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Alfonso Vargas‐Macías

Biographic Data

ID7872859
NAMEAlfonso Vargas‐Macías
GIVEN NAMESAlfonso
FAMILY NAMEVargas‐Macías
SIGNATUREMACÍAS A V
AFFILIATIONSCentro de Investigación y Desarrollo
ORCID0000-0002-1222-6133
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Hidden communication codes in flamenco dance choreography

    Irene Baena‐Chicón, Sebastián Gómez-Lozano et al.•ARTICLE•Research in Dance Education•2026

    Flamenco dance is emblematic of southern Spain. Its performance uniquely combines dancing, singing, and guitar playing. Improvisation differentiates it from other dances and this requires communication codes so that performers remain synchronised. The communication codes are: ‘llamada’, a signal to start singing; ‘remate’, for ending a section; ‘subida’, for speeding up the rhythm; and ‘desplante’, a static pose ending the others communication co…

  • Kinomichi, the therapeutic Aikido. A Systematic Review

    Open Access•Sebastián Gómez-Lozano, Ma Eugenia García Sottile et al.•ARTICLE•Cultura Ciencia y Deporte•2024

    Kinomichi is a movement art of Japanese origin based on the martial art of Aikido. It is based on the Japanese tradition known as Budo, which can be translated as a form of self-knowledge and personal development through martial practice. It was created by Aikido master Masamichi Noro (1935-2013) after a serious traffic accident in 1966. Noro adapted Aikido, minimised the physical demands and incorporated therapeutic exercises so that people with…

  • The effect of lower limb balance ability and bilateral asymmetry on flamenco footwork

    Open Access•Ningyi Zhang, Sebastián Gómez-Lozano et al.•ARTICLE•Cultura Ciencia y Deporte•2023

    The aim of this study was to investigate the effect of lower limb balance ability and asymmetry on external load during flamenco footwork. Five professional and 5 amateur flamenco dancers completed the flamenco Zap-3 footwork at 160, 180 beats per minute, and at their own the fastest speed possible while wearing triaxial accelerometry at the dominant ankle, non-dominant ankle, 5th lumbar and 7th cervical vertebrae. The external load was calculate…

  • Influence of Aikido and Taijiquan-Tuishou on Contact Improvisation

    Open Access•Sebastián Gómez-Lozano, Alfonso Vargas‐Macías et al.•ARTICLE•Frontiers in Communication•2022

    Oriental Martial Arts such as Taijiquan-Tuishou and Aikido represent some of the Asian influences on western culture resulting from immigration from China and Japan to the United States of America during the middle of the 20th century. Contact Improvisation, a style of post-modern dance performed in pairs, is one of the manifestations enriched by this oriental influence. The purpose of this manuscript is to document which dynamic, proprioceptive …

  • Hotspots and trends of flamenco dance research

    Open Access•Ningyi Zhang, Sebastián Gómez-Lozano et al.•ARTICLE•Cultura Ciencia y Deporte•2022

    Flamenco dance, which is increasingly internationalized and globalized, has a huge market demand all over the world and it has been popular and valued by researchers nowadays. Thus, hotspots and trends research is essential to provide information for industrial development and further development lines. Based on 130 articles published from 1982 to 2021 (database updated on 4 December 2021) about flamenco dance in Scopus and Web of Science Core Co…

  • Las algias como factor predisponente de lesión en estudiantes de baile flamenco

    Open Access•Irene Baena‐Chicón, Sebastián Gómez-Lozano et al.•ARTICLE•Cultura Ciencia y Deporte•2020

    El baile flamenco es una profesión con elevado riesgo de lesiones debido, entre otros factores, a las exigentes demandas de esfuerzo y a las vibraciones derivadas de los impactos del zapateado. El objetivo de este estudio fue determinar la prevalencia de antecedentes de algias y lesiones en estudiantes de baile flamenco en las enseñanzas artísticas profesionales para conocer el grado de relación del dolor como factor predisponente de lesión. La m…

No prominent works on this page.

