Mafalda Dâmaso
Biographic Data
| ID | 794595 |
|---|---|
| NAME | Mafalda Dâmaso |
| GIVEN NAMES | Mafalda |
| FAMILY NAME | Dâmaso |
| SIGNATURE | DÂMASO M |
| AFFILIATIONS | European University Institute |
| ORCID | 0000-0002-2120-178X |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 30 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 3 |
Updating the European Union’s Strategy for International Cultural Relations in a time of geopolitical turmoil: International EU film policy and the future of EU–Global South relations
The European Commissioner for Intergenerational Fairness, Youth, Culture and Sport has called for a review of the European Union’s (EU) International Cultural Relations (ICR) strategy. How can the latter – and with it, the EU’s global cultural action – be improved? To answer this question, the article proposes reviewing ICR from the perspective of its beneficiaries in the Global South. Its underlying hypothesis is the following: despite the ICR’s…
Film promotion across the EU member states and abroad: Institutional practices in Denmark, Finland and France in an evolving policy and technological architecture
The article examines public practices in three European Union (EU) Member States (MSs) – Denmark, Finland, and France – regarding the international promotion of their respective film industries and, by extension, the broader European film industry. It focuses on three main aspects: it examines (i) institutional mechanisms through which national authorities contribute to the film promotion across EU MSs and abroad, and (ii) how national authoritie…
EU film festivals – balancing and harnessing the ambiguity of competitiveness and public diplomacy
European Union (EU) film policy can be understood as a balancing act between multiple, and at times contradictory, objectives. These objectives aim not only to strike an equilibrium between artistic expression and commercial demands but also to pursue the twin goals of enhancing the competitiveness of the European film industry and employing European film as a tool in the EU’s external relations. This article explores the EU Film Festivals (EUFF)…
We must talk: Audience Pluralisation as a Regenerative Path to the Management of Cultural Disagreement
Towards a regenerative approach to cultural policy
From the cultural and foreign policies of western European far-right parties to the European Union’s 2015–2018 Work Plan for Culture – identifying and opposing nativism
This article is framed by an interest in cultural policy in the context of shifting political trends and cultural governance. It begins by comparing the cultural and foreign policy proposals of a number of western far-right Eurosceptic parties (FN, PVV, UKIP), arguing that they reveal a set of shared assumptions regarding cultural identity and sovereignty. It then suggests that the European Union’s 2015–2018 implementation of its motto (‘United i…
Four observations on The Arts (2015) by Jeremy Corbyn
div_MCaPA
Images in spite of all: Four photographs from Auschwitz
Images in Spite of All: Four Photographs from Auschwitz is a two-part book. It begins with a text that was published in 2001 in the context of ‘Photographies des camps de concentration et d’extermi
Images in spite of all: Four photographs from Auschwitz
Images in Spite of All: Four Photographs from Auschwitz is a two-part book. It begins with a text that was published in 2001 in the context of ‘Photographies des camps de concentration et d’extermi
Towards a regenerative approach to cultural policy
We must talk: Audience Pluralisation as a Regenerative Path to the Management of Cultural Disagreement
From the cultural and foreign policies of western European far-right parties to the European Union’s 2015–2018 Work Plan for Culture – identifying and opposing nativism
This article is framed by an interest in cultural policy in the context of shifting political trends and cultural governance. It begins by comparing the cultural and foreign policy proposals of a number of western far-right Eurosceptic parties (FN, PVV, UKIP), arguing that they reveal a set of shared assumptions regarding cultural identity and sovereignty. It then suggests that the European Union’s 2015–2018 implementation of its motto (‘United i…
Four observations on The Arts (2015) by Jeremy Corbyn
div_MCaPA
Images in spite of all: Four photographs from Auschwitz
Images in Spite of All: Four Photographs from Auschwitz is a two-part book. It begins with a text that was published in 2001 in the context of ‘Photographies des camps de concentration et d’extermi
Four observations on The Arts (2015) by Jeremy Corbyn
div_MCaPA
From the cultural and foreign policies of western European far-right parties to the European Union’s 2015–2018 Work Plan for Culture – identifying and opposing nativism
This article is framed by an interest in cultural policy in the context of shifting political trends and cultural governance. It begins by comparing the cultural and foreign policy proposals of a number of western far-right Eurosceptic parties (FN, PVV, UKIP), arguing that they reveal a set of shared assumptions regarding cultural identity and sovereignty. It then suggests that the European Union’s 2015–2018 implementation of its motto (‘United i…
We must talk: Audience Pluralisation as a Regenerative Path to the Management of Cultural Disagreement
Towards a regenerative approach to cultural policy
Updating the European Union’s Strategy for International Cultural Relations in a time of geopolitical turmoil: International EU film policy and the future of EU–Global South relations
The European Commissioner for Intergenerational Fairness, Youth, Culture and Sport has called for a review of the European Union’s (EU) International Cultural Relations (ICR) strategy. How can the latter – and with it, the EU’s global cultural action – be improved? To answer this question, the article proposes reviewing ICR from the perspective of its beneficiaries in the Global South. Its underlying hypothesis is the following: despite the ICR’s…
Film promotion across the EU member states and abroad: Institutional practices in Denmark, Finland and France in an evolving policy and technological architecture
The article examines public practices in three European Union (EU) Member States (MSs) – Denmark, Finland, and France – regarding the international promotion of their respective film industries and, by extension, the broader European film industry. It focuses on three main aspects: it examines (i) institutional mechanisms through which national authorities contribute to the film promotion across EU MSs and abroad, and (ii) how national authoritie…
EU film festivals – balancing and harnessing the ambiguity of competitiveness and public diplomacy
European Union (EU) film policy can be understood as a balancing act between multiple, and at times contradictory, objectives. These objectives aim not only to strike an equilibrium between artistic expression and commercial demands but also to pursue the twin goals of enhancing the competitiveness of the European film industry and employing European film as a tool in the EU’s external relations. This article explores the EU Film Festivals (EUFF)…
Cultural Industries and Urban Development (5 works) · Cultural policy (4 works) · Political science (4 works) · Sociology (4 works) · European union (3 works) · Law (3 works) · Law (3 works) · Political economy (3 works) · Cinema and Media Studies (2 works) · Economics (2 works)