Martin Boiko
Biographic Data
| ID | 789044 |
|---|---|
| NAME | Martin Boiko |
| GIVEN NAMES | Martin |
| FAMILY NAME | Boiko |
| SIGNATURE | BOIKO M |
| AFFILIATIONS | University of Latvia |
| ORCID | 0009-0004-1726-2696 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Techniques of Melody Formation and Improvisation in Latvian Recitatives
The documentary material available for the study of recitatives (the dominant style of the older layer of Latvian folk song) mainly consists of field transcriptions from the late 19th and the first half of the 20th century. The material is fragmentary, although some of it when adequately read provides valuable insight into melody formation and improvisation. The study also points to findings in the rhythmic formation of Latvian recitatives, achie…
Muzikolog ̧ija / Mūzikas Zinātne
Thanks also to Kevin C. Karnes for translating the article from Latvian. Notes Notes 1 The word musicology is an English translation of the German term Musikwissenschaft, which was first widely used during the period of the discipline's founding and academic institutionalization in the final third of the nineteenth century. In contrast to English, modern Latvian has two distinct terms to connote what is widely understood by the German Musikwissen…
Latvia
Latvian Ethnomusicology
L'histoire de l'ethnomusicologie lettonienne se divise en quatre periodes : des annees 1860 aux annees 1920 avec Jānis Cimze, Andrejs Jurjāns, Jānis Straume et August Bielenstein ; des annees 1920 aux annees 1940 avec la creation du repertoire folklorique lettonien, Emilis Melngailis, Jēkabs Graubins, Jūlijs Sprogis, une edition concernant la danse mais aussi l'introduction de la methodologie marxiste ; la periode d'apres-guerre (1950-1977) avec …
Muzikolog ̧ija / Mūzikas Zinātne
Thanks also to Kevin C. Karnes for translating the article from Latvian. Notes Notes 1 The word musicology is an English translation of the German term Musikwissenschaft, which was first widely used during the period of the discipline's founding and academic institutionalization in the final third of the nineteenth century. In contrast to English, modern Latvian has two distinct terms to connote what is widely understood by the German Musikwissen…
Latvian Ethnomusicology
L'histoire de l'ethnomusicologie lettonienne se divise en quatre periodes : des annees 1860 aux annees 1920 avec Jānis Cimze, Andrejs Jurjāns, Jānis Straume et August Bielenstein ; des annees 1920 aux annees 1940 avec la creation du repertoire folklorique lettonien, Emilis Melngailis, Jēkabs Graubins, Jūlijs Sprogis, une edition concernant la danse mais aussi l'introduction de la methodologie marxiste ; la periode d'apres-guerre (1950-1977) avec …
Latvian Ethnomusicology
L'histoire de l'ethnomusicologie lettonienne se divise en quatre periodes : des annees 1860 aux annees 1920 avec Jānis Cimze, Andrejs Jurjāns, Jānis Straume et August Bielenstein ; des annees 1920 aux annees 1940 avec la creation du repertoire folklorique lettonien, Emilis Melngailis, Jēkabs Graubins, Jūlijs Sprogis, une edition concernant la danse mais aussi l'introduction de la methodologie marxiste ; la periode d'apres-guerre (1950-1977) avec …
Latvia
Muzikolog ̧ija / Mūzikas Zinātne
Thanks also to Kevin C. Karnes for translating the article from Latvian. Notes Notes 1 The word musicology is an English translation of the German term Musikwissenschaft, which was first widely used during the period of the discipline's founding and academic institutionalization in the final third of the nineteenth century. In contrast to English, modern Latvian has two distinct terms to connote what is widely understood by the German Musikwissen…
Techniques of Melody Formation and Improvisation in Latvian Recitatives
The documentary material available for the study of recitatives (the dominant style of the older layer of Latvian folk song) mainly consists of field transcriptions from the late 19th and the first half of the 20th century. The material is fragmentary, although some of it when adequately read provides valuable insight into melody formation and improvisation. The study also points to findings in the rhythmic formation of Latvian recitatives, achie…
Art (3 works) · Musicology and Musical Analysis (3 works) · Historical Geopolitical and Social Dynamics (2 works) · Latvian (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Classics (1 works) · Classics (1 works) · Communication (1 works)