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Megan A Armstrong

Biographic Data

ID803736
NAMEMegan A Armstrong
GIVEN NAMESMegan A
FAMILY NAMEArmstrong
SIGNATUREARMSTRONG M A
AFFILIATIONSNewcastle University
ORCID0000-0003-1514-0877
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS8
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Turning to gender analysis in times of upheaval

    Open Access•Megan A Armstrong•ARTICLE•Defence Studies•2025•Cited by: 1•References: 10

  • Ethical navigations in participatory action research with students

    Open Access•Megan A Armstrong•ARTICLE•Qualitative Research•2025•Cited by: 1•References: 23

    This research note presents reflections on some of the conceptual, methodological, and ethical considerations and questions that emerged from a pilot study for a larger-scale research project that aims to explore and understand the needs of neurodivergent students (here specifically students with attention deficit hyperactivity disorder, autism spectrum disorder, and dyslexia) in higher education in the United Kingdom. The pilot study uses partic…

  • Why is the zombie apocalypse so terrible for women? Gender, militarism, and ontological insecurity at the end of the world

    Open Access•Megan A Armstrong•ARTICLE•International Feminist Journal of…•2023•Cited by: 1•References: 16

    This article explores militarism as a function of, and response to, ontological insecurity through speculative fictions of a zombie apocalypse, specifically the 2013 film World War Z (WWZ). It begins with the question: why is the zombie apocalypse so terrible for women? The zombie apocalypse genre relies on existing political and social conditions to articulate anxieties and vulnerabilities and to present avenues for resistance or, as I argue is …

  • The visual communication of Brexit in Northern Ireland

    Open Access•Megan A Armstrong, Clare A G Rice et al.•ARTICLE•Territory Politics Governance•2022•Cited by: 1•References: 31

    The specific historical and political context of Northern Ireland has contributed to the development of an expansive visual landscape conveying symbolic meanings and messaging through words, pictures and colours. Murals, posters and graffiti are common ways in which this is seen, drawing a link between the past and the present, with real-time political developments not only inspiring new additions to this landscape but also shaping how existing i…

  • A Mobile Phone in One Hand and Erskine May in the Other

    Open Access•C Murray, C R G Murray et al.•ARTICLE•Parliamentary Affairs•2022•References: 19

    It has become axiomatic that backbench Members of Parliament (MPs) at Westminster have limited the capacity for independent action under the burdens of constituency business and whipped votes. Even the limited avenues available for such MPs to shine, such as select committees, are often illusory because parliamentarians have little time to prepare the materials or brief themselves on any but the highest profile witnesses. The political parties ha…

  • It’s about keeping children safe, not spying’

    Open Access•Raquel Da Silva, Giuditta Fontana et al.•ARTICLE•The British Journal of Politics…•2021•Cited by: 4•References: 8

    From its inception in 2015, the Prevent Duty has required educators, and other members of the social sector, to exercise ‘due regard’ in preventing pupils from being drawn into terrorism, irrespective of the age of the child. This article explores how primary educators have understood and implemented this preventative security policy in their schools. Analysis is based on a survey of 345 primary school educators and 37 semi-structured interviews …

  • A Nation Reborn’

    Megan A Armstrong•ARTICLE•Journal of Intervention and…•2019•References: 14

    Popular culture matters for helping make sense of our political lives. This article addresses the value of dystopian horror films in challenging narratives about the state. It is situated within broader understandings of popular culture and politics, and specifically within narrative understandings of the state as a performative body. It presents The Purge film franchise as an example of such a challenge to state narratives, and argues that throu…

  • The Struggle for Power in Early Modern Europe

    Open Access•Megan A Armstrong, Megan Armstrong•ARTICLE•Renaissance Quarterly•2009

    Daniel H. Nexon. The Struggle for Power in Early Modern Europe: Religious Conflict, Dynastic Empires, and International Change. Princeton Studies in International History and Politics. Princeton: Princeton University Press, 2009. 354 pp. index. map. bibl. $29.95. ISBN: 978–0–691–13793–3. - Volume 62 Issue 4

  • It’s about keeping children safe, not spying’

    Open Access•Raquel Da Silva, Giuditta Fontana et al.•ARTICLE•The British Journal of Politics…•2021•Cited by: 4•References: 8

    From its inception in 2015, the Prevent Duty has required educators, and other members of the social sector, to exercise ‘due regard’ in preventing pupils from being drawn into terrorism, irrespective of the age of the child. This article explores how primary educators have understood and implemented this preventative security policy in their schools. Analysis is based on a survey of 345 primary school educators and 37 semi-structured interviews …

  • Turning to gender analysis in times of upheaval

    Open Access•Megan A Armstrong•ARTICLE•Defence Studies•2025•Cited by: 1•References: 10

  • Ethical navigations in participatory action research with students

    Open Access•Megan A Armstrong•ARTICLE•Qualitative Research•2025•Cited by: 1•References: 23

    This research note presents reflections on some of the conceptual, methodological, and ethical considerations and questions that emerged from a pilot study for a larger-scale research project that aims to explore and understand the needs of neurodivergent students (here specifically students with attention deficit hyperactivity disorder, autism spectrum disorder, and dyslexia) in higher education in the United Kingdom. The pilot study uses partic…

