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Susan Fall

Biographic Data

ID80080
NAMESusan Fall
GIVEN NAMESSusan
FAMILY NAMEFall
SIGNATUREFALL S
AFFILIATIONSSavannah College of Art and Design
ORCID0000-0002-7537-5953
VERIFIEDYes
TOTAL WORKS17
TOTAL CITATIONS7
AUTHOR COUNT17
EDITOR COUNT0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Back to the ‘30s: Recurring Crises of Capitalism, Liberalism, and Democracy

    Open Access•Susan Fall, Jeremy Rayner et al.•BOOK•Back to the ‘30s•2020

  • Figure/Ground: Allison Formanack's Study of Inversions

    Open Access•Susan Fall, Susan Falls•ARTICLE•City & Society•2020

  • Sentio ergo sum: House paint as politics of the radically mundane

    Open Access•Susan Fall•ARTICLE•Environment and Planning C…•2019•References: 10

    According to one view, the rise of ocular-centrism in the West has reduced the faculty of vision to the cognitive, eliding the sensory aspect of seeing. But there is an important way in which visual experience feels a particular way and exerts, in a sense, a material force upon us. In other words, there is a particular character to the experience of seeing that can interact with us in an abstract, but extremely significant way. This helps to expl…

  • The Anthropocene goes green

    Open Access•Susan Fall•ARTICLE•Economic Anthropology•2019•References: 3

  • Homo Roboticus

    Open Access•Susan Fall•ARTICLE•Anthropology News•2018

  • Roads: An Anthropology of Infrastructure and Expertise by Penny Harvey and Hannah Knox

    Susan Fall•ARTICLE•Anthropological Quarterly•2016

    Reviewed by: Roads: An Anthropology of Infrastructure and Expertise by Penny Harvey and Hannah Knox Susan Falls Penny Harvey and Hannah Knox, Roads: An Anthropology of Infrastructure and Expertise. Ithaca: Cornell University Press, 2015. 264pp. Anthropologists have long been challenged to undertake ethnographic studies of the state. In their joint study of road construction in Peru, Penny Harvey and Hannah Knox draw on conceptions of the state as…

  • The Act of KillingDirected by JoshuaOppenheimer, 2012, 115 and 159 minutes. Color. Distributed by Drafthouse Films, Austin, TX 78749, http: Drafthousefilms.com

    Open Access•Susan Fall, Susan Falls•ARTICLE•Visual Anthropology Review•2015

  • Material Culture Studies

    Open Access•Susan Fall, Susan Falls•OTHER•The Wiley Blackwell Encyclopedia…•2015•References: 3

    An interdisciplinary endeavor addressing empirical and theoretical questions, material culture studies examine the dynamic role that things play within social organization and in subjective experience. It is partly through our interactions with material culture (at times referred to as “goods,” “commodities,” “objects,” “artifacts,” or even “stuff”) that we both interpret and insert ourselves into the world, and thus it represents an extremely im…

  • Thomas Kinkade: Money, Class, and the Aesthetic Economy

    Susan Fall, Susan Falls•ARTICLE•Southern Anthropological Society…•2013

    Contemporary art is seldom given sustained anthropological analysis despite its tantalizing potential. As a response, this essay examines the work of Thomas Kinkade to cast an oblique light on the production of value. Kinkade’s mechanically reproduced opus representing Cotswold cottages, quaint city scenes, and Disney fantasies are sold by authorized dealers in malls, along tourist strips, and online. Rather than operating as kitsch, lowbrow, or …

  • Redneck Customs’: Race and class at the demolition derby

    Susan Fall, Susan Falls•ARTICLE•Leisure Studies•2013•Cited by: 1•References: 27

    Using data collected from ethnographic research at demolition derbies in New York, New Jersey and Pennsylvania, this article focuses on the language used by drivers for car-naming practices in response to epithets routinely associated with rural, working-class whites. Briefly cast into mass consciousness by media coverage of the racialised 2008 US Presidential contest through a focus on the 'Appalachian Belt', the day-to-day experiences of rural …

  • Sanctioned and Unsanctioned Public Art

    Susan Fall, Jessica Smith et al.•ARTICLE•Anthropology Now•2013•Cited by: 1•References: 6

    2013). Sanctioned and Unsanctioned Public Art. Anthropology Now: Vol. 5, No. 1, pp. 67-84

  • Sana 's I nvited S essions at the 2011 A merican A nthropological A ssociation's A nnual M eeting “ T races, T idemarks and L egacies” in M ontreal, C anada

    Open Access•Nathan Woods, Susan Fall et al.•ARTICLE•North American Dialogue•2011

  • Picturing Blood Diamonds

    Susan Fall, Susan Falls•ARTICLE•Critical Arts•2011•Cited by: 4•References: 6

    Diamonds traded on black markets for weapons used in civil war are known as ‘blood diamonds’. This article examines how blood diamonds have been constructed by images deployed in the ongoing contest over the meaning of these gems. On the one hand, corporations and governments transfigure rocks into gems through marketing and by defining the boundaries of a ‘licit’ trade. Meanwhile, NGOs and retailer discourse appeals to ethical consumerism, helpi…

