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Nigel Barley

Biographic Data

ID77914
NAMENigel Barley
GIVEN NAMESNigel
FAMILY NAMEBarley
SIGNATUREBARLEY N
AFFILIATIONSBritish Museum
VERIFIEDNo
TOTAL WORKS35
TOTAL CITATIONS81
AUTHOR COUNT35
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2002
H-INDEX5
  • Le Retour de l'anthropologue

    Nigel Barley, Alain Bories•BOOK•Le Retour de l'anthropologue•2002

  • Film reviews

    Nigel Barley, Elizabeth Edwards et al.•ARTICLE•Visual Anthropology•2001

    Adventures in Nigeria. Tubali: Hausa Architecture of Northern Nigeria. Directed by Sabine Jell‐Bahlsen; Yusufu Mohammed, camera. 1994, 45 minutes, color. Distributed in Europe by S. Jell‐Bahlsen, Aisching 1, 83257 Gstadt, Germany. Tel: +49–8054–302; fax: +49–8054–909774. Distributed in U.S.A. by NBPC, Suite A, 761 Oak Street, Columbus, OH 43205. Tel: +614–229–4399; fax: +614–229–4398. Sale price (NTSC) $40.00; (PAL) £25.00. (Script is included wi…

  • The Sainsbury African Galleries at the British Museum

    Christopher Spring, Nigel Barley et al.•ARTICLE•African Arts•2001•Cited by: 1

    Presentation de la nouvelle exposition permanente de la collection africaine hebergee pendant pres de trente ans au Museum of Mankind (Londres) et maintenant installee dans les Sainsbury African Galleries du British Museum. Mettant en perspective la diversite culturelle, geographique, ethnique et artistique de la culture materielle et de l'art africains ainsi que leur impact mondial, les choix museologiques operes tentent de conjuger dans un cont…

  • Dancing on the Grave: Encounters with Death

    Vernon Eichhorn, Nigel Barley•ARTICLE•Journal of the Royal Anthropologica…•1999•Cited by: 17

    This work takes a look at how different cultures around the world have handled death and given it its meaning. Some cultures, for example, Ancient Egypt, virtually bankrupted themselves to deal with the death of a single person; others simply pull down the roof on the corpse and walk away. The book shows how much of even the most exotic practices and themes can be relevant to all

  • I've Been Gone Far Too Long: Field Trip Fiascoes and Expedition Disasters

    Alice Pomponio, M B Mulder et al.•ARTICLE•Journal of the Royal Anthropologica…•1998

    Here are the stories of 30 research scientists who go off the deep ends of the earth. Travel with a young researcher in Dian Fossey's camp as she is handed a gun and told to go out and shoot a gorilla poacher. See how a scientist reacts when he discovers a poisonous bushmaster in his bidet. From bush pilots and endangered species to Land Rover nightmares, these hair-raising tales will keep you up past dawn. This book is a tribute to the courage o…

  • Kingdom on Mount Cameroon: Studies in the History of the Cameroon Coast, 1500-1970

    Nigel Barley, Edwin Ardener•ARTICLE•Journal of the Royal Anthropologica…•1998

  • African Material Culture

    Nigel Barley•REVIEW•Journal of the Royal Anthropologica…•1998•References: 8

    INTRODUCTION: Efficacy and Objects Kris L. Hardin and MaryEJo Arnoldi PART I: TECHNOLOGY AND THE PRODUCTION OF FORM 1. Technological Style and the Making of Culture: Three Kono Contexts of Production Kris L. Hardin 2. Magical Iron Technology in the Cameroon Grassfields Michael Rowlands and Jean-Pierre Warnier 3. When Nomads Settle: Changing Technologies of Building and Transport and the Production of Architectural Form among the Gabra, the Rendil…

  • Smashing Pots: Works of Clay from Africa

    Marla C Berns, Nigel Barley•ARTICLE•African Arts•1997

  • Africa95 at the Museum of Mankind

    Christopher Spring, Julie Hudson et al.•ARTICLE•African Arts•1996•Cited by: 1

    Quatre expositions au Museum of Mankind presentent des articles de textile : « Display and Modesty: North African Textiles » montre l'art du tissage, les vetements simples ou brodes importants dans les ceremonies de cycles de vie ; « Secular and Sacred: Ethiopian Textiles » expose « shamma », « kamis », et soie tissee ; « Power of the Hand: African Arms and Armour » presente les armes et les armures et « Great Benin », davantage destinee aux ense…

