Lucy Thornett
Biographic Data
| ID | 7830150 |
|---|---|
| NAME | Lucy Thornett |
| GIVEN NAMES | Lucy |
| FAMILY NAME | Thornett |
| SIGNATURE | THORNETT L |
| AFFILIATIONS | University of the Arts London |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Staged
We are pleased to introduce this special double issue, which focuses attention on how scenography operates within exhibition contexts. Our interest in this topic has been developing for some time. In 2018, we co-convened a symposium titled Scenography in Exhibition & The Museum with Kathrine Sandys and the V&A Museum, for the UK Theatre and Performance Research Association (TaPRA) Scenography Working Group. The symposium included presentations fr…
The scenographic potential of immersive technologies
A wide range of works made with virtual and augmented reality technologies was on display at the 2019 Prague Quadrennial. This article discusses these works in the context of a renewed wave of research interest in these technologies. I argue that virtual and augmented reality provides a new paradigm for scenographic practice that differs from other digital media. Furthermore, I contend that a scenographic perspective can provide insights into how…
Prosthetic scenographies
In this article I provide an account of how the spectator’s senses can be extended and mediated by scenography to argue for an expanded understanding of scenography’s affective operation in performance. This is discussed in the context of practice-research project Tower, a site-led performance presented in London in 2017 that is performed in a high-rise building and watched from the street through binoculars, with the audience listening to a bina…
No prominent works on this page.
Prosthetic scenographies
In this article I provide an account of how the spectator’s senses can be extended and mediated by scenography to argue for an expanded understanding of scenography’s affective operation in performance. This is discussed in the context of practice-research project Tower, a site-led performance presented in London in 2017 that is performed in a high-rise building and watched from the street through binoculars, with the audience listening to a bina…
The scenographic potential of immersive technologies
A wide range of works made with virtual and augmented reality technologies was on display at the 2019 Prague Quadrennial. This article discusses these works in the context of a renewed wave of research interest in these technologies. I argue that virtual and augmented reality provides a new paradigm for scenographic practice that differs from other digital media. Furthermore, I contend that a scenographic perspective can provide insights into how…
Staged
We are pleased to introduce this special double issue, which focuses attention on how scenography operates within exhibition contexts. Our interest in this topic has been developing for some time. In 2018, we co-convened a symposium titled Scenography in Exhibition & The Museum with Kathrine Sandys and the V&A Museum, for the UK Theatre and Performance Research Association (TaPRA) Scenography Working Group. The symposium included presentations fr…
Art (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Computer Science (2 works) · History (2 works) · Theatre and Performance Studies (2 works) · Aesthetic Perception and Analysis (1 works) · Affordance (1 works) · Art Education and Development (1 works) · Augmented reality (1 works)