  • Las algias como factor predisponente de lesión en estudiantes de baile flamenco

    Open Access•Irene Baena‐Chicón, Sebastián Gómez-Lozano et al.•ARTICLE•Cultura Ciencia y Deporte•2020

    El baile flamenco es una profesión con elevado riesgo de lesiones debido, entre otros factores, a las exigentes demandas de esfuerzo y a las vibraciones derivadas de los impactos del zapateado. El objetivo de este estudio fue determinar la prevalencia de antecedentes de algias y lesiones en estudiantes de baile flamenco en las enseñanzas artísticas profesionales para conocer el grado de relación del dolor como factor predisponente de lesión. La m…

  • Influence of Aikido and Taijiquan-Tuishou on Contact Improvisation

    Open Access•Sebastián Gómez-Lozano, Alfonso Vargas‐Macías et al.•ARTICLE•Frontiers in Communication•2022

    Oriental Martial Arts such as Taijiquan-Tuishou and Aikido represent some of the Asian influences on western culture resulting from immigration from China and Japan to the United States of America during the middle of the 20th century. Contact Improvisation, a style of post-modern dance performed in pairs, is one of the manifestations enriched by this oriental influence. The purpose of this manuscript is to document which dynamic, proprioceptive …

  • Hotspots and trends of flamenco dance research

    Open Access•Ningyi Zhang, Sebastián Gómez-Lozano et al.•ARTICLE•Cultura Ciencia y Deporte•2022

    Flamenco dance, which is increasingly internationalized and globalized, has a huge market demand all over the world and it has been popular and valued by researchers nowadays. Thus, hotspots and trends research is essential to provide information for industrial development and further development lines. Based on 130 articles published from 1982 to 2021 (database updated on 4 December 2021) about flamenco dance in Scopus and Web of Science Core Co…

  • The effect of lower limb balance ability and bilateral asymmetry on flamenco footwork

    Open Access•Ningyi Zhang, Sebastián Gómez-Lozano et al.•ARTICLE•Cultura Ciencia y Deporte•2023

    The aim of this study was to investigate the effect of lower limb balance ability and asymmetry on external load during flamenco footwork. Five professional and 5 amateur flamenco dancers completed the flamenco Zap-3 footwork at 160, 180 beats per minute, and at their own the fastest speed possible while wearing triaxial accelerometry at the dominant ankle, non-dominant ankle, 5th lumbar and 7th cervical vertebrae. The external load was calculate…

  • Kinomichi, the therapeutic Aikido. A Systematic Review

    Open Access•Sebastián Gómez-Lozano, Ma Eugenia García Sottile et al.•ARTICLE•Cultura Ciencia y Deporte•2024

    Kinomichi is a movement art of Japanese origin based on the martial art of Aikido. It is based on the Japanese tradition known as Budo, which can be translated as a form of self-knowledge and personal development through martial practice. It was created by Aikido master Masamichi Noro (1935-2013) after a serious traffic accident in 1966. Noro adapted Aikido, minimised the physical demands and incorporated therapeutic exercises so that people with…

  • Hidden communication codes in flamenco dance choreography

    Irene Baena‐Chicón, Sebastián Gómez-Lozano et al.•ARTICLE•Research in Dance Education•2026

    Flamenco dance is emblematic of southern Spain. Its performance uniquely combines dancing, singing, and guitar playing. Improvisation differentiates it from other dances and this requires communication codes so that performers remain synchronised. The communication codes are: ‘llamada’, a signal to start singing; ‘remate’, for ending a section; ‘subida’, for speeding up the rhythm; and ‘desplante’, a static pose ending the others communication co…

Diversity and Impact of Dance (5 works) · Art (4 works) · Dance (3 works) · Medicine (3 works) · Psychology (3 works) · Visual arts (3 works) · Improvisation (2 works) · Acoustics (1 work) · Adventure Sports and Sensation Seeking (1 work) · Aesthetics (1 work)

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