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Maya Nadkarni

Biographic Data

ID776990
NAMEMaya Nadkarni
GIVEN NAMESMaya
FAMILY NAMENadkarni
SIGNATURENADKARNI M
AFFILIATIONSSchlumberger (Ireland)
ORCID0000-0002-9061-0480
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS19
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2025
H-INDEX3
  • (Wl 852)-Further Reflections on Ordinary Criticism

    Maya Nadkarni, M V Nadkarni•ARTICLE•Economic and political…•2025

    Ordinary' approach is ethically satisfied with a practice or decision if its undesirable consequences are mitigated. But the 'Foundational' approach is not, if a fundamental moral principle is violated. The former has an advantage in resolving ethical dilemmas like abortion, where two fundamental moral principles conflict with each other

  • Post-communist Nostalgia

    Open Access•Daphne Berdahl, Marija Nikolaeva Todorova et al.•BOOK•Post-Communist Nostalgia•2022

    Although the end of the Cold War was greeted with great enthusiasm by people in the East and the West, the ensuing social and especially economic changes did not always result in the hoped-for improvements in people’s lives. This led to widespread disillusionment that can be observed today all across Eastern Europe. Not simply a longing for security, stability, and prosperity, this nostalgia is also a sense of loss regarding a specific form of so…

  • Remains of Socialism: Memory and the Futures of the Past in Postsocialist Hungary

    Maya Nadkarni•BOOK•Remains of Socialism•2020

    This book investigates the changing fates of the socialist past in postsocialist Hungary. The book introduces the concept of “remains”—both physical objects and cultural remainders—to analyze all that Hungarians sought to leave behind after the end of state socialism. Spanning more than two decades of postsocialist transformation, the book follows Hungary from the optimism of the early years of transition to its recent right-wing turn toward illi…

  • Remains of Socialism: Memory and the Futures of the Past in Postsocialist Hungary

    Maya Nadkarni•BOOK•Remains of Socialism•2020

  • A Questionnaire on Monuments

    Lucía Allais, Noel W Anderson et al.•ARTICLE•October•2018•Cited by: 4•References: 4

    A Questionnaire on Monuments" features 49 responses to questions formulated by Leah Dickerman, Hal Foster, David Joselit, and Carrie Lambert-Beatty: "From Charlottesville to Cape Town, there have been struggles over monuments and other markers involving histories of racial conflict. How do these charged situations shed light on the ethics of images in civil society today? Speaking generally or with specific examples in mind, please consider any o…

  • “But It’s Ours”: Nostalgia and the Politics of Authenticity in Post-Socialist Hungary

    Maya Nadkarni•CHAPTER•Post-Communist Nostalgia•2017

  • Sergiu Musteață, Rolul anului 1991 în destinul Republicii Moldova / 1991: A Chronology of Moldova’s Independence

    Open Access•Sergiu Musteață, S Hussein Şi Restabilirea Puterii et al.•ARTICLE•PLURAL History Culture Society•2015

    The year 1991 proved to be crucial for the Soviet republics, including for Moldova, and in result of incremental democratic transformations and the collapse of the USSR, the Republic of Moldova became an independent state. The year 1991 was the common starting point of independence for most of Soviet Union republics. After the events of August 1991, most of the world believed that the collapse of the Soviet Union meant a departure from the totali…

  • What Happened to Jokes?”: The Shifting Landscape of Humor in Hungary

    Open Access•M Lampland, Maya Nadkarni•ARTICLE•East European Politics and…•2015•Cited by: 10

    Since 1989, commentators on both sides of the Atlantic have mourned the death of jokes in postsocialist societies. While in fact humor has not gone away, the everyday experience of sharing jokes as an intimate form of political criticism has indeed vanished. Drawing from ethnographic fieldwork, interviews, and archival research on the history of Hungarian humor, this article contributes a new perspective to the recent wave of scholarship on Sovie…

  • Knowledge Exchange

    Open Access•Maya Nadkarni•ARTICLE•Anthropology News•2013

  • Searching for the Populus in Popular Culture

    Olga Shevchenko, Ольга Ивановна Шевченко et al.•ARTICLE•Social Identities•2007

  • The Master's Voice: Authenticity, Nostalgia, and the Refusal of Irony in Postsocialist Hungary

    Maya Nadkarni•ARTICLE•Social Identities•2007•Cited by: 5•References: 8

    In 2000, Benedek Uhrin—an elderly man with no apparent musical talent—became an internet phenomenon and later one of the unlikely hit performances at the yearly summer music festival in Hungary. Although local commentators argued that his popularity with youth audiences derived from his kitsch appeal, this article argues to the contrary. Uhrin rose to fame because his performance enabled his audience to refuse irony as rhetorical tool, ethical st…

  • What Happened to Jokes?”: The Shifting Landscape of Humor in Hungary

    Open Access•M Lampland, Maya Nadkarni•ARTICLE•East European Politics and…•2015•Cited by: 10

    Since 1989, commentators on both sides of the Atlantic have mourned the death of jokes in postsocialist societies. While in fact humor has not gone away, the everyday experience of sharing jokes as an intimate form of political criticism has indeed vanished. Drawing from ethnographic fieldwork, interviews, and archival research on the history of Hungarian humor, this article contributes a new perspective to the recent wave of scholarship on Sovie…

  • The Master's Voice: Authenticity, Nostalgia, and the Refusal of Irony in Postsocialist Hungary

