Charles “Chip” P Linscott
Biographic Data
| ID | 7838043 |
|---|---|
| NAME | Charles “Chip” P Linscott |
| GIVEN NAMES | Charles “Chip” P |
| FAMILY NAME | Linscott |
| SIGNATURE | LINSCOTT C “C P |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
All Lives (Don't) Matter
This article and its accompanying photo gallery explore #BlackLivesMatter as a civil rights movement that traverses the disunities between older forms of news media (such as television and periodicals) and social media platforms such as Facebook and Twitter. The movement's prominent use of digitized social media technologies augurs both prospect and peril for #BlackLivesMatter through, respectively, the promise of global reach and rapid dissemina…
Introduction
Introduction:#BlackLivesMatter and the Mediatic Lives of a Movement Charles "Chip" P. Linscott (bio) In Memory of Jordan Russell DavisIn Memory of Eric GarnerIn Memory of John CrawfordIn Memory of Michael BrownIn Memory of Laquan McDonaldIn Memory of Akai GurleyIn Memory of Tamir Rice . . . because white men can'tpolice their imaginationblack men are dying —Claudia Rankine, Citizen: An American Lyric1 The epigraph that begins this introduction, f…
In a (Not So) Silent Way
This article considers William Greaves’s singular cinematic experiment Symbiopsychotaxiplasm: Take One (1968) in light of the common expectation that blackness is a readily available visual fact. A seemingly oblique engagement with blackness is foundational to the film’s overarching strategies of misdirection and promotes particular resonances between race and sound. Following, I explore the problematic nature of black visuality and critique the …
No prominent works on this page.
In a (Not So) Silent Way
This article considers William Greaves’s singular cinematic experiment Symbiopsychotaxiplasm: Take One (1968) in light of the common expectation that blackness is a readily available visual fact. A seemingly oblique engagement with blackness is foundational to the film’s overarching strategies of misdirection and promotes particular resonances between race and sound. Following, I explore the problematic nature of black visuality and critique the …
All Lives (Don't) Matter
This article and its accompanying photo gallery explore #BlackLivesMatter as a civil rights movement that traverses the disunities between older forms of news media (such as television and periodicals) and social media platforms such as Facebook and Twitter. The movement's prominent use of digitized social media technologies augurs both prospect and peril for #BlackLivesMatter through, respectively, the promise of global reach and rapid dissemina…
Introduction
Introduction:#BlackLivesMatter and the Mediatic Lives of a Movement Charles "Chip" P. Linscott (bio) In Memory of Jordan Russell DavisIn Memory of Eric GarnerIn Memory of John CrawfordIn Memory of Michael BrownIn Memory of Laquan McDonaldIn Memory of Akai GurleyIn Memory of Tamir Rice . . . because white men can'tpolice their imaginationblack men are dying —Claudia Rankine, Citizen: An American Lyric1 The epigraph that begins this introduction, f…
Art (3 works) · Aesthetics (2 works) · Law (2 works) · Law (2 works) · Music History and Culture (2 works) · Sociology (2 works) · Active listening (1 work) · Art history (1 work) · Cinema and Media Studies (1 work) · Communication (1 work)