILIATIONS | Duke University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Politics and Ontology of the Image
This essay proposes that, beyond the play of allusions, the pervasive and enduring references to Maurice Blanchot in Jean-Luc Godard's films constitute a "clandestine friendship," a constellation of elective affinities, and a debt that thinks the ontology and the politics of the image. It identifies a specific lineage in the troubling parallel of experiences between Blanchot and Godard, that of a "political passion" to borrow the expression Blanc…
La mort de l’enfant, ou la vérité de la littérature
Cette étude, en se consacrant au roman Sarinagara (2004), propose une réflexion sur la représentation de la mort de l’enfant et son lien intrinsèque à une pensée de la vérité littéraire dans l’œuvre du romancier et essayiste Philippe Forest. Elle avance l’hypothèse qu’il n’est d’autre expérience dont l’incommensurabilité puisse s’inscrire dans un tel questionnement de la littérature que celle des camps. Elle examine la manière dont Sarinagara ent…
The Drowned Muse
This book investigates the fascination surrounding the Unknown Woman of the Seine in literature and the visual arts at the end of the nineteenth and into the twentieth century. ‘L’Inconnue de la Seine’, or the mask of a young dead woman said to have been dragged out of the river, has become, through its repeated representation within the avant-garde movements and popular media, both a commodity and a topic of general interest. Such luminaries as …
Drowned Muse
‘White Ophelia Floats Like a Great Lily’
This chapter investigates the series of mythical associations between woman and water evoked by the mask: Ophelia, the naiads of European folklore, mermaids, beautiful maidens who took their own lives. It begins with an investigation of the mask’s resonances in the work of Belgian painter René Magritte, then considers the dramatic piece by Ödön Von Horváth, The Unknown Woman of the Seine, along with a number of poems, namely Nabokov’s poem ‘L’Inc…
Truffaut, Rivette et la femme au portrait
This article proposes to examine traces of the nineteenth century in two films by directors emblematic of the New Wave; François Truffaut and Jacques Rivette. It begins with the observation that, though nineteenth-century texts and images are omnipresent in the works of directors affiliated with this movement of the cinematographic avant-garde, this topic has nonetheless not yet been subjected to systematic critical analysis. This article specifi…
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Truffaut, Rivette et la femme au portrait
This article proposes to examine traces of the nineteenth century in two films by directors emblematic of the New Wave; François Truffaut and Jacques Rivette. It begins with the observation that, though nineteenth-century texts and images are omnipresent in the works of directors affiliated with this movement of the cinematographic avant-garde, this topic has nonetheless not yet been subjected to systematic critical analysis. This article specifi…
The Drowned Muse
This book investigates the fascination surrounding the Unknown Woman of the Seine in literature and the visual arts at the end of the nineteenth and into the twentieth century. ‘L’Inconnue de la Seine’, or the mask of a young dead woman said to have been dragged out of the river, has become, through its repeated representation within the avant-garde movements and popular media, both a commodity and a topic of general interest. Such luminaries as …
Drowned Muse
‘White Ophelia Floats Like a Great Lily’
This chapter investigates the series of mythical associations between woman and water evoked by the mask: Ophelia, the naiads of European folklore, mermaids, beautiful maidens who took their own lives. It begins with an investigation of the mask’s resonances in the work of Belgian painter René Magritte, then considers the dramatic piece by Ödön Von Horváth, The Unknown Woman of the Seine, along with a number of poems, namely Nabokov’s poem ‘L’Inc…
La mort de l’enfant, ou la vérité de la littérature
Cette étude, en se consacrant au roman Sarinagara (2004), propose une réflexion sur la représentation de la mort de l’enfant et son lien intrinsèque à une pensée de la vérité littéraire dans l’œuvre du romancier et essayiste Philippe Forest. Elle avance l’hypothèse qu’il n’est d’autre expérience dont l’incommensurabilité puisse s’inscrire dans un tel questionnement de la littérature que celle des camps. Elle examine la manière dont Sarinagara ent…
Politics and Ontology of the Image
This essay proposes that, beyond the play of allusions, the pervasive and enduring references to Maurice Blanchot in Jean-Luc Godard's films constitute a "clandestine friendship," a constellation of elective affinities, and a debt that thinks the ontology and the politics of the image. It identifies a specific lineage in the troubling parallel of experiences between Blanchot and Godard, that of a "political passion" to borrow the expression Blanc…
Art (5 works) · Philosophy (4 works) · Art history (3 works) · Literature (3 works) · French Literature and Critical Theory (2 works) · French Literature and Criticism (2 works) · History (2 works) · Humanities (2 works) · Modernity (2 works) · Philosophy (2 works)