  • Smashing Pots: Works of clay from Africa

    Open Access•Nigel Barley•ARTICLE•The Art Book•1995•Cited by: 2

  • Die Kunst der Frauen: Zur Komplementaritat von Nacktheit und Maskierung bei den Ejagham im Sudwesten Kameruns

    Nigel Barley, Ute Röschenthaler•ARTICLE•Journal of the Royal Anthropologica…•1995

  • Smashing Pots: Works of clay from Africa

    Open Access•Nigel Barley•ARTICLE•The Art Book•1994

  • The Sultan's Burden/Madame L'eau/Nomads of the Taiga

    Open Access•Nigel Barley, P Stoller et al.•ARTICLE•Visual Anthropology Review•1994

    The Sultan′s Burden. Jon Jerstad and Lisbeth Holtedahl. Northern lights Fllmproduction. Mortimer Hill, Mortimer. Berkshire RG7 3PG. England. Madame L′eau. Jean Rouch. 1993 NFI Productions, BBC Television and France. (short version) Nomads of the Taiga. Heimo Lappalainen. Consultant, Nikolai Ssorin‐Chaikov. 1992. x 50 minutes. Dlsbributed by Illume Oy. Pasilan Puistotie 4. Fin‐00240. Helsinki, finland. Vhs Us$400/part, $1000 for series. 16mm us$10…

  • Between God, the Dead and the Wild: Chamba Interpretations of Religion and Ritual. Richard Fardon

    Open Access•Nigel Barley•ARTICLE•American Ethnologist•1994

  • The innocent anthropologist: Notes From a Mud Hut

    Nigel Barley•BOOK•The innocent anthropologist•1992•Cited by: 25

  • Foreheads of the Dead: An Anthropological View of Kalabari Ancestral Screens

    Philip E Leis, Nigel Barley•ARTICLE•Journal of Religion in Africa•1992

  • Foreheads of the Dead: An Anthropological View of Kalabari Ancestral Screens

    Martha G Anderson, Martha Anderson et al.•ARTICLE•African Arts•1989

  • Foreheads of the Dead

    G I Jones, Nigel Barley•ARTICLE•The International Journal of…•1989

  • Glanzend wie Gold: Gelbguss bei den Senufo, Elfenbeinkuste

    Nigel Barley, Till Foerster et al.•ARTICLE•Man•1989•Cited by: 1

  • In Sorcery's Shadow: A Memoir of Apprenticeship Among the Songhay of Niger

    Nigel Barley•REVIEW•Man•1989•Cited by: 1

    The tale of Paul Stoller's sojourn among sorcerors in the Republic of Niger is a story of growth and change, of mutual respect and understanding that will challenge all who read it to plunge deeply into an alien world

  • The linguistic image in the interpretation of African objects

    Nigel Barley•ARTICLE•African Languages and Cultures•1988

  • Pop Art in Africa? The Kalabari Ijo Ancestral Screens

    Open Access•Nigel Barley•ARTICLE•Art History•1987•References: 5

  • Discussion on Paper by Hans Bosse

    Open Access•Nigel Barley•ARTICLE•Group Analysis•1985

  • Henri Lhote: Les chars rupestres sahariens: des syrtes au Niger, Par le pays des Garamantes et des Atlantes.(Collection Archéologie. Horizon neufs.) [285] PP. Toulouse: Éditions des Hesp00E9;rides. Fr…

    Open Access•Nigel Barley•ARTICLE•Bulletin of the School of…•1985

    Henri Lhote: Les chars rupestres sahariens: des syrtes au Niger, Par le pays des Garamantes et des Atlantes.(Collection Archéologie. Horizon neufs.) [285] PP. Toulouse: Éditions des Hesp00E9;rides. Fr.146. - Volume 48 Issue 1

  • Red Gold of Africa: Copper in Precolonial History and Culture

    Nigel Barley, Eugenia W Herbert•ARTICLE•Man•1985•Cited by: 11

Next
  • The innocent anthropologist: Notes From a Mud Hut

    Nigel Barley•BOOK•The innocent anthropologist•1992•Cited by: 25

  • Dancing on the Grave: Encounters with Death

    Vernon Eichhorn, Nigel Barley•ARTICLE•Journal of the Royal Anthropologica…•1999•Cited by: 17

    This work takes a look at how different cultures around the world have handled death and given it its meaning. Some cultures, for example, Ancient Egypt, virtually bankrupted themselves to deal with the death of a single person; others simply pull down the roof on the corpse and walk away. The book shows how much of even the most exotic practices and themes can be relevant to all

