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Elizabeth Hutchinson

Biographic Data

ID801828
NAMEElizabeth Hutchinson
GIVEN NAMESElizabeth
FAMILY NAMEHutchinson
SIGNATUREHUTCHINSON E
AFFILIATIONSBryn Mawr College
ORCID0000-0002-3374-5469
VERIFIEDYes
TOTAL WORKS12
TOTAL CITATIONS10
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2019
H-INDEX1
  • What Does a Mutually Beneficial Global Health Partnership in Family Medicine Residency Look Like

    Open Access•Elizabeth Hutchinson, Vanessa Kerry et al.•ARTICLE•The AMA Journal of Ethic•2019

    Motivated by interest in enhancing their clinical experience and contributing to communities in need, US medical resident physicians are increasingly keen to train abroad. Guidelines are needed to help ensure that trainee, institutional, and faculty engagement in global health is ethically appropriate and mutually beneficial for all involved. Supported by the nonprofit organization Seed Global Health, the WWAMI-University of Malawi/College of Med…

  • Enduring Truths: Sojourner's Shadows and Substance by Darcy Grimaldo Grigsby

    Elizabeth Hutchinson•ARTICLE•African American Review•2016

    Reviewed by: Enduring Truths: Sojourner’s Shadows and Substance by Darcy Grimaldo Grigsby Elizabeth Hutchinson Darcy Grimaldo Grigsby. Enduring Truths: Sojourner’s Shadows and Substance. Chicago: U of Chicago P, 2015. 224pp. $45.00. For many scholars of nineteenth-century American history and visual culture, photographic portraits of leading black abolitionists are iconic and meaningful. Both Frederick Douglass and Sojourner Truth used the camera…

  • A “Narrow Escape”: Albert Bierstadt’s Wreck of the “Ancon”

    Elizabeth Hutchinson•ARTICLE•American Art•2013

  • From Pantheon to Indian Gallery: Art and Sovereignty on the Early Nineteenth-Century Cultural Frontier

    Open Access•Elizabeth Hutchinson•ARTICLE•Journal of American Studies•2013•References: 4

    Between 1821 and 1842, Charles Bird King painted a series of portraits of Native American diplomats for Thomas L. McKenney, founding Superintendent of Indian Affairs. These pictures were hung in a gallery in McKenney's office in the War Department in Washington, DC, and were later copied by lithographers for inclusion in McKenney and James Hall's History of the Indian Tribes of the United States (1836-44). Significantly, the production and circul…

  • “The Dress of His Nation”: Romney’s Portrait of Joseph Brant

    Elizabeth Hutchinson•ARTICLE•Winterthur Portfolio•2011

    The controversial Mohawk leader Joseph Brant (1743–1807) posed for at least thirty-nine portraits during his lifetime. This article examines one of these portraits, made in 1776 by George Romney in London, where Brant was visiting on a diplomatic mission. My interpretation sees the work as an expression of Brant’s sophisticated understanding of the role of cultural interlocutor. During a time when rapid social transformation made the relationship…

  • Helios: Eadweard Muybridge in a Time of Change. Edited by Philip Brookman

    Elizabeth Hutchinson•ARTICLE•Photography and Culture•2011

  • The Indian Craze: Primitivism, Modernism, and Transculturation in American Art, 1890–1915

    Open Access•Elizabeth Hutchinson, Nicholas Thomas•BOOK•Indian Craze•2009•Cited by: 9

    been particularly stalwart supporters through thick and thin.Finally and always there

  • Nature's Nation Revisited

    Open Access•Elizabeth Hutchinson•ARTICLE•American Quarterly•2004•References: 2

    See America First: Tourism and National Identity, 1880-1940 . By Marguerite S. Shaffer. Washington, D.C.: Smithsonian Institution Press. 2001. 429 pages. $55 (cloth), $18.95 (paper). Embodiment of a Nation: Human Form in American Places . By Cecelia Tichi. Cambridge, Mass.: Harvard University Press. 320 pages. 2001. $45 (cloth), $19.95 (paper). There are many ways to approach the relationship between humans and the landscape described in two new …

