Michael Lukin
Biographic Data
| ID | 772854 |
|---|---|
| NAME | Michael Lukin |
| GIVEN NAMES | Michael |
| FAMILY NAME | Lukin |
| SIGNATURE | LUKIN M |
| AFFILIATIONS | Hebrew University of Jerusalem |
| ORCID | 0000-0002-7349-0173 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Collective Singing in the Jewish Shtetl
Traditional collective singing among Eastern Yiddish speakers - a heretofore unexplored phenomenon - is discussed as part of the European-Jewish musical polysystem, which evolved in small towns (called a shtetl in Yiddish) from early modernity to the Holocaust (1933-1945). In the absence of living informants in Eastern Europe, the only applicable methodology is historical ethnomusicology, employing a comparative analysis of late documentation, in…
The Traditional Yiddish Folk Song
Eastern European Jews, dwellers of shtetls (small market towns), created a distinctive repertoire of traditional folk songs in eastern Yiddish that flourished from early modern times until the Holocaust. During this prolonged period, its various genres developed interconnections, both poetic and musical. Marked by conservatism and internal inspirations, traditional songs shared a creative adaptation of old western European elements, adopted befor…
Servant Romances: Eighteenth-Century Yiddish Lyric and Narrative Folk Songs
Collective Singing in the Jewish Shtetl
Traditional collective singing among Eastern Yiddish speakers - a heretofore unexplored phenomenon - is discussed as part of the European-Jewish musical polysystem, which evolved in small towns (called a shtetl in Yiddish) from early modernity to the Holocaust (1933-1945). In the absence of living informants in Eastern Europe, the only applicable methodology is historical ethnomusicology, employing a comparative analysis of late documentation, in…
Servant Romances: Eighteenth-Century Yiddish Lyric and Narrative Folk Songs
The Traditional Yiddish Folk Song
Eastern European Jews, dwellers of shtetls (small market towns), created a distinctive repertoire of traditional folk songs in eastern Yiddish that flourished from early modern times until the Holocaust. During this prolonged period, its various genres developed interconnections, both poetic and musical. Marked by conservatism and internal inspirations, traditional songs shared a creative adaptation of old western European elements, adopted befor…
Collective Singing in the Jewish Shtetl
Traditional collective singing among Eastern Yiddish speakers - a heretofore unexplored phenomenon - is discussed as part of the European-Jewish musical polysystem, which evolved in small towns (called a shtetl in Yiddish) from early modernity to the Holocaust (1933-1945). In the absence of living informants in Eastern Europe, the only applicable methodology is historical ethnomusicology, employing a comparative analysis of late documentation, in…
Art (3 works) · History (3 works) · Literature (3 works) · Archaeology (2 works) · Judaism (2 works) · Acoustics (1 works) · Aesthetics (1 works) · Ballad (1 works) · Classics (1 works) · Diverse Musicological Studies (1 works)