Éric Fouquier
Biographic Data
| ID | 798872 |
|---|---|
| NAME | Éric Fouquier |
| GIVEN NAMES | Éric |
| FAMILY NAME | Fouquier |
| SIGNATURE | FOUQUIER É |
| AFFILIATIONS | Délégation Paris 6 |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 1984 |
| H-INDEX | 1 |
The Resources of the Semiologist
Any act of communication is a drama with three characters: a transmitter, a receiver and the world which is their subject. Someone speaks of something to someone. The messages sent during this drama usually have three functions that are easily shown to be assured by specific meaningful forms: "expression" by the transmitter. "representation" by the world, "involvement" or "concern" by the receiver. It is this last property that interests us here,…
On the Interpretation of Other People's Dress
In everyday life, the way people dress is thought to furnish the attentive observer with information about them. In ethnomethodological terms, we would say that clothing is a source of "social information," allowing subjects to form an idea of the "social and personal identity" of other people. For the sake of convenience, albeit simplifying somewhat, we may distinguish three aspects of this phenomenon: the dress observed, the interpretative proc…
Décidément
Mais occupe-toi d'Amélie
Mais occupe-toi d'Amélie. Trolz der vorschiedensten Verwcndungsarten des Binde-wortes mais (aber), wie es in einem Dialog vorkommt, behält es oine grundsätzlich gleichbloibonde Bedeutung, die jener gleichkommt, die es in fortlaufenden Texten hat. Das kann man nachweisen, indem man die unterschiedlichen Verwendungsarten von mais in den zwei ersten Szenen des Stückes Occupe-toi d'Amélie klassifiziert. Die verschiedenen Rubriken lassen nicht verschi…
Mais occupe-toi d'Amélie
Mais occupe-toi d'Amélie. Trolz der vorschiedensten Verwcndungsarten des Binde-wortes mais (aber), wie es in einem Dialog vorkommt, behält es oine grundsätzlich gleichbloibonde Bedeutung, die jener gleichkommt, die es in fortlaufenden Texten hat. Das kann man nachweisen, indem man die unterschiedlichen Verwendungsarten von mais in den zwei ersten Szenen des Stückes Occupe-toi d'Amélie klassifiziert. Die verschiedenen Rubriken lassen nicht verschi…
Décidément
Mais occupe-toi d'Amélie
Mais occupe-toi d'Amélie. Trolz der vorschiedensten Verwcndungsarten des Binde-wortes mais (aber), wie es in einem Dialog vorkommt, behält es oine grundsätzlich gleichbloibonde Bedeutung, die jener gleichkommt, die es in fortlaufenden Texten hat. Das kann man nachweisen, indem man die unterschiedlichen Verwendungsarten von mais in den zwei ersten Szenen des Stückes Occupe-toi d'Amélie klassifiziert. Die verschiedenen Rubriken lassen nicht verschi…
Décidément
On the Interpretation of Other People's Dress
In everyday life, the way people dress is thought to furnish the attentive observer with information about them. In ethnomethodological terms, we would say that clothing is a source of "social information," allowing subjects to form an idea of the "social and personal identity" of other people. For the sake of convenience, albeit simplifying somewhat, we may distinguish three aspects of this phenomenon: the dress observed, the interpretative proc…
The Resources of the Semiologist
Any act of communication is a drama with three characters: a transmitter, a receiver and the world which is their subject. Someone speaks of something to someone. The messages sent during this drama usually have three functions that are easily shown to be assured by specific meaningful forms: "expression" by the transmitter. "representation" by the world, "involvement" or "concern" by the receiver. It is this last property that interests us here,…
Linguistics and Discourse Analysis (3 works) · Art (2 works) · Computer Science (2 works) · Linguistics (2 works) · Philosophy (2 works) · Psychology (2 works) · Adverb (1 works) · Aesthetics (1 works) · Argumentation theory (1 works) · Artificial Intelligence (1 works)