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Tyne Daile Sumner

Biographic Data

ID794015
NAMETyne Daile Sumner
GIVEN NAMESTyne Daile
FAMILY NAMESumner
SIGNATURESUMNER T D
AFFILIATIONSAustralian National University
ORCID0000-0003-1717-7147
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS5
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2026
H-INDEX1
  • The Modernist Face in/as World Literature

    A Parvulescu, Tyne Daile Sumner•ARTICLE•Journal of World Literature•2026

    When Ezra Pound envisioned a “one image poem,” the quintessential image he set out to frame was that of a face. He wrote the poem anchored in this image, “In a Station of the Metro,” as a haiku. At the heart of one of the defining moments of literary modernism one thus finds, on the one hand, a renewed effort to wrestle with the representation of a face and, on the other hand, an attempt to do so on a global arc. Starting from a reading of Pound’…

  • Interplanetary Subjectivity and Literary form in Olga Ravn’s The Employees and Samantha Harvey’s Orbital

    Open Access•Tyne Daile Sumner•ARTICLE•Subjectivity•2025

  • The Eco-Algorithmic Border

    Open Access•Keyvan Allahyari, Tyne Daile Sumner et al.•ARTICLE•Journal of Borderlands Studies•2025•References: 7

    This article theorizes the eco-algorithmic border as a key formation in the convergence of artificial intelligence, environmental governance, and global border regimes. We argue that AI technologies are increasingly deployed to intensify forms of border violence that frame environmental protection as incompatible with human mobility. This alignment enables the consolidation of anti-migrant and climate-sceptical politics under the guise of technol…

  • Technologies of Literature

    Open Access•Charles Barbour, Christian Gelder et al.•ARTICLE•Australian Literary Studies•2025

  • Towards a National Data Architecture for Cultural Collections

    Open Access•Rachel Fensham, Tyne Daile Sumner et al.•ARTICLE•Digital humanities quarterly•2024

    This article summarises the aims, methods, information architecture, outputs, and innovations of the Australian Cultural Data Engine (ACD-Engine), a project that harnesses leading cultural databases to build bridges to research, industry, and government. The project investigates digital heritage collections, data ontologies, and interoperability, building an information architecture to enhance the open sharing of Australian cultural data. Working…

  • The way the portal wrote

    Open Access•Tyne Daile Sumner•ARTICLE•Interdisciplinary Science Reviews•2024•References: 3

    The so-called ‘internet novel’ has been predominantly analysed in relation to social media, fragmented online discourse, and identity formation in the virtual realm. While these themes persist across a range of internet novels, from speculative fiction to recent literary prose that mimics the internet itself, less attention has been given to the genre’s engagement with the production of increasing quantities of personal data online, otherwise kno…

  • The Slipperiness of Name

    Open Access•Nat Cutter, Rachel Fensham et al.•ARTICLE•Gender & History•2023•Cited by: 1•References: 6

    In this article, we examine and historicise problems related to name and gender in biographical and cultural databases. Combining theoretical and computational approaches to onomastics, we identify contradictory naming conventions, intriguing patterns and distinct institutional vestiges in the recording and representation of artistic careers. We evaluate the affordances and constraints of naming conventions in Australian cultural databases, consi…

  • Pixel, Partition, Persona

    Open Access•Tyne Daile Sumner•ARTICLE•Open Library of Humanities•2023•Cited by: 1•References: 24

    This article examines the relationship between machine vision, face recognition and affect in Kazuo Ishiguro's speculative fiction novel Klara and the Sun (2021). It explores the ways that Ishiguro's novel enacts, stages, and dramatises cognitive and emotional acts of comprehension and empathy through 'face reading'. The article takes up Guillemette Bolen's theorisation of 'kinesic imagination' and Sianne Ngai's concept of 'ugly feelings' to inve…

  • Zoom Face

    Tyne Daile Sumner•ARTICLE•Journal of Intercultural Studies•2022•Cited by: 3•References: 36

    This article examines the concepts of ‘zoom gaze’ and ‘zoom fatigue’ as two recently theorised consequences of the Covid-19 pandemic. It considers how the dramatic shift in people’s social and professional interactions, from face-to-face communication to virtual interaction via videoconferencing software such as Zoom, produces new ways of reading, understanding, surveilling, and performing through, and with the face. It argues that these myriad c…

  • Anne Sexton, Singer

    Open Access•Tyne Daile Sumner•ARTICLE•Australian Literary Studies•2014

    This article considers Anne Sexton's short-lived, mesmerising ensemble as a model for the wider musical impetus in lyric confessional verse. It argues that Sexton used the inherent audibility of the lyric poem—in live readings, recorded readings, and music contexts—to create the illusion of an authentic authorial event. Using lyric poetry theory as a foundation, I assess Anne Sexton and Her Kind (hereafter 'Her Kind') alongside its mid-twentieth …

  • Zoom Face

    Tyne Daile Sumner•ARTICLE•Journal of Intercultural Studies•2022•Cited by: 3•References: 36

    This article examines the concepts of ‘zoom gaze’ and ‘zoom fatigue’ as two recently theorised consequences of the Covid-19 pandemic. It considers how the dramatic shift in people’s social and professional interactions, from face-to-face communication to virtual interaction via videoconferencing software such as Zoom, produces new ways of reading, understanding, surveilling, and performing through, and with the face. It argues that these myriad c…

  • The Slipperiness of Name

    Open Access•Nat Cutter, Rachel Fensham et al.•ARTICLE•Gender & History•2023•Cited by: 1•References: 6