  • Diamond signs: Generic stones and particular gems

    Susan Fall, Susan Falls•ARTICLE•Social Semiotics•2008•Cited by: 1•References: 7

    Analysis of narratives from ethnographic research with diamond consumers representing the target market (largely middle-class white women between 20 and 50 years of age) reveals how symbolic associations promoted by industry are refracted through interpretations of both adverts and diamonds in general, but shows that local contingencies (basic attitudes and knowledge about diamonds and their production, circumstances of acquisition, and personal …

  • What Is Language: Between Vocal and Non-Vocal Communication

    Open Access•Susan Fall, Susan Falls•ARTICLE•Anthropology News•2006

  • What Is Language: Between Vocal and Non-Vocal Communication

    Open Access•Susan Fall, Susan Falls•ARTICLE•Anthropology News•2006

  • Why Do Men Barbecue: Recipes for Cultural Psychology

    Open Access•Susan Fall, Susan Falls•ARTICLE•The Journal of Popular Culture•2005

    The Gospel According to the Simpsons (2001), once again surveys the moral and ethical aspects of children's animation.This time he tackles the ''wonderful world of Disney,'' and he offers a different thesis from his earlier work on the animated family from Springfield.Pinsky writes, ''I am saying something quite different about the [Walt Disney] company's animated features: It is what you think, more or less, but here is how and why.There is a co…

  • Picturing Blood Diamonds

    Susan Fall, Susan Falls•ARTICLE•Critical Arts•2011•Cited by: 4•References: 6

    Diamonds traded on black markets for weapons used in civil war are known as ‘blood diamonds’. This article examines how blood diamonds have been constructed by images deployed in the ongoing contest over the meaning of these gems. On the one hand, corporations and governments transfigure rocks into gems through marketing and by defining the boundaries of a ‘licit’ trade. Meanwhile, NGOs and retailer discourse appeals to ethical consumerism, helpi…

  • Redneck Customs’: Race and class at the demolition derby

    Susan Fall, Susan Falls•ARTICLE•Leisure Studies•2013•Cited by: 1•References: 27

    Using data collected from ethnographic research at demolition derbies in New York, New Jersey and Pennsylvania, this article focuses on the language used by drivers for car-naming practices in response to epithets routinely associated with rural, working-class whites. Briefly cast into mass consciousness by media coverage of the racialised 2008 US Presidential contest through a focus on the 'Appalachian Belt', the day-to-day experiences of rural …

  • Sanctioned and Unsanctioned Public Art

    Susan Fall, Jessica Smith et al.•ARTICLE•Anthropology Now•2013•Cited by: 1•References: 6

    2013). Sanctioned and Unsanctioned Public Art. Anthropology Now: Vol. 5, No. 1, pp. 67-84

  • Diamond signs: Generic stones and particular gems

    Susan Fall, Susan Falls•ARTICLE•Social Semiotics•2008•Cited by: 1•References: 7

    Analysis of narratives from ethnographic research with diamond consumers representing the target market (largely middle-class white women between 20 and 50 years of age) reveals how symbolic associations promoted by industry are refracted through interpretations of both adverts and diamonds in general, but shows that local contingencies (basic attitudes and knowledge about diamonds and their production, circumstances of acquisition, and personal …

  • Why Do Men Barbecue: Recipes for Cultural Psychology

    Open Access•Susan Fall, Susan Falls•ARTICLE•The Journal of Popular Culture•2005

    The Gospel According to the Simpsons (2001), once again surveys the moral and ethical aspects of children's animation.This time he tackles the ''wonderful world of Disney,'' and he offers a different thesis from his earlier work on the animated family from Springfield.Pinsky writes, ''I am saying something quite different about the [Walt Disney] company's animated features: It is what you think, more or less, but here is how and why.There is a co…

  • What Is Language: Between Vocal and Non-Vocal Communication

    Open Access•Susan Fall, Susan Falls•ARTICLE•Anthropology News•2006

  • What Is Language: Between Vocal and Non-Vocal Communication

    Open Access•Susan Fall, Susan Falls•ARTICLE•Anthropology News•2006

  • Diamond signs: Generic stones and particular gems

    Susan Fall, Susan Falls•ARTICLE•Social Semiotics•2008•Cited by: 1•References: 7

    Analysis of narratives from ethnographic research with diamond consumers representing the target market (largely middle-class white women between 20 and 50 years of age) reveals how symbolic associations promoted by industry are refracted through interpretations of both adverts and diamonds in general, but shows that local contingencies (basic attitudes and knowledge about diamonds and their production, circumstances of acquisition, and personal …

