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Carl Freedman

Biographic Data

ID770683
NAMECarl Freedman
GIVEN NAMESCarl
FAMILY NAMEFreedman
SIGNATUREFREEDMAN C
AFFILIATIONSLouisiana State University
VERIFIEDNo
TOTAL WORKS46
TOTAL CITATIONS17
WORKS AS AUTHOR46
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2021
H-INDEX3
  • And After

    Open Access•Carl Freedman•ARTICLE•Film International•2021

  • On Science Fiction and Other Cultural Material

    Carl Freedman•ARTICLE•Science Fiction Studies•2020

    291 BOOKS IN REVIEW shifting “from an anthropocentric to a posthuman vision” (173). Such a vision will be the subject of Micali’s last chapter. In chapter five Micali exposes “the social, political, or ethical issues raised by genetic engineering” (184), from Brave New World (1932) by Aldous Huxley—among “the fathers of ‘technocritiquing’” (181)—to Andrew Nichol’s film Gattaca (1997). But the superhuman traits “which are celebrated, feared or reg…

  • Epistles from UMass

    Carl Freedman•ARTICLE•Science Fiction Studies•2020

    482 SCIENCE FICTION STUDIES, VOLUME 47 (2020) encourages such an approach. Moreover, in her discussion about Kafer’s “curative imagination,” Cheyne misses an opportunity to discuss how readers might feel towards the lived experiences of those identified as disabled when it comes to dealing with chronic pain or choosing whether or not to undergo curative procedures. Cheyne’s book is relevant to a wide variety of readers, including those interested…

  • Kennedy in History and in Cinema

    Carl Freedman•ARTICLE•Film International•2019

    Preview this article: Kennedy in History and in Cinema, Page 1 of 1 /docserver/preview/fulltext/fint/17/3/fiin.17.3.7_1-1.gif

  • What Kid Wrote

    Carl Freedman, Carl Freedman Carl Freedman•ARTICLE•Science Fiction Studies•2018

  • Science fiction and critical theory

    Carl Freedman•CHAPTER•Science Fiction Criticism•2017

  • Character and Capital in the Wall Street Films of Oliver Stone

    Carl Freedman•ARTICLE•Film International•2016

  • American Civilization and Its Discontents

    Open Access•Carl Freedman•CHAPTER•Cambridge Companion to Alfred…•2015

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • A Useful Guide to American Science Fiction

    Carl Freedman, Carl Freedman Carl Freedman•ARTICLE•Science Fiction Studies•2015

  • From Genre to Political Economy

    Carl Freedman•ARTICLE•CR The New Centennial Review•2013•Cited by: 3

  • Notes on Benjamin, Adorno, Mann, and the Cinema of Michael Haneke

    Carl Freedman•ARTICLE•Film International•2012

    Preview this article: Notes on Benjamin, Adorno, Mann, and the Cinema of Michael Haneke, Page 1 of 1 /docserver/preview/fulltext/fint/10/3/s3-1.gif

  • Asimov Versus Robinson

    Carl Freedman, Carl Freedman Carl Freedman•ARTICLE•Science Fiction Studies•2012•References: 1

  • Hobbes After Marx, Scorsese after Coppola

    Carl Freedman•ARTICLE•Film International•2011

    Preview this article: Hobbes After Marx, Scorsese after Coppola: on GoodFellas, Page 1 of 1 /docserver/preview/fulltext/fint/9/1/s4-1.gif

  • The Supplement of Coppola

    Carl Freedman•ARTICLE•Film International•2011

    Preview this article: The Supplement of Coppola: Primitive Accumulation and the Godfather Trilogy, Page 1 of 1 /docserver/preview/fulltext/fint/9/1/s3-1.gif

  • Science Fiction and its Others

    Carl Freedman, Carl Freedman Carl Freedman•ARTICLE•Science Fiction Studies•2011

  • Post-Hetero Sexuality

    Carl Freedman•ARTICLE•Film International•2007

    Perhaps no nation is more occupied with the idea of masculinity than the United States of America

  • An American Tragedy

    Carl Freedman•ARTICLE•Film International•2006

    There have been a good many works of art based on the character and career of Richard Nixon more, I should guess, than about any other American president since Lincoln and among them are at least three items of major aesthetic significance

  • Orwell’s Politics by John Newsinger; Orwell

    Carl Freedman•ARTICLE•Historical Materialism•2006

  • Interviewing Asimov

    Carl Freedman•ARTICLE•Science Fiction Studies•2006

  • Speculative fiction and international law

    Carl Freedman•ARTICLE•Socialism and Democracy•2006•Cited by: 4

    As I have suggested more than once in print, China Mieville is for me the most entertaining, interesting, and intellectually gifted writer of Anglophone speculative fiction to have yet emerged in h