    In this article, we examine and historicise problems related to name and gender in biographical and cultural databases. Combining theoretical and computational approaches to onomastics, we identify contradictory naming conventions, intriguing patterns and distinct institutional vestiges in the recording and representation of artistic careers. We evaluate the affordances and constraints of naming conventions in Australian cultural databases, consi…

  • Pixel, Partition, Persona

    Open Access•Tyne Daile Sumner•ARTICLE•Open Library of Humanities•2023•Cited by: 1•References: 24

    This article examines the relationship between machine vision, face recognition and affect in Kazuo Ishiguro's speculative fiction novel Klara and the Sun (2021). It explores the ways that Ishiguro's novel enacts, stages, and dramatises cognitive and emotional acts of comprehension and empathy through 'face reading'. The article takes up Guillemette Bolen's theorisation of 'kinesic imagination' and Sianne Ngai's concept of 'ugly feelings' to inve…

  • Anne Sexton, Singer

    Open Access•Tyne Daile Sumner•ARTICLE•Australian Literary Studies•2014

    This article considers Anne Sexton's short-lived, mesmerising ensemble as a model for the wider musical impetus in lyric confessional verse. It argues that Sexton used the inherent audibility of the lyric poem—in live readings, recorded readings, and music contexts—to create the illusion of an authentic authorial event. Using lyric poetry theory as a foundation, I assess Anne Sexton and Her Kind (hereafter 'Her Kind') alongside its mid-twentieth …

  • Zoom Face

    Tyne Daile Sumner•ARTICLE•Journal of Intercultural Studies•2022•Cited by: 3•References: 36

    This article examines the concepts of ‘zoom gaze’ and ‘zoom fatigue’ as two recently theorised consequences of the Covid-19 pandemic. It considers how the dramatic shift in people’s social and professional interactions, from face-to-face communication to virtual interaction via videoconferencing software such as Zoom, produces new ways of reading, understanding, surveilling, and performing through, and with the face. It argues that these myriad c…

  • The Slipperiness of Name

    Open Access•Nat Cutter, Rachel Fensham et al.•ARTICLE•Gender & History•2023•Cited by: 1•References: 6

    In this article, we examine and historicise problems related to name and gender in biographical and cultural databases. Combining theoretical and computational approaches to onomastics, we identify contradictory naming conventions, intriguing patterns and distinct institutional vestiges in the recording and representation of artistic careers. We evaluate the affordances and constraints of naming conventions in Australian cultural databases, consi…

  • Pixel, Partition, Persona

    Open Access•Tyne Daile Sumner•ARTICLE•Open Library of Humanities•2023•Cited by: 1•References: 24

    This article examines the relationship between machine vision, face recognition and affect in Kazuo Ishiguro's speculative fiction novel Klara and the Sun (2021). It explores the ways that Ishiguro's novel enacts, stages, and dramatises cognitive and emotional acts of comprehension and empathy through 'face reading'. The article takes up Guillemette Bolen's theorisation of 'kinesic imagination' and Sianne Ngai's concept of 'ugly feelings' to inve…

  • Towards a National Data Architecture for Cultural Collections

    Open Access•Rachel Fensham, Tyne Daile Sumner et al.•ARTICLE•Digital humanities quarterly•2024

    This article summarises the aims, methods, information architecture, outputs, and innovations of the Australian Cultural Data Engine (ACD-Engine), a project that harnesses leading cultural databases to build bridges to research, industry, and government. The project investigates digital heritage collections, data ontologies, and interoperability, building an information architecture to enhance the open sharing of Australian cultural data. Working…

  • The way the portal wrote

    Open Access•Tyne Daile Sumner•ARTICLE•Interdisciplinary Science Reviews•2024•References: 3

    The so-called ‘internet novel’ has been predominantly analysed in relation to social media, fragmented online discourse, and identity formation in the virtual realm. While these themes persist across a range of internet novels, from speculative fiction to recent literary prose that mimics the internet itself, less attention has been given to the genre’s engagement with the production of increasing quantities of personal data online, otherwise kno…

  • Interplanetary Subjectivity and Literary form in Olga Ravn’s The Employees and Samantha Harvey’s Orbital

    Open Access•Tyne Daile Sumner•ARTICLE•Subjectivity•2025

  • The Eco-Algorithmic Border

    Open Access•Keyvan Allahyari, Tyne Daile Sumner et al.•ARTICLE•Journal of Borderlands Studies•2025•References: 7

    This article theorizes the eco-algorithmic border as a key formation in the convergence of artificial intelligence, environmental governance, and global border regimes. We argue that AI technologies are increasingly deployed to intensify forms of border violence that frame environmental protection as incompatible with human mobility. This alignment enables the consolidation of anti-migrant and climate-sceptical politics under the guise of technol…

  • Technologies of Literature

    Open Access•Charles Barbour, Christian Gelder et al.•ARTICLE•Australian Literary Studies•2025

  • The Modernist Face in/as World Literature

    A Parvulescu, Tyne Daile Sumner•ARTICLE•Journal of World Literature•2026

    When Ezra Pound envisioned a “one image poem,” the quintessential image he set out to frame was that of a face. He wrote the poem anchored in this image, “In a Station of the Metro,” as a haiku. At the heart of one of the defining moments of literary modernism one thus finds, on the one hand, a renewed effort to wrestle with the representation of a face and, on the other hand, an attempt to do so on a global arc. Starting from a reading of Pound’…

Art (5 works) · Computer Science (4 works) · Epistemology (4 works) · Philosophy (4 works) · Psychology (4 works) · Sociology (4 works) · Aesthetics (3 works) · Art history (2 works) · Cognitive psychology (2 works) · Cybernetics and Technology in Society (2 works)

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