  • Le rôle du portfolio de l’enseignant comme outil pour identifier et développer les compétences des enseignants

    Kenneth M Zeichner, Elizabeth Hutchinson et al.•ARTICLE•Recherche & formation•2004•Cited by: 1

    This paper focuses on the teaching portfolio as an assessment and development tool in preservice teacher education. A conceptual framework is proposed outlining critical dimensions of variation in portfolio use that can assist teacher educators and researchers in designing and understanding the conditions under which portfolios either recognize or help teachers develop teaching expertise. This culture of expertise among teachers is an essential a…

  • They Might Be Giants: Carleton Watkins, Galen Clark, and the Big Tree

    Elizabeth Hutchinson•ARTICLE•October•2004•References: 2

    July 01 2004 They Might Be Giants: Carleton Watkins, Galen Clark, and the Big Tree Elizabeth Hutchinson Elizabeth Hutchinson Search for other works by this author on: This Site Google Scholar Author and Article Information Elizabeth Hutchinson Online Issn: 1536-013X Print Issn: 0162-2870 © 2004 October Magazine, Ltd. and Massachusetts Institute of Technology2004 October (2004) (109): 46–63. https://doi.org/10.1162/0162287041886476 Cite Icon Cite …

  • When the "Sioux Chief's Party Calls": Käsebier's Indian Portraits and the Gendering of the Artist's Studio

    Elizabeth Hutchinson•ARTICLE•American Art•2002

  • Indigeneity and sovereignty: The work of two early twentieth‐century Native American art critics

    Elizabeth Hutchinson•ARTICLE•Third Text•2000•References: 5

  • The Indian Craze: Primitivism, Modernism, and Transculturation in American Art, 1890–1915

    Open Access•Elizabeth Hutchinson, Nicholas Thomas•BOOK•Indian Craze•2009•Cited by: 9

    been particularly stalwart supporters through thick and thin.Finally and always there

  • Le rôle du portfolio de l’enseignant comme outil pour identifier et développer les compétences des enseignants

    Kenneth M Zeichner, Elizabeth Hutchinson et al.•ARTICLE•Recherche & formation•2004•Cited by: 1

    This paper focuses on the teaching portfolio as an assessment and development tool in preservice teacher education. A conceptual framework is proposed outlining critical dimensions of variation in portfolio use that can assist teacher educators and researchers in designing and understanding the conditions under which portfolios either recognize or help teachers develop teaching expertise. This culture of expertise among teachers is an essential a…

  • Indigeneity and sovereignty: The work of two early twentieth‐century Native American art critics

    Elizabeth Hutchinson•ARTICLE•Third Text•2000•References: 5

  • When the "Sioux Chief's Party Calls": Käsebier's Indian Portraits and the Gendering of the Artist's Studio

    Elizabeth Hutchinson•ARTICLE•American Art•2002

  • Nature's Nation Revisited

    Open Access•Elizabeth Hutchinson•ARTICLE•American Quarterly•2004•References: 2

    See America First: Tourism and National Identity, 1880-1940 . By Marguerite S. Shaffer. Washington, D.C.: Smithsonian Institution Press. 2001. 429 pages. $55 (cloth), $18.95 (paper). Embodiment of a Nation: Human Form in American Places . By Cecelia Tichi. Cambridge, Mass.: Harvard University Press. 320 pages. 2001. $45 (cloth), $19.95 (paper). There are many ways to approach the relationship between humans and the landscape described in two new …

  • Le rôle du portfolio de l’enseignant comme outil pour identifier et développer les compétences des enseignants

    Kenneth M Zeichner, Elizabeth Hutchinson et al.•ARTICLE•Recherche & formation•2004•Cited by: 1

    This paper focuses on the teaching portfolio as an assessment and development tool in preservice teacher education. A conceptual framework is proposed outlining critical dimensions of variation in portfolio use that can assist teacher educators and researchers in designing and understanding the conditions under which portfolios either recognize or help teachers develop teaching expertise. This culture of expertise among teachers is an essential a…

