Joanne Feit Diehl
Biographic Data
| ID | 780538 |
|---|---|
| NAME | Joanne Feit Diehl |
| GIVEN NAMES | Joanne Feit |
| FAMILY NAME | Diehl |
| SIGNATURE | DIEHL J F |
| AFFILIATIONS | Bowdoin College |
| VERIFIED | No |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 16 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
Dickinson and the Romantic Imagination
The Poetics of Loss
Remarking upon "Mourning and Melancholia," Giorgio Agamben notes that Freud writes with "a certain discomfort" of melancholia "'that a loss has indeed occurred, without it being known what has been lost.'" Agamben's elaboration of how a fictive introjection of absence allows melancholy to "open . . . a space for the existence of the unreal" leads to a psychodynamic picture that fuses the mortuary with the erotic. I argue that this psychodynamic o…
Selfish Desires
The Body and the Song
Women Poets and the American Sublime
Women Poets and the American Sublime
This is the best book on American women poets I have yet seen." Â -American Literature "... sophisticated and eloquently argued analysis of a female counter-sublime..." -Sandra Gilbert "... strong readings of Dickinson and Moore and... a vital polemic on behalf of feminist criticism." -Harold Bloom "This brilliant re-evaluation of major American women poets will be indispensable reading... A stunning and a magisterial achievement." -Susan Gubar "…
Emily Dickinson
Workshop Three
Workshop Six
(1989). Workshop Six: Poem 1651, “A word made flesh is seldom”. Women's Studies: Vol. 16, Emily Dickinson: A Celebretion for Readers, pp. 175-187
Re-Reading The Letter
LMOST HALFWAY through The Scarlet Letter, in a nightmarish inversion of the moonlit-room description of the conditions necessary for the writing of romance, Arthur Dimmesdale ends a night of vigilant introspection by gazing into the mirror at the reflected images of the lost possibilities of filial and community relation, a failed reunion with his own history. He sits viewing his face in a looking glass, by the most powerful light which he could …
Reading the Poet and the Poetry
H. D
Dickinson and the Romantic Imagination
Cartographies of Silence
Reply to Faderman and Bernikow
Come Slowly
Women Poets and the American Sublime
This is the best book on American women poets I have yet seen." Â -American Literature "... sophisticated and eloquently argued analysis of a female counter-sublime..." -Sandra Gilbert "... strong readings of Dickinson and Moore and... a vital polemic on behalf of feminist criticism." -Harold Bloom "This brilliant re-evaluation of major American women poets will be indispensable reading... A stunning and a magisterial achievement." -Susan Gubar "…
The Poetics of Loss
Remarking upon "Mourning and Melancholia," Giorgio Agamben notes that Freud writes with "a certain discomfort" of melancholia "'that a loss has indeed occurred, without it being known what has been lost.'" Agamben's elaboration of how a fictive introjection of absence allows melancholy to "open . . . a space for the existence of the unreal" leads to a psychodynamic picture that fuses the mortuary with the erotic. I argue that this psychodynamic o…
Cartographies of Silence
Reply to Faderman and Bernikow
Come Slowly
Cartographies of Silence
H. D
Dickinson and the Romantic Imagination
Reading the Poet and the Poetry
Re-Reading The Letter
LMOST HALFWAY through The Scarlet Letter, in a nightmarish inversion of the moonlit-room description of the conditions necessary for the writing of romance, Arthur Dimmesdale ends a night of vigilant introspection by gazing into the mirror at the reflected images of the lost possibilities of filial and community relation, a failed reunion with his own history. He sits viewing his face in a looking glass, by the most powerful light which he could …
Emily Dickinson
Workshop Three
Workshop Six
(1989). Workshop Six: Poem 1651, “A word made flesh is seldom”. Women's Studies: Vol. 16, Emily Dickinson: A Celebretion for Readers, pp. 175-187
Women Poets and the American Sublime
This is the best book on American women poets I have yet seen." Â -American Literature "... sophisticated and eloquently argued analysis of a female counter-sublime..." -Sandra Gilbert "... strong readings of Dickinson and Moore and... a vital polemic on behalf of feminist criticism." -Harold Bloom "This brilliant re-evaluation of major American women poets will be indispensable reading... A stunning and a magisterial achievement." -Susan Gubar "…
Women Poets and the American Sublime
The Body and the Song
Selfish Desires
The Poetics of Loss
Remarking upon "Mourning and Melancholia," Giorgio Agamben notes that Freud writes with "a certain discomfort" of melancholia "'that a loss has indeed occurred, without it being known what has been lost.'" Agamben's elaboration of how a fictive introjection of absence allows melancholy to "open . . . a space for the existence of the unreal" leads to a psychodynamic picture that fuses the mortuary with the erotic. I argue that this psychodynamic o…
Dickinson and the Romantic Imagination
Art (15 works) · Literature (12 works) · Poetry Analysis and Criticism (11 works) · History (7 works) · Philosophy (7 works) · Poetry (7 works) · Aesthetics (6 works) · Linguistics (6 works) · Psychology (6 works) · American and British Literature Analysis (5 works)