    Maya Nadkarni•ARTICLE•Social Identities•2007•Cited by: 5•References: 8

    In 2000, Benedek Uhrin—an elderly man with no apparent musical talent—became an internet phenomenon and later one of the unlikely hit performances at the yearly summer music festival in Hungary. Although local commentators argued that his popularity with youth audiences derived from his kitsch appeal, this article argues to the contrary. Uhrin rose to fame because his performance enabled his audience to refuse irony as rhetorical tool, ethical st…

  • A Questionnaire on Monuments

    Lucía Allais, Noel W Anderson et al.•ARTICLE•October•2018•Cited by: 4•References: 4

    A Questionnaire on Monuments" features 49 responses to questions formulated by Leah Dickerman, Hal Foster, David Joselit, and Carrie Lambert-Beatty: "From Charlottesville to Cape Town, there have been struggles over monuments and other markers involving histories of racial conflict. How do these charged situations shed light on the ethics of images in civil society today? Speaking generally or with specific examples in mind, please consider any o…

  • Searching for the Populus in Popular Culture

    Olga Shevchenko, Ольга Ивановна Шевченко et al.•ARTICLE•Social Identities•2007

  • The Master's Voice: Authenticity, Nostalgia, and the Refusal of Irony in Postsocialist Hungary

    Maya Nadkarni•ARTICLE•Social Identities•2007•Cited by: 5•References: 8

    In 2000, Benedek Uhrin—an elderly man with no apparent musical talent—became an internet phenomenon and later one of the unlikely hit performances at the yearly summer music festival in Hungary. Although local commentators argued that his popularity with youth audiences derived from his kitsch appeal, this article argues to the contrary. Uhrin rose to fame because his performance enabled his audience to refuse irony as rhetorical tool, ethical st…

  • Knowledge Exchange

    Open Access•Maya Nadkarni•ARTICLE•Anthropology News•2013

  • Sergiu Musteață, Rolul anului 1991 în destinul Republicii Moldova / 1991: A Chronology of Moldova’s Independence

    Open Access•Sergiu Musteață, S Hussein Şi Restabilirea Puterii et al.•ARTICLE•PLURAL History Culture Society•2015

    The year 1991 proved to be crucial for the Soviet republics, including for Moldova, and in result of incremental democratic transformations and the collapse of the USSR, the Republic of Moldova became an independent state. The year 1991 was the common starting point of independence for most of Soviet Union republics. After the events of August 1991, most of the world believed that the collapse of the Soviet Union meant a departure from the totali…

  • What Happened to Jokes?”: The Shifting Landscape of Humor in Hungary

    Open Access•M Lampland, Maya Nadkarni•ARTICLE•East European Politics and…•2015•Cited by: 10

    Since 1989, commentators on both sides of the Atlantic have mourned the death of jokes in postsocialist societies. While in fact humor has not gone away, the everyday experience of sharing jokes as an intimate form of political criticism has indeed vanished. Drawing from ethnographic fieldwork, interviews, and archival research on the history of Hungarian humor, this article contributes a new perspective to the recent wave of scholarship on Sovie…

  • “But It’s Ours”: Nostalgia and the Politics of Authenticity in Post-Socialist Hungary

    Maya Nadkarni•CHAPTER•Post-Communist Nostalgia•2017

  • A Questionnaire on Monuments

    Lucía Allais, Noel W Anderson et al.•ARTICLE•October•2018•Cited by: 4•References: 4

    A Questionnaire on Monuments" features 49 responses to questions formulated by Leah Dickerman, Hal Foster, David Joselit, and Carrie Lambert-Beatty: "From Charlottesville to Cape Town, there have been struggles over monuments and other markers involving histories of racial conflict. How do these charged situations shed light on the ethics of images in civil society today? Speaking generally or with specific examples in mind, please consider any o…

  • Remains of Socialism: Memory and the Futures of the Past in Postsocialist Hungary

    Maya Nadkarni•BOOK•Remains of Socialism•2020

    This book investigates the changing fates of the socialist past in postsocialist Hungary. The book introduces the concept of “remains”—both physical objects and cultural remainders—to analyze all that Hungarians sought to leave behind after the end of state socialism. Spanning more than two decades of postsocialist transformation, the book follows Hungary from the optimism of the early years of transition to its recent right-wing turn toward illi…

  • Remains of Socialism: Memory and the Futures of the Past in Postsocialist Hungary

    Maya Nadkarni•BOOK•Remains of Socialism•2020

  • Post-communist Nostalgia

    Open Access•Daphne Berdahl, Marija Nikolaeva Todorova et al.•BOOK•Post-Communist Nostalgia•2022

    Although the end of the Cold War was greeted with great enthusiasm by people in the East and the West, the ensuing social and especially economic changes did not always result in the hoped-for improvements in people’s lives. This led to widespread disillusionment that can be observed today all across Eastern Europe. Not simply a longing for security, stability, and prosperity, this nostalgia is also a sense of loss regarding a specific form of so…

  • (Wl 852)-Further Reflections on Ordinary Criticism

    Maya Nadkarni, M V Nadkarni•ARTICLE•Economic and political…•2025

    Ordinary' approach is ethically satisfied with a practice or decision if its undesirable consequences are mitigated. But the 'Foundational' approach is not, if a fundamental moral principle is violated. The former has an advantage in resolving ethical dilemmas like abortion, where two fundamental moral principles conflict with each other

Sociology (8 works) · Law (7 works) · Political science (7 works) · Philosophy (6 works) · Politics (6 works) · Art (5 works) · Aesthetics (4 works) · Communism (3 works) · Epistemology (3 works) · Europe (3 works)

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