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David Staton

Biographic Data

ID788459
NAMEDavid Staton
GIVEN NAMESDavid
FAMILY NAMEStaton
SIGNATURESTATON D
AFFILIATIONSUniversity of Northern Colorado
ORCID0000-0001-9493-9526
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS0
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Interactive documentary and the archive

    Kathleen M Ryan, David Staton•ARTICLE•Studies in Documentary Film•2025

    Interactive documentary, or i-doc, is a process becoming, one which eludes concise definitions or boundaries. It is grounded in practice based research, shaped by debates about who has access and who is excluded from the discussion. Judith Aston (Citation2016) notes the format allows for user engagement and participation of an almost-encyclopedic amount of data housed in a navigable virtual space, demonstrating a type of ‘embodied interaction.’ I…

  • Looking at Laurie; reconsidering an image of ‘madness’

    David Staton•ARTICLE•Visual Studies•2025

  • Tell Me a Story

    Kathleen M Ryan, David Staton•ARTICLE•The Oral History Review•2025

  • Calling Time Out in Doha

    Open Access•David Staton•ARTICLE•Journal of Communication Inquiry•2023•References: 18

    In an effort to put more eyeballs on television sets, and in an attempt to reinvigorate a sport long beleaguered by doping scandals, recent questions surrounding female sponsorships, and a vanishing audience, the International Association of Athletic Federations unveiled a new camera designed by Seiko during the September 2019 World Championships held in Doha, Quatar. The idea was to add to an immersive experience, offering unparalleled views of …

  • Interactive Documentary

    Kathleen M Ryan, David Staton•BOOK•Interactive Documentary•2022

  • Darkness visible; blindness and borders/memories and movies

    David Staton•ARTICLE•Visual Studies•2021

    The author considers a trio of films of recent vintage in which the primary narrator is sight impaired and consider the role memory and recollection play in the telling of their accounts. Each film – Notes on Blindness, Blue, and The Diving Bell and the Butterfly – are biographical and depicted in documentary or hybrid/stylised documentary format. Common threads and themes unite the seemingly disparate characters and these focus on water and wait…

  • Beautiful Deaths and Heard Gazes

    Open Access•David Staton•ARTICLE•Eikon / Imago•2021•References: 5

    Viewers frequently encounter “normative” prescriptions and perceptions through photographs of how images depicting death and dying should loo and, cognitively, how those images ought to be received. In such encounters, varying fundamental views or cultural myths surrounding death and dying, how it is envisioned, how it is, literally, pictured dictate a particular way of seeing and being. This article considers visual representations made of indiv…

  • Why art photography

    David Staton•ARTICLE•Visual Studies•2014

    Despite the slender volume, Lucy Soutter offers thick description and a host of weighty ideas (some complementary, some seemingly contradictory) in building a sturdy framework to answer the persist

  • Surrealism and photography in Czechoslovakia

    David Staton•ARTICLE•Visual Studies•2014

No prominent works on this page.

  • Why art photography

    David Staton•ARTICLE•Visual Studies•2014

    Despite the slender volume, Lucy Soutter offers thick description and a host of weighty ideas (some complementary, some seemingly contradictory) in building a sturdy framework to answer the persist

  • Surrealism and photography in Czechoslovakia

    David Staton•ARTICLE•Visual Studies•2014

  • Darkness visible; blindness and borders/memories and movies

    David Staton•ARTICLE•Visual Studies•2021

    The author considers a trio of films of recent vintage in which the primary narrator is sight impaired and consider the role memory and recollection play in the telling of their accounts. Each film – Notes on Blindness, Blue, and The Diving Bell and the Butterfly – are biographical and depicted in documentary or hybrid/stylised documentary format. Common threads and themes unite the seemingly disparate characters and these focus on water and wait…

  • Beautiful Deaths and Heard Gazes

    Open Access•David Staton•ARTICLE•Eikon / Imago•2021•References: 5

    Viewers frequently encounter “normative” prescriptions and perceptions through photographs of how images depicting death and dying should loo and, cognitively, how those images ought to be received. In such encounters, varying fundamental views or cultural myths surrounding death and dying, how it is envisioned, how it is, literally, pictured dictate a particular way of seeing and being. This article considers visual representations made of indiv…

  • Interactive Documentary

    Kathleen M Ryan, David Staton•BOOK•Interactive Documentary•2022

  • Calling Time Out in Doha

    Open Access•David Staton•ARTICLE•Journal of Communication Inquiry•2023•References: 18

    In an effort to put more eyeballs on television sets, and in an attempt to reinvigorate a sport long beleaguered by doping scandals, recent questions surrounding female sponsorships, and a vanishing audience, the International Association of Athletic Federations unveiled a new camera designed by Seiko during the September 2019 World Championships held in Doha, Quatar. The idea was to add to an immersive experience, offering unparalleled views of …

  • Interactive documentary and the archive

    Kathleen M Ryan, David Staton•ARTICLE•Studies in Documentary Film•2025

    Interactive documentary, or i-doc, is a process becoming, one which eludes concise definitions or boundaries. It is grounded in practice based research, shaped by debates about who has access and who is excluded from the discussion. Judith Aston (Citation2016) notes the format allows for user engagement and participation of an almost-encyclopedic amount of data housed in a navigable virtual space, demonstrating a type of ‘embodied interaction.’ I…

  • Looking at Laurie; reconsidering an image of ‘madness’

    David Staton•ARTICLE•Visual Studies•2025

  • Tell Me a Story

    Kathleen M Ryan, David Staton•ARTICLE•The Oral History Review•2025

Art (8 works) · Visual arts (7 works) · Computer Science (6 works) · Sociology (6 works) · Aesthetics (5 works) · History (5 works) · History (3 works) · Law (3 works) · Visual Culture and Art Theory (3 works) · Artificial Intelligence (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae