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Klaas Jan Van Den Berg

Biographic Data

ID77940
NAMEKlaas Jan Van Den Berg
GIVEN NAMESKlaas Jan Van Den
FAMILY NAMEBerg
SIGNATUREVAN DEN BERG K J
AFFILIATIONSCultural Heritage Agency of Netherlands
ORCID0000-0002-8145-1262
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS16
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2026
H-INDEX2
  • The Black Lines in Piet Mondrian’s Paintings (1921–1938)

    Open Access•Inez Dorothé van der Werf, Wietse Coppes et al.•ARTICLE•Heritage•2026

    This research provides new insights into the materials, methods of application and modification of the black lines used by Piet Mondrian (1872–1944) in his Neoplastic works. Interesting information was gained from letters and studio photographs, the making of mock-ups and reconstructions, and the in-depth study of four paintings, dated between 1921 and 1938, in the collection of Fondation Beyeler (Riehen/Basel, Switzerland)—Tableau I (1921–1925),…

  • An enhanced optical micro-fading device

    Open Access•Gauthier Patin, Robert G Erdmann et al.•ARTICLE•Journal of Cultural Heritage•2022•References: 11

    This paper introduces a new set-up for the determination of colour change on cultural heritage objects, referred to herein as a stereo-microfading tester. The system uses high quality optics through the implementation of a stereo-microscope as its central element. This technology enables new developments such as incorporation of high quality imaging systems, and separation of fading and colour measurement processes. This paper describes this new …

  • Identification of Pre-1950 Synthetic Organic Pigments in Artists’ Paints. A Non-Invasive Approach Using Handheld Raman Spectroscopy

    Open Access•Rika Pause, Inez Dorothé van der Werf et al.•ARTICLE•Heritage•2021

    There is little information on the actual use of early synthetic organic pigments (SOPs) in art objects, especially those from before 1950. Their presence can, however, pose a challenge to conservation because their chemical composition, as well as their lightfastness and sensitivity to solvents, are often unknown. Here, a study on the non-invasive identification of SOPs in historic pre-1950 varnished paint-outs from artists’ materials manufactur…

  • Th Century Artists' Oil Paints

    Open Access•Francesca Caterina Izzo, Barbara Ferriani et al.•ARTICLE•Journal of Cultural Heritage•2014•Cited by: 5•References: 11

  • Identification of red colorants in van Gogh paintings and ancient Andean textiles by microspectrofluorimetry

    Open Access•Ana Claro, Maria J Melo et al.•ARTICLE•Journal of Cultural Heritage•2009•Cited by: 11•References: 1

  • Identification of red colorants in van Gogh paintings and ancient Andean textiles by microspectrofluorimetry

    Open Access•Ana Claro, Maria J Melo et al.•ARTICLE•Journal of Cultural Heritage•2009•Cited by: 11•References: 1

  • Th Century Artists' Oil Paints

    Open Access•Francesca Caterina Izzo, Barbara Ferriani et al.•ARTICLE•Journal of Cultural Heritage•2014•Cited by: 5•References: 11

  • Identification of red colorants in van Gogh paintings and ancient Andean textiles by microspectrofluorimetry

    Open Access•Ana Claro, Maria J Melo et al.•ARTICLE•Journal of Cultural Heritage•2009•Cited by: 11•References: 1

  • Th Century Artists' Oil Paints

    Open Access•Francesca Caterina Izzo, Barbara Ferriani et al.•ARTICLE•Journal of Cultural Heritage•2014•Cited by: 5•References: 11

  • Identification of Pre-1950 Synthetic Organic Pigments in Artists’ Paints. A Non-Invasive Approach Using Handheld Raman Spectroscopy

    Open Access•Rika Pause, Inez Dorothé van der Werf et al.•ARTICLE•Heritage•2021

    There is little information on the actual use of early synthetic organic pigments (SOPs) in art objects, especially those from before 1950. Their presence can, however, pose a challenge to conservation because their chemical composition, as well as their lightfastness and sensitivity to solvents, are often unknown. Here, a study on the non-invasive identification of SOPs in historic pre-1950 varnished paint-outs from artists’ materials manufactur…

  • An enhanced optical micro-fading device

    Open Access•Gauthier Patin, Robert G Erdmann et al.•ARTICLE•Journal of Cultural Heritage•2022•References: 11

    This paper introduces a new set-up for the determination of colour change on cultural heritage objects, referred to herein as a stereo-microfading tester. The system uses high quality optics through the implementation of a stereo-microscope as its central element. This technology enables new developments such as incorporation of high quality imaging systems, and separation of fading and colour measurement processes. This paper describes this new …

  • The Black Lines in Piet Mondrian’s Paintings (1921–1938)

    Open Access•Inez Dorothé van der Werf, Wietse Coppes et al.•ARTICLE•Heritage•2026

    This research provides new insights into the materials, methods of application and modification of the black lines used by Piet Mondrian (1872–1944) in his Neoplastic works. Interesting information was gained from letters and studio photographs, the making of mock-ups and reconstructions, and the in-depth study of four paintings, dated between 1921 and 1938, in the collection of Fondation Beyeler (Riehen/Basel, Switzerland)—Tableau I (1921–1925),…

Cultural Heritage Materials Analysis (3 works) · Painting (3 works) · Art (2 works) · Art history (2 works) · Computer Science (2 works) · Conservation Techniques and Studies (2 works) · Engineering (2 works) · Materials Science (2 works) · Visual arts (2 works) · Analytical Chemistry and Chromatography (1 works)

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