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Lesley Brill

Biographic Data

ID779260
NAMELesley Brill
GIVEN NAMESLesley
FAMILY NAMEBrill
SIGNATUREBRILL L
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS1
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Hitchcock Romance

    Lesley Brill•BOOK•Hitchcock Romance•2020

  • John Huston's Filmmaking

    Lesley Brill, Lesley W Brill•BOOK•John Huston's Filmmaking•2010

  • Terrorism, Crowds and Power, and the Dogs of War

    Lesley Brill•ARTICLE•Anthropological Quarterly•2003

    "There is nothing that man fears more than the touch of the unknown."1 So begins Crowds and Power, Elias Canetti's monumental meditation on human nature. What might Canetti have to tell us in the U.S. about our situation post-elections 2000 and 2002, and post-September 2001? At a time of increasing mass movements world-wide and of intense religious and cultural antagonisms, his insights into the human condition offer an illuminating perspective o…

  • "The African Queen" and John Huston's Filmmaking

    Lesley Brill•ARTICLE•Cinema Journal•1995•Cited by: 1

    Trapped in the stifling maze of a tropical delta, Charlie Allnutt (Humphrey Bogart) and Rose Sayre (Katharine Hepburn) confront the end of their attempt to run the Ulanga River, reach the lake into which it flows, and sink the Louisa, a German battleship that controls access to Central Africa at the beginning of World War I. More important from the point of view of the audience, they also face the end of their lives and their brief time together …

  • Notes Toward an Analytic Criticism of Photography

    Lesley Brill•ARTICLE•Metaphor and Symbolic Activity•1992

    Although historical, technical, and theoretical writing has always accompanied artistic photography, little sustained formal commentary exists. This article discusses seven photographs by Atget. It attempts to deepen understanding of those works and to exemplify a possible approach to photographic explication. All the photographs have symbolic meanings beyond their literal representation of the world. Applying Aristotle's conception of metaphor a…

  • The Hitchcock Romance

    Lesley Brill, Lesley W Brill•BOOK•Hitchcock Romance•1988

  • The Photography of Diane Arbus

    Open Access•Lesley Brill•ARTICLE•Journal of American Culture•1982

  • Brett Weston and West Coast Straight Photography

    Open Access•Lesley Brill•ARTICLE•Journal of American Culture•1981

  • "The African Queen" and John Huston's Filmmaking

    Lesley Brill•ARTICLE•Cinema Journal•1995•Cited by: 1

    Trapped in the stifling maze of a tropical delta, Charlie Allnutt (Humphrey Bogart) and Rose Sayre (Katharine Hepburn) confront the end of their attempt to run the Ulanga River, reach the lake into which it flows, and sink the Louisa, a German battleship that controls access to Central Africa at the beginning of World War I. More important from the point of view of the audience, they also face the end of their lives and their brief time together …

  • Brett Weston and West Coast Straight Photography

    Open Access•Lesley Brill•ARTICLE•Journal of American Culture•1981

  • The Photography of Diane Arbus

    Open Access•Lesley Brill•ARTICLE•Journal of American Culture•1982

  • The Hitchcock Romance

    Lesley Brill, Lesley W Brill•BOOK•Hitchcock Romance•1988

  • Notes Toward an Analytic Criticism of Photography

    Lesley Brill•ARTICLE•Metaphor and Symbolic Activity•1992

    Although historical, technical, and theoretical writing has always accompanied artistic photography, little sustained formal commentary exists. This article discusses seven photographs by Atget. It attempts to deepen understanding of those works and to exemplify a possible approach to photographic explication. All the photographs have symbolic meanings beyond their literal representation of the world. Applying Aristotle's conception of metaphor a…

  • "The African Queen" and John Huston's Filmmaking

    Lesley Brill•ARTICLE•Cinema Journal•1995•Cited by: 1

    Trapped in the stifling maze of a tropical delta, Charlie Allnutt (Humphrey Bogart) and Rose Sayre (Katharine Hepburn) confront the end of their attempt to run the Ulanga River, reach the lake into which it flows, and sink the Louisa, a German battleship that controls access to Central Africa at the beginning of World War I. More important from the point of view of the audience, they also face the end of their lives and their brief time together …

  • Terrorism, Crowds and Power, and the Dogs of War

    Lesley Brill•ARTICLE•Anthropological Quarterly•2003

    "There is nothing that man fears more than the touch of the unknown."1 So begins Crowds and Power, Elias Canetti's monumental meditation on human nature. What might Canetti have to tell us in the U.S. about our situation post-elections 2000 and 2002, and post-September 2001? At a time of increasing mass movements world-wide and of intense religious and cultural antagonisms, his insights into the human condition offer an illuminating perspective o…

  • John Huston's Filmmaking

    Lesley Brill, Lesley W Brill•BOOK•John Huston's Filmmaking•2010

  • Hitchcock Romance

    Lesley Brill•BOOK•Hitchcock Romance•2020

Art (6 works) · Aesthetics (4 works) · History (4 works) · Art history (3 works) · Cinema and Media Studies (3 works) · Philosophy (3 works) · Photography (3 works) · Photography and Visual Culture (3 works) · Visual arts (3 works) · Brill (2 works)

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