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Claudia Egerer

Biographic Data

ID798731
NAMEClaudia Egerer
GIVEN NAMESClaudia
FAMILY NAMEEgerer
SIGNATUREEGERER C
AFFILIATIONSStockholm University
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS5
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Insects, worlds, and the poetic in Coetzee's writing

    Claudia Egerer•ARTICLE•Textual Practice•2016•Cited by: 1

    J. M. Coetzee's literary universe creates a space for creatures often thought so insignificant that they are mostly overlooked or, if noticed at all, discarded as useless pests. In his writing, we repeatedly experience moments of wonder when insects take centre-stage, touching characters and readers alike with awe at their power of transformation. These moments are like poetic epiphanies, flashes into worlds otherwise closed to human experience. …

  • Nothing Matters

    Claudia Egerer•ARTICLE•Journal for Cultural Research•2004•References: 2

    This essay reads Miller reading literature and zero, zero in literature, tracing how a doubling at the heart of zero is echoed in Miller's work. Miller's fascination and engagement with literature as otherness invokes the ambiguity of the sign O, sharing its figure with a figure that isn't a figure, impossibly at once letter and numeral, now converging in Miller's text on zero in literature. Literature, like zero, like the lover, like the Other, …

  • Ambivalent geographies

    Claudia Egerer•ARTICLE•Third Text•2001•Cited by: 4

  • Experiencing a Conference on Theory

    Claudia Egerer•ARTICLE•New Literary History•1995

    New Literary History - Volume 26, Number 3, Summer 1995

  • Ambivalent geographies

    Claudia Egerer•ARTICLE•Third Text•2001•Cited by: 4

  • Insects, worlds, and the poetic in Coetzee's writing

    Claudia Egerer•ARTICLE•Textual Practice•2016•Cited by: 1

    J. M. Coetzee's literary universe creates a space for creatures often thought so insignificant that they are mostly overlooked or, if noticed at all, discarded as useless pests. In his writing, we repeatedly experience moments of wonder when insects take centre-stage, touching characters and readers alike with awe at their power of transformation. These moments are like poetic epiphanies, flashes into worlds otherwise closed to human experience. …

  • Experiencing a Conference on Theory

    Claudia Egerer•ARTICLE•New Literary History•1995

    New Literary History - Volume 26, Number 3, Summer 1995

  • Ambivalent geographies

    Claudia Egerer•ARTICLE•Third Text•2001•Cited by: 4

  • Nothing Matters

    Claudia Egerer•ARTICLE•Journal for Cultural Research•2004•References: 2

    This essay reads Miller reading literature and zero, zero in literature, tracing how a doubling at the heart of zero is echoed in Miller's work. Miller's fascination and engagement with literature as otherness invokes the ambiguity of the sign O, sharing its figure with a figure that isn't a figure, impossibly at once letter and numeral, now converging in Miller's text on zero in literature. Literature, like zero, like the lover, like the Other, …

  • Insects, worlds, and the poetic in Coetzee's writing

    Claudia Egerer•ARTICLE•Textual Practice•2016•Cited by: 1

    J. M. Coetzee's literary universe creates a space for creatures often thought so insignificant that they are mostly overlooked or, if noticed at all, discarded as useless pests. In his writing, we repeatedly experience moments of wonder when insects take centre-stage, touching characters and readers alike with awe at their power of transformation. These moments are like poetic epiphanies, flashes into worlds otherwise closed to human experience. …

Art (3 works) · Epistemology (3 works) · Philosophy (3 works) · Aesthetics (2 works) · History (2 works) · Literature (2 works) · Psychoanalysis (2 works) · Psychology (2 works) · Sociology (2 works) · Ambiguity (1 work)

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