Thea Quiray Tagle
Biographic Data
| ID | 793261 |
|---|---|
| NAME | Thea Quiray Tagle |
| GIVEN NAMES | Thea Quiray |
| FAMILY NAME | Tagle |
| SIGNATURE | TAGLE T Q |
| AFFILIATIONS | University of Washington Bothell |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Asking, We Walk
Written collectively by six femme and queer scholars and artists, this piece is both a critical reflection and creative intervention into art residencies and Zapaturismo (political tourism) in Chiapas, Mexico. Drawing upon our embodied experiences of moving through the Lacandon jungle as part of a well-intentioned yet colonial-minded arts residency, we ruminate on the ethics, practices, and failures of solidarity between North American feminists,…
Becoming Abstract Together
Together Yamamoto's Property of Opaqueness is the first iteration of three works in the series Opacity of Performance: set to open in Fall 2020 at the Portland Art Museum, it has been postponed due to the COVID-19 crisis that is currently reshaping our world The press release for the October 6, 2019 performance, organized by Nina Bozicnik (associate curator at the Henry Art Gallery) in collaboration with Velocity Dance Center, describes the work …
Silent Shouts
Feeling the Manilatown and Fillmore Blues
Silent Shouts
Feeling the Manilatown and Fillmore Blues
Becoming Abstract Together
Together Yamamoto's Property of Opaqueness is the first iteration of three works in the series Opacity of Performance: set to open in Fall 2020 at the Portland Art Museum, it has been postponed due to the COVID-19 crisis that is currently reshaping our world The press release for the October 6, 2019 performance, organized by Nina Bozicnik (associate curator at the Henry Art Gallery) in collaboration with Velocity Dance Center, describes the work …
Asking, We Walk
Written collectively by six femme and queer scholars and artists, this piece is both a critical reflection and creative intervention into art residencies and Zapaturismo (political tourism) in Chiapas, Mexico. Drawing upon our embodied experiences of moving through the Lacandon jungle as part of a well-intentioned yet colonial-minded arts residency, we ruminate on the ethics, practices, and failures of solidarity between North American feminists,…
Art (4 works) · Art history (2 works) · Law (2 works) · Law (2 works) · Philosophy (2 works) · Political science (2 works) · Politics (2 works) · Psychology (2 works) · Sociology (2 works) · Visual arts (2 works)