  • Sana 's I nvited S essions at the 2011 A merican A nthropological A ssociation's A nnual M eeting “ T races, T idemarks and L egacies” in M ontreal, C anada

    Open Access•Nathan Woods, Susan Fall et al.•ARTICLE•North American Dialogue•2011

  • Picturing Blood Diamonds

    Susan Fall, Susan Falls•ARTICLE•Critical Arts•2011•Cited by: 4•References: 6

    Diamonds traded on black markets for weapons used in civil war are known as ‘blood diamonds’. This article examines how blood diamonds have been constructed by images deployed in the ongoing contest over the meaning of these gems. On the one hand, corporations and governments transfigure rocks into gems through marketing and by defining the boundaries of a ‘licit’ trade. Meanwhile, NGOs and retailer discourse appeals to ethical consumerism, helpi…

  • Thomas Kinkade: Money, Class, and the Aesthetic Economy

    Susan Fall, Susan Falls•ARTICLE•Southern Anthropological Society…•2013

    Contemporary art is seldom given sustained anthropological analysis despite its tantalizing potential. As a response, this essay examines the work of Thomas Kinkade to cast an oblique light on the production of value. Kinkade’s mechanically reproduced opus representing Cotswold cottages, quaint city scenes, and Disney fantasies are sold by authorized dealers in malls, along tourist strips, and online. Rather than operating as kitsch, lowbrow, or …

  • Redneck Customs’: Race and class at the demolition derby

    Susan Fall, Susan Falls•ARTICLE•Leisure Studies•2013•Cited by: 1•References: 27

    Using data collected from ethnographic research at demolition derbies in New York, New Jersey and Pennsylvania, this article focuses on the language used by drivers for car-naming practices in response to epithets routinely associated with rural, working-class whites. Briefly cast into mass consciousness by media coverage of the racialised 2008 US Presidential contest through a focus on the 'Appalachian Belt', the day-to-day experiences of rural …

  • Sanctioned and Unsanctioned Public Art

    Susan Fall, Jessica Smith et al.•ARTICLE•Anthropology Now•2013•Cited by: 1•References: 6

    2013). Sanctioned and Unsanctioned Public Art. Anthropology Now: Vol. 5, No. 1, pp. 67-84

  • The Act of KillingDirected by JoshuaOppenheimer, 2012, 115 and 159 minutes. Color. Distributed by Drafthouse Films, Austin, TX 78749, http: Drafthousefilms.com

    Open Access•Susan Fall, Susan Falls•ARTICLE•Visual Anthropology Review•2015

  • Material Culture Studies

    Open Access•Susan Fall, Susan Falls•OTHER•The Wiley Blackwell Encyclopedia…•2015•References: 3

    An interdisciplinary endeavor addressing empirical and theoretical questions, material culture studies examine the dynamic role that things play within social organization and in subjective experience. It is partly through our interactions with material culture (at times referred to as “goods,” “commodities,” “objects,” “artifacts,” or even “stuff”) that we both interpret and insert ourselves into the world, and thus it represents an extremely im…

  • Roads: An Anthropology of Infrastructure and Expertise by Penny Harvey and Hannah Knox

    Susan Fall•ARTICLE•Anthropological Quarterly•2016

    Reviewed by: Roads: An Anthropology of Infrastructure and Expertise by Penny Harvey and Hannah Knox Susan Falls Penny Harvey and Hannah Knox, Roads: An Anthropology of Infrastructure and Expertise. Ithaca: Cornell University Press, 2015. 264pp. Anthropologists have long been challenged to undertake ethnographic studies of the state. In their joint study of road construction in Peru, Penny Harvey and Hannah Knox draw on conceptions of the state as…

  • Homo Roboticus

    Open Access•Susan Fall•ARTICLE•Anthropology News•2018

  • Sentio ergo sum: House paint as politics of the radically mundane

    Open Access•Susan Fall•ARTICLE•Environment and Planning C…•2019•References: 10

    According to one view, the rise of ocular-centrism in the West has reduced the faculty of vision to the cognitive, eliding the sensory aspect of seeing. But there is an important way in which visual experience feels a particular way and exerts, in a sense, a material force upon us. In other words, there is a particular character to the experience of seeing that can interact with us in an abstract, but extremely significant way. This helps to expl…

  • The Anthropocene goes green

    Open Access•Susan Fall•ARTICLE•Economic Anthropology•2019•References: 3

  • Back to the ‘30s: Recurring Crises of Capitalism, Liberalism, and Democracy

    Open Access•Susan Fall, Jeremy Rayner et al.•BOOK•Back to the ‘30s•2020

  • Figure/Ground: Allison Formanack's Study of Inversions

    Open Access•Susan Fall, Susan Falls•ARTICLE•City & Society•2020

Sociology (10 works) · Computer Science (8 works) · Citation (7 works) · Law (7 works) · Library science (7 works) · Political science (7 works) · Philosophy (6 works) · Art (5 works) · Politics (5 works) · Aesthetics (4 works)

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