  • They Might Be Giants: Carleton Watkins, Galen Clark, and the Big Tree

    Elizabeth Hutchinson•ARTICLE•October•2004•References: 2

    July 01 2004 They Might Be Giants: Carleton Watkins, Galen Clark, and the Big Tree Elizabeth Hutchinson Elizabeth Hutchinson Search for other works by this author on: This Site Google Scholar Author and Article Information Elizabeth Hutchinson Online Issn: 1536-013X Print Issn: 0162-2870 © 2004 October Magazine, Ltd. and Massachusetts Institute of Technology2004 October (2004) (109): 46–63. https://doi.org/10.1162/0162287041886476 Cite Icon Cite …

  • The Indian Craze: Primitivism, Modernism, and Transculturation in American Art, 1890–1915

    Open Access•Elizabeth Hutchinson, Nicholas Thomas•BOOK•Indian Craze•2009•Cited by: 9

    been particularly stalwart supporters through thick and thin.Finally and always there

  • “The Dress of His Nation”: Romney’s Portrait of Joseph Brant

    Elizabeth Hutchinson•ARTICLE•Winterthur Portfolio•2011

    The controversial Mohawk leader Joseph Brant (1743–1807) posed for at least thirty-nine portraits during his lifetime. This article examines one of these portraits, made in 1776 by George Romney in London, where Brant was visiting on a diplomatic mission. My interpretation sees the work as an expression of Brant’s sophisticated understanding of the role of cultural interlocutor. During a time when rapid social transformation made the relationship…

  • Helios: Eadweard Muybridge in a Time of Change. Edited by Philip Brookman

    Elizabeth Hutchinson•ARTICLE•Photography and Culture•2011

  • A “Narrow Escape”: Albert Bierstadt’s Wreck of the “Ancon”

    Elizabeth Hutchinson•ARTICLE•American Art•2013

  • From Pantheon to Indian Gallery: Art and Sovereignty on the Early Nineteenth-Century Cultural Frontier

    Open Access•Elizabeth Hutchinson•ARTICLE•Journal of American Studies•2013•References: 4

    Between 1821 and 1842, Charles Bird King painted a series of portraits of Native American diplomats for Thomas L. McKenney, founding Superintendent of Indian Affairs. These pictures were hung in a gallery in McKenney's office in the War Department in Washington, DC, and were later copied by lithographers for inclusion in McKenney and James Hall's History of the Indian Tribes of the United States (1836-44). Significantly, the production and circul…

  • Enduring Truths: Sojourner's Shadows and Substance by Darcy Grimaldo Grigsby

    Elizabeth Hutchinson•ARTICLE•African American Review•2016

    Reviewed by: Enduring Truths: Sojourner’s Shadows and Substance by Darcy Grimaldo Grigsby Elizabeth Hutchinson Darcy Grimaldo Grigsby. Enduring Truths: Sojourner’s Shadows and Substance. Chicago: U of Chicago P, 2015. 224pp. $45.00. For many scholars of nineteenth-century American history and visual culture, photographic portraits of leading black abolitionists are iconic and meaningful. Both Frederick Douglass and Sojourner Truth used the camera…

  • What Does a Mutually Beneficial Global Health Partnership in Family Medicine Residency Look Like

    Open Access•Elizabeth Hutchinson, Vanessa Kerry et al.•ARTICLE•The AMA Journal of Ethic•2019

    Motivated by interest in enhancing their clinical experience and contributing to communities in need, US medical resident physicians are increasingly keen to train abroad. Guidelines are needed to help ensure that trainee, institutional, and faculty engagement in global health is ethically appropriate and mutually beneficial for all involved. Supported by the nonprofit organization Seed Global Health, the WWAMI-University of Malawi/College of Med…

Art (8 works) · Art history (7 works) · History (6 works) · Political science (5 works) · History (4 works) · Law (4 works) · Portrait (4 works) · Psychology (4 works) · Sociology (4 works) · Aesthetics (3 works)

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