Serena Facci
Biographic Data
| ID | 79906 |
|---|---|
| NAME | Serena Facci |
| GIVEN NAMES | Serena |
| FAMILY NAME | Facci |
| SIGNATURE | FACCI S |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
The Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions
I wish to Jason D'Aoust and Francesca Placanica
Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions
The Akazehe of Burundi: Polyphonic Interlocking Greetings and the Female Ceremonial. By Serena Facci. Translated by Alessandra Ciucci
Akazehe is one of the names in Burundi for forms of sung greeting performed exclusively by women. Studies carried out during the colonial era (in particular Rodegem 1965, 1973) and in more recent times (Ndimurwanko 1985-6) have shown how the contents of these greetings among women are closely linked to the feminine world in which these greetings are used—in specific private and public spaces in accordance with rural tradition. Although these gree…
Dances across the boundary: Banande and Bakonzo in the twentieth century
Banande and Bakonzo, in the Rwenzori area, have a similar language and a similar music. They consider themselves as descents from the Baiyra, who lived in the western part of Uganda in pre-colonial times. At the end of the nineteenth century the colonial boundaries between the British Protectorate of Uganda and the Belgian Congo divided the Banande (Congolese) from the Bakonzo (Ugandan). This article focuses on their dances. Comparing data from f…
I "canti" di Raffaele Lombardi Satriani. La poesia cantata nella tradizione popolare calabrese
Zaire: The Music of the Nande
Dances across the boundary: Banande and Bakonzo in the twentieth century
Banande and Bakonzo, in the Rwenzori area, have a similar language and a similar music. They consider themselves as descents from the Baiyra, who lived in the western part of Uganda in pre-colonial times. At the end of the nineteenth century the colonial boundaries between the British Protectorate of Uganda and the Belgian Congo divided the Banande (Congolese) from the Bakonzo (Ugandan). This article focuses on their dances. Comparing data from f…
Zaire: The Music of the Nande
I "canti" di Raffaele Lombardi Satriani. La poesia cantata nella tradizione popolare calabrese
Dances across the boundary: Banande and Bakonzo in the twentieth century
Banande and Bakonzo, in the Rwenzori area, have a similar language and a similar music. They consider themselves as descents from the Baiyra, who lived in the western part of Uganda in pre-colonial times. At the end of the nineteenth century the colonial boundaries between the British Protectorate of Uganda and the Belgian Congo divided the Banande (Congolese) from the Bakonzo (Ugandan). This article focuses on their dances. Comparing data from f…
The Akazehe of Burundi: Polyphonic Interlocking Greetings and the Female Ceremonial. By Serena Facci. Translated by Alessandra Ciucci
Akazehe is one of the names in Burundi for forms of sung greeting performed exclusively by women. Studies carried out during the colonial era (in particular Rodegem 1965, 1973) and in more recent times (Ndimurwanko 1985-6) have shown how the contents of these greetings among women are closely linked to the feminine world in which these greetings are used—in specific private and public spaces in accordance with rural tradition. Although these gree…
The Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions
I wish to Jason D'Aoust and Francesca Placanica
Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions
Art (4 works) · History (3 works) · Diverse Musicological Studies (2 works) · Literature (2 works) · Sociology (2 works) · Visual arts (2 works) · Active listening (1 works) · African Studies and Ethnography (1 works) · Anthropology (1 works) · Archaeology (1 works)