  • Versions of the American Imperium in Three Westerns by John Ford

    Carl Freedman•ARTICLE•Film International•2005

    Preview this article: Versions of the American Imperium in Three Westerns by John Ford, Page 1 of 1 /docserver/preview/fulltext/fint/3/6/s3-1.gif

  • Jules Verne Roundtable

    James Gunn, James E Gunn et al.•ARTICLE•Science Fiction Studies•2005

  • Connections of Late Capitalism

    Carl Freedman•ARTICLE•Science Fiction Studies•2004

  • Symposium on Social Science Fiction

    Tom Moylan, Arthur Kroker et al.•ARTICLE•Science Fiction Studies•2003

  • A Note on Marxism and Fantasy

    Carl Freedman•ARTICLE•Historical Materialism•2002

Next
  • Speculative fiction and international law

    Carl Freedman•ARTICLE•Socialism and Democracy•2006•Cited by: 4

    As I have suggested more than once in print, China Mieville is for me the most entertaining, interesting, and intellectually gifted writer of Anglophone speculative fiction to have yet emerged in h

  • England as Ideology

    Carl Freedman•ARTICLE•Cultural Critique•1990•Cited by: 4

    t is a commonplace that, with the post-1945 decline of Britain as an economic, political, and military power, its international standing as well as its own sense of national identity have been increasingly determined on the level of cultural production. Whatever the historical imprecisions in the familiar notion of Britain as the Athens of the Pax Americana, the analogy registers a feeling that is fairly widespread on both sides of the Atlantic. …

  • The Mandarin Marxism of Theodor Adorno

    Open Access•Carl Freedman, Neil Lazarus•ARTICLE•Rethinking Marxism•1988•Cited by: 4•References: 1

    1988). The Mandarin Marxism of Theodor Adorno. Rethinking Marxism: Vol. 1, No. 4, pp. 85-111

  • From Genre to Political Economy

    Carl Freedman•ARTICLE•CR The New Centennial Review•2013•Cited by: 3

  • Kubrick's 2001 and the Possibility of a Science-Fiction Cinema

    Carl Freedman•ARTICLE•Science Fiction Studies•1998•Cited by: 1

    Stanley Kubrick might be described as a metageneric filmmaker, since his major works tend to take apart and to reconstruct the inherited conventions of the pertinent filmic genre (horror in The Shining, historical romance in Barry Lyndon, and so forth). Kubrick's most intense and complex metageneric analysis is of science fiction in 2001. A historical and theoretical consideration of the science-fiction film reveals that it is structured on a cen…

  • Science Fiction and Critical Theory

    Carl Freedman•ARTICLE•Science Fiction Studies•1987•Cited by: 1

    Noting the tendency of virtually every school of literary criticisin to privilege, expressly or implicitly, a particular genre, I argue that SF constitutes the generic space exalted by genuinely critical-that is, dialectical-theory. SF, like dialectics, refuses any simple acceptance of the mundane; and in evoking a world which is not ours but which could, at least in principle, become ours, it estranges the actual through an insistence on the pri…

  • Overdeterminations

    Carl Freedman•ARTICLE•Social Text•1983

    problem of the twentieth century, wrote W.E.B. Du Bois in 1903, the problem of the color-line. Since The Souls of Black Folk was published, the century has witnessed an epoch-making, intra-imperialist war, two world-historical revolutions, the rise and partial defeat of fascism, the attempted genocide of several peoples (Armenians, Jews, Gypsies) along ethnic but not strictly racial lines, and the development of nuclear weaponry that renders glob…

  • Towards a Theory of Paranoia

    Carl Freedman•ARTICLE•Science Fiction Studies•1984

    This essay has a twofold aim: to outline a theory of paranoia, and to demonstrate the relevance of this theory to SF in general and to the work of Philip K. Dick in particular. Freud’s various remarks on paranoia—most notably in his reading of Schreber—suggest that paranoia operates by a ruthlessly hermeneutic logic. The paranoiac interprets all worldly phenomena as aspects of a symmetrical and expressive totality at the center of which stands th…

  • Science Fiction and Critical Theory

    Carl Freedman•ARTICLE•Science Fiction Studies•1987•Cited by: 1

    Noting the tendency of virtually every school of literary criticisin to privilege, expressly or implicitly, a particular genre, I argue that SF constitutes the generic space exalted by genuinely critical-that is, dialectical-theory. SF, like dialectics, refuses any simple acceptance of the mundane; and in evoking a world which is not ours but which could, at least in principle, become ours, it estranges the actual through an insistence on the pri…

  • Nietzsche and Ideology-Critique

    Open Access•Carl Freedman•ARTICLE•Rethinking Marxism•1988•References: 5

    (1988). Nietzsche and Ideology-Critique: A Note on Twilight of the Idols. Rethinking Marxism: Vol. 1, No. 2, pp. 103-114

