María Cotera
Biographic Data
| ID | 788801 |
|---|---|
| NAME | María Cotera |
| GIVEN NAMES | María |
| FAMILY NAME | Cotera |
| SIGNATURE | COTERA M |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Disruptive Latinx Visualities and the Chicana por mi Raza Digital Memory Collective
This Dialogues is a curated discussion of Latinx digital humanities emphasizing digital visual culture and the digital visualization of culture by scholars and artists with diverse backgrounds and projects. Envisioned as a foundational text in the growing Latinx visual digital humanities field, this Dialogues is not striving to be comprehensive. Instead, through its discussion, participants define Latinx digital humanities and visual culture broa…
Unpacking Our Mothers' Libraries
This chapter aims to focus Chicana collecting as a praxis of memory that offers a model to critically reframe the relationship between the past and the present. It argues that the critical reframing of the past in the present offers new objects of inquiry and new methods of analysis. Scholars of Chicana history have long observed how relative invisibility of Chicanas in institutional archives has structured absences in the collective historical k…
Chicana Movidas
Nuestra Autohistoria
This essay explores the extent to which insurgent models of knowledge making offered up by theories of the "undercommons" and critical digital humanities can converge. I take up this question through an account of the Chicana por mi Raza Digital Memory Collective, an undercommons project that seeks to recover the history of Chicana feminist formations in the 1960s and 1970s and thereby build "new constituencies of resistance" (Chela Sandoval) ins…
Invisibility Is an Unnatural Disaster
This essay focuses on the Chicana por mi Raza digital archive, a collection of oral histories and documents from women who were active in social movements during the 1960s and 1970s. The essay argues that digital archiving projects like Chicana por mi Raza challenge conventional notions of humanistic research and reformat the archive in critical ways by shifting it from a static repository to an active site for the co-creation of feminist knowled…
Unveiling Objectivism
Research Article| April 01 2012 Unveiling Objectivism: Renato Rosaldo and the Rise of Passionate Praxis María Cotera María Cotera María Cotera is an associate professor of American culture and women’s studies at the University of Michigan. She holds a PhD in modern thought and literature from Stanford University (2001) and an MA in English from the University of Texas–Austin (1994). Her research interests include US third world feminist theory, L…
Recovering “Our” History
Research Article| September 01 2007 Recovering "Our" History: Caballero and the Gendered Politics of Form María Cotera María Cotera Maria Eugenia Cotera teaches Latina/o Studies and Women's Studies at the University of Michigan. She is the co-editor (with José Limón) of Jovita González and Eve Raleigh's Caballero: An Historical Novel (Texas A&M Press, 1996) and the editor of Jovita González's Life Along the Border: A Landmark Tejana Thesis (Texas…
Invisibility Is an Unnatural Disaster
This essay focuses on the Chicana por mi Raza digital archive, a collection of oral histories and documents from women who were active in social movements during the 1960s and 1970s. The essay argues that digital archiving projects like Chicana por mi Raza challenge conventional notions of humanistic research and reformat the archive in critical ways by shifting it from a static repository to an active site for the co-creation of feminist knowled…
Nuestra Autohistoria
This essay explores the extent to which insurgent models of knowledge making offered up by theories of the "undercommons" and critical digital humanities can converge. I take up this question through an account of the Chicana por mi Raza Digital Memory Collective, an undercommons project that seeks to recover the history of Chicana feminist formations in the 1960s and 1970s and thereby build "new constituencies of resistance" (Chela Sandoval) ins…
Recovering “Our” History
Research Article| September 01 2007 Recovering "Our" History: Caballero and the Gendered Politics of Form María Cotera María Cotera Maria Eugenia Cotera teaches Latina/o Studies and Women's Studies at the University of Michigan. She is the co-editor (with José Limón) of Jovita González and Eve Raleigh's Caballero: An Historical Novel (Texas A&M Press, 1996) and the editor of Jovita González's Life Along the Border: A Landmark Tejana Thesis (Texas…
Unveiling Objectivism
Research Article| April 01 2012 Unveiling Objectivism: Renato Rosaldo and the Rise of Passionate Praxis María Cotera María Cotera María Cotera is an associate professor of American culture and women’s studies at the University of Michigan. She holds a PhD in modern thought and literature from Stanford University (2001) and an MA in English from the University of Texas–Austin (1994). Her research interests include US third world feminist theory, L…
Invisibility Is an Unnatural Disaster
This essay focuses on the Chicana por mi Raza digital archive, a collection of oral histories and documents from women who were active in social movements during the 1960s and 1970s. The essay argues that digital archiving projects like Chicana por mi Raza challenge conventional notions of humanistic research and reformat the archive in critical ways by shifting it from a static repository to an active site for the co-creation of feminist knowled…
Chicana Movidas
Nuestra Autohistoria
This essay explores the extent to which insurgent models of knowledge making offered up by theories of the "undercommons" and critical digital humanities can converge. I take up this question through an account of the Chicana por mi Raza Digital Memory Collective, an undercommons project that seeks to recover the history of Chicana feminist formations in the 1960s and 1970s and thereby build "new constituencies of resistance" (Chela Sandoval) ins…
Unpacking Our Mothers' Libraries
This chapter aims to focus Chicana collecting as a praxis of memory that offers a model to critically reframe the relationship between the past and the present. It argues that the critical reframing of the past in the present offers new objects of inquiry and new methods of analysis. Scholars of Chicana history have long observed how relative invisibility of Chicanas in institutional archives has structured absences in the collective historical k…
Disruptive Latinx Visualities and the Chicana por mi Raza Digital Memory Collective
This Dialogues is a curated discussion of Latinx digital humanities emphasizing digital visual culture and the digital visualization of culture by scholars and artists with diverse backgrounds and projects. Envisioned as a foundational text in the growing Latinx visual digital humanities field, this Dialogues is not striving to be comprehensive. Instead, through its discussion, participants define Latinx digital humanities and visual culture broa…
Latin American and Latino Studies (6 works) · Computer Science (5 works) · Political science (5 works) · Law (4 works) · Sociology (4 works) · Art (3 works) · Gender Studies (3 works) · Praxis (3 works) · Art history (2 works) · Citation (2 works)