  • Symbolic Structures: An Exploration of the Culture of the Dowayos

    R H Barnes, Nigel Barley•ARTICLE•Man•1984•Cited by: 12

    Preface 1. The ethnographic background 2. Symbolism and the punctuation of culture 3. Some problems of the representational model of symbolism 4. The leopard cannot change his spots 5. Water and fertility 6. Tarniisnohgbarklele: 'the place where the old Fulani woman was beaten to death' 7. 'It is only thanks to me that you were circumcised' 8. The seasons of the year and the joker in the pack: relations of nesting and quotation Appendix: The fest…

  • Red Gold of Africa: Copper in Precolonial History and Culture

    Nigel Barley, Eugenia W Herbert•ARTICLE•Man•1985•Cited by: 11

  • The Logic of Culture: Advances in Structural Theory and Methods

    Nigel Barley, Ino Rossi•ARTICLE•Man•1983•Cited by: 8

  • Smashing Pots: Works of clay from Africa

    Open Access•Nigel Barley•ARTICLE•The Art Book•1995•Cited by: 2

  • The Holy Greyhound

    Nigel Barley, J-C Schmitt•ARTICLE•Man•1984•Cited by: 2

  • The Sainsbury African Galleries at the British Museum

    Christopher Spring, Nigel Barley et al.•ARTICLE•African Arts•2001•Cited by: 1

    Presentation de la nouvelle exposition permanente de la collection africaine hebergee pendant pres de trente ans au Museum of Mankind (Londres) et maintenant installee dans les Sainsbury African Galleries du British Museum. Mettant en perspective la diversite culturelle, geographique, ethnique et artistique de la culture materielle et de l'art africains ainsi que leur impact mondial, les choix museologiques operes tentent de conjuger dans un cont…

  • Africa95 at the Museum of Mankind

    Christopher Spring, Julie Hudson et al.•ARTICLE•African Arts•1996•Cited by: 1

    Quatre expositions au Museum of Mankind presentent des articles de textile : « Display and Modesty: North African Textiles » montre l'art du tissage, les vetements simples ou brodes importants dans les ceremonies de cycles de vie ; « Secular and Sacred: Ethiopian Textiles » expose « shamma », « kamis », et soie tissee ; « Power of the Hand: African Arms and Armour » presente les armes et les armures et « Great Benin », davantage destinee aux ense…

  • Glanzend wie Gold: Gelbguss bei den Senufo, Elfenbeinkuste

    Nigel Barley, Till Foerster et al.•ARTICLE•Man•1989•Cited by: 1

  • In Sorcery's Shadow: A Memoir of Apprenticeship Among the Songhay of Niger

    Nigel Barley•REVIEW•Man•1989•Cited by: 1

    The tale of Paul Stoller's sojourn among sorcerors in the Republic of Niger is a story of growth and change, of mutual respect and understanding that will challenge all who read it to plunge deeply into an alien world

  • Levi-Strauss: Structuralism and Sociological Theory

    Nigel Barley, C R Badcock•ARTICLE•Man•1977

  • The Art of War

    Nigel Barley, C Feest•ARTICLE•Man•1981

  • The Art of Benin

    Nigel Barley, Paula Ben-Amos•ARTICLE•Man•1981

    When the Portuguese made the first European contact with the west African kingdom of Benin in the late fifteenth and early sixteenth centuries, the kingdom was experiencing a golden age. Its authority on the Guinea Coast was expanding through military conquests, and during the sixteenth century it became a leading power in the region and a major trade partner for European merchants. Benin remained an influential independent state and a major poli…

  • The Anthropology of Art

    Nigel Barley, Robert Layton•ARTICLE•Man•1982

  • Symbolic Structures: An Exploration of the Culture of the Dowayos

    Open Access•Nigel Barley•BOOK•Symbolic Structures•1983

    Many opposing theories have been elaborated by different anthropologists in an attempt to explain the nature of symbolism. In this work Nigel Barley uses a particular ethnographic case to examine the relevance and limitations of these existing theories and to develop a new alternative approach which draws on areas of linguistics and folkloristics at one time neglected by symbolic theorists. The book is a detailed study of the symbolic universe of…

  • The Warp and Woof of Culture

    Open Access•Nigel Barley•ARTICLE•RAIN•1983

  • The Logic of Culture: Advances in Structural Theory and Methods

    Nigel Barley, Ino Rossi•ARTICLE•Man•1983•Cited by: 8

  • Carry on Fieldwork

    Open Access•Roy Willis, Nigel Barley•ARTICLE•RAIN•1984

  • The Holy Greyhound

    Nigel Barley, J-C Schmitt•ARTICLE•Man•1984•Cited by: 2

  • Symbolic Structures: An Exploration of the Culture of the Dowayos

    R H Barnes, Nigel Barley•ARTICLE•Man•1984•Cited by: 12

    Preface 1. The ethnographic background 2. Symbolism and the punctuation of culture 3. Some problems of the representational model of symbolism 4. The leopard cannot change his spots 5. Water and fertility 6. Tarniisnohgbarklele: 'the place where the old Fulani woman was beaten to death' 7. 'It is only thanks to me that you were circumcised' 8. The seasons of the year and the joker in the pack: relations of nesting and quotation Appendix: The fest…

  • Discussion on Paper by Hans Bosse

    Open Access•Nigel Barley•ARTICLE•Group Analysis•1985

  • Henri Lhote: Les chars rupestres sahariens: des syrtes au Niger, Par le pays des Garamantes et des Atlantes.(Collection Archéologie. Horizon neufs.) [285] PP. Toulouse: Éditions des Hesp00E9;rides. Fr…

    Open Access•Nigel Barley•ARTICLE•Bulletin of the School of…•1985

    Henri Lhote: Les chars rupestres sahariens: des syrtes au Niger, Par le pays des Garamantes et des Atlantes.(Collection Archéologie. Horizon neufs.) [285] PP. Toulouse: Éditions des Hesp00E9;rides. Fr.146. - Volume 48 Issue 1

  • Red Gold of Africa: Copper in Precolonial History and Culture

    Nigel Barley, Eugenia W Herbert•ARTICLE•Man•1985•Cited by: 11

  • Pop Art in Africa? The Kalabari Ijo Ancestral Screens

    Open Access•Nigel Barley•ARTICLE•Art History•1987•References: 5

  • The linguistic image in the interpretation of African objects

    Nigel Barley•ARTICLE•African Languages and Cultures•1988

  • Foreheads of the Dead: An Anthropological View of Kalabari Ancestral Screens

    Martha G Anderson, Martha Anderson et al.•ARTICLE•African Arts•1989

  • Foreheads of the Dead

    G I Jones, Nigel Barley•ARTICLE•The International Journal of…•1989

  • Glanzend wie Gold: Gelbguss bei den Senufo, Elfenbeinkuste

    Nigel Barley, Till Foerster et al.•ARTICLE•Man•1989•Cited by: 1

  • In Sorcery's Shadow: A Memoir of Apprenticeship Among the Songhay of Niger

    Nigel Barley•REVIEW•Man•1989•Cited by: 1

    The tale of Paul Stoller's sojourn among sorcerors in the Republic of Niger is a story of growth and change, of mutual respect and understanding that will challenge all who read it to plunge deeply into an alien world

  • The innocent anthropologist: Notes From a Mud Hut

    Nigel Barley•BOOK•The innocent anthropologist•1992•Cited by: 25

  • Foreheads of the Dead: An Anthropological View of Kalabari Ancestral Screens

    Philip E Leis, Nigel Barley•ARTICLE•Journal of Religion in Africa•1992

  • Smashing Pots: Works of clay from Africa

    Open Access•Nigel Barley•ARTICLE•The Art Book•1994

  • The Sultan's Burden/Madame L'eau/Nomads of the Taiga

    Open Access•Nigel Barley, P Stoller et al.•ARTICLE•Visual Anthropology Review•1994

    The Sultan′s Burden. Jon Jerstad and Lisbeth Holtedahl. Northern lights Fllmproduction. Mortimer Hill, Mortimer. Berkshire RG7 3PG. England. Madame L′eau. Jean Rouch. 1993 NFI Productions, BBC Television and France. (short version) Nomads of the Taiga. Heimo Lappalainen. Consultant, Nikolai Ssorin‐Chaikov. 1992. x 50 minutes. Dlsbributed by Illume Oy. Pasilan Puistotie 4. Fin‐00240. Helsinki, finland. Vhs Us$400/part, $1000 for series. 16mm us$10…

  • Between God, the Dead and the Wild: Chamba Interpretations of Religion and Ritual. Richard Fardon

    Open Access•Nigel Barley•ARTICLE•American Ethnologist•1994

  • Smashing Pots: Works of clay from Africa

    Open Access•Nigel Barley•ARTICLE•The Art Book•1995•Cited by: 2

Art (16 works) · History (15 works) · African history and culture studies (11 works) · History (10 works) · Sociology (10 works) · Archaeology (8 works) · Philosophy (7 works) · Art history (6 works) · Computer Science (6 works) · Geography (6 works)

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