  • The Mandarin Marxism of Theodor Adorno

    Open Access•Carl Freedman, Neil Lazarus•ARTICLE•Rethinking Marxism•1988•Cited by: 4•References: 1

    1988). The Mandarin Marxism of Theodor Adorno. Rethinking Marxism: Vol. 1, No. 4, pp. 85-111

  • Reply to Dan Kiamie and Rita DeSalvo

    Open Access•Carl Freedman, Neil Lazarus•ARTICLE•Rethinking Marxism•1989

  • Another Response to John Fekete

    Carl Freedman•ARTICLE•Science Fiction Studies•1989

  • The Interventional Marxism of Louis Althusser

    Open Access•Carl Freedman•ARTICLE•Rethinking Marxism•1990•References: 6

    (1990). The Interventional Marxism of Louis Althusser. Rethinking Marxism: Vol. 3, No. 3-4, pp. 308-328

  • England as Ideology

    Carl Freedman•ARTICLE•Cultural Critique•1990•Cited by: 4

    t is a commonplace that, with the post-1945 decline of Britain as an economic, political, and military power, its international standing as well as its own sense of national identity have been increasingly determined on the level of cultural production. Whatever the historical imprecisions in the familiar notion of Britain as the Athens of the Pax Americana, the analogy registers a feeling that is fairly widespread on both sides of the Atlantic. …

  • In Search of Dick’s Boswell

    Carl Freedman•ARTICLE•Science Fiction Studies•1991

  • Louisiana Duce

    Open Access•Carl Freedman•ARTICLE•Rethinking Marxism•1992

    (1992). Louisiana Duce: Notes Toward a Systematic Analysis of Postmodern Fascism in America. Rethinking Marxism: Vol. 5, No. 1, pp. 19-31

  • On the Space Program and on Science Fiction

    Carl Freedman, Gary Westfahl•ARTICLE•Science Fiction Studies•1998

  • Kubrick's 2001 and the Possibility of a Science-Fiction Cinema

    Carl Freedman•ARTICLE•Science Fiction Studies•1998•Cited by: 1

    Stanley Kubrick might be described as a metageneric filmmaker, since his major works tend to take apart and to reconstruct the inherited conventions of the pertinent filmic genre (horror in The Shining, historical romance in Barry Lyndon, and so forth). Kubrick's most intense and complex metageneric analysis is of science fiction in 2001. A historical and theoretical consideration of the science-fiction film reveals that it is structured on a cen…

  • Remembering Kubrick

    Carl Freedman•ARTICLE•Science Fiction Studies•1999

  • Lies, Damned Lies, and Science Fiction

    Carl Freedman•ARTICLE•Science Fiction Studies•1999

  • Science Fiction and the Triumph of Feminism

    Carl Freedman•ARTICLE•Science Fiction Studies•2000

  • Critical Theory and Science Fiction

    Carl Freedman, Carl Howard Freedman•BOOK•Critical theory and science fiction•2000

    Carl Freedman traces the fundamental and mostly unexamined relationships between the discourses of science fiction and critical theory, arguing that science fiction is (or ought to be) a privileged genre for critical theory. He asserts that it is no accident that the upsurge of academic interest in science fiction since the 1970s coincides with the heyday of literary theory, and that likewise science fiction is one of the most theoretically infor…

  • Adventures of the Dialectic

    Carl Freedman•ARTICLE•Science Fiction Studies•2001

  • Appeal for Support

    Carl Freedman•ARTICLE•Science Fiction Studies•2001

  • And Yet It Moves

    Carl Freedman•ARTICLE•Science Fiction Studies•2001

  • A Note on Marxism and Fantasy

    Carl Freedman•ARTICLE•Historical Materialism•2002

  • Hail Mary

    Carl Freedman•ARTICLE•Science Fiction Studies•2002

  • Symposium on Social Science Fiction

    Tom Moylan, Arthur Kroker et al.•ARTICLE•Science Fiction Studies•2003

  • Connections of Late Capitalism

    Carl Freedman•ARTICLE•Science Fiction Studies•2004

  • Versions of the American Imperium in Three Westerns by John Ford

    Carl Freedman•ARTICLE•Film International•2005

    Preview this article: Versions of the American Imperium in Three Westerns by John Ford, Page 1 of 1 /docserver/preview/fulltext/fint/3/6/s3-1.gif

Art (33 works) · Philosophy (21 works) · Art history (17 works) · Sociology (14 works) · Epistemology (10 works) · Utopian, Dystopian, and Speculative Fiction (10 works) · Literature (9 works) · Political science (9 works) · Aesthetics (8 works) · History (7 works)

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