  • Why is the zombie apocalypse so terrible for women? Gender, militarism, and ontological insecurity at the end of the world

    Open Access•Megan A Armstrong•ARTICLE•International Feminist Journal of…•2023•Cited by: 1•References: 16

    This article explores militarism as a function of, and response to, ontological insecurity through speculative fictions of a zombie apocalypse, specifically the 2013 film World War Z (WWZ). It begins with the question: why is the zombie apocalypse so terrible for women? The zombie apocalypse genre relies on existing political and social conditions to articulate anxieties and vulnerabilities and to present avenues for resistance or, as I argue is …

  • The visual communication of Brexit in Northern Ireland

    Open Access•Megan A Armstrong, Clare A G Rice et al.•ARTICLE•Territory Politics Governance•2022•Cited by: 1•References: 31

    The specific historical and political context of Northern Ireland has contributed to the development of an expansive visual landscape conveying symbolic meanings and messaging through words, pictures and colours. Murals, posters and graffiti are common ways in which this is seen, drawing a link between the past and the present, with real-time political developments not only inspiring new additions to this landscape but also shaping how existing i…

  • The Struggle for Power in Early Modern Europe

    Open Access•Megan A Armstrong, Megan Armstrong•ARTICLE•Renaissance Quarterly•2009

    Daniel H. Nexon. The Struggle for Power in Early Modern Europe: Religious Conflict, Dynastic Empires, and International Change. Princeton Studies in International History and Politics. Princeton: Princeton University Press, 2009. 354 pp. index. map. bibl. $29.95. ISBN: 978–0–691–13793–3. - Volume 62 Issue 4

  • A Nation Reborn’

    Megan A Armstrong•ARTICLE•Journal of Intervention and…•2019•References: 14

    Popular culture matters for helping make sense of our political lives. This article addresses the value of dystopian horror films in challenging narratives about the state. It is situated within broader understandings of popular culture and politics, and specifically within narrative understandings of the state as a performative body. It presents The Purge film franchise as an example of such a challenge to state narratives, and argues that throu…

  • It’s about keeping children safe, not spying’

    Open Access•Raquel Da Silva, Giuditta Fontana et al.•ARTICLE•The British Journal of Politics…•2021•Cited by: 4•References: 8

    From its inception in 2015, the Prevent Duty has required educators, and other members of the social sector, to exercise ‘due regard’ in preventing pupils from being drawn into terrorism, irrespective of the age of the child. This article explores how primary educators have understood and implemented this preventative security policy in their schools. Analysis is based on a survey of 345 primary school educators and 37 semi-structured interviews …

  • The visual communication of Brexit in Northern Ireland

    Open Access•Megan A Armstrong, Clare A G Rice et al.•ARTICLE•Territory Politics Governance•2022•Cited by: 1•References: 31

    The specific historical and political context of Northern Ireland has contributed to the development of an expansive visual landscape conveying symbolic meanings and messaging through words, pictures and colours. Murals, posters and graffiti are common ways in which this is seen, drawing a link between the past and the present, with real-time political developments not only inspiring new additions to this landscape but also shaping how existing i…

  • A Mobile Phone in One Hand and Erskine May in the Other

    Open Access•C Murray, C R G Murray et al.•ARTICLE•Parliamentary Affairs•2022•References: 19

    It has become axiomatic that backbench Members of Parliament (MPs) at Westminster have limited the capacity for independent action under the burdens of constituency business and whipped votes. Even the limited avenues available for such MPs to shine, such as select committees, are often illusory because parliamentarians have little time to prepare the materials or brief themselves on any but the highest profile witnesses. The political parties ha…

  • Why is the zombie apocalypse so terrible for women? Gender, militarism, and ontological insecurity at the end of the world

    Open Access•Megan A Armstrong•ARTICLE•International Feminist Journal of…•2023•Cited by: 1•References: 16

    This article explores militarism as a function of, and response to, ontological insecurity through speculative fictions of a zombie apocalypse, specifically the 2013 film World War Z (WWZ). It begins with the question: why is the zombie apocalypse so terrible for women? The zombie apocalypse genre relies on existing political and social conditions to articulate anxieties and vulnerabilities and to present avenues for resistance or, as I argue is …

  • Turning to gender analysis in times of upheaval

    Open Access•Megan A Armstrong•ARTICLE•Defence Studies•2025•Cited by: 1•References: 10

  • Ethical navigations in participatory action research with students

    Open Access•Megan A Armstrong•ARTICLE•Qualitative Research•2025•Cited by: 1•References: 23

    This research note presents reflections on some of the conceptual, methodological, and ethical considerations and questions that emerged from a pilot study for a larger-scale research project that aims to explore and understand the needs of neurodivergent students (here specifically students with attention deficit hyperactivity disorder, autism spectrum disorder, and dyslexia) in higher education in the United Kingdom. The pilot study uses partic…

Law (6 works) · Law (6 works) · Political science (6 works) · Politics (6 works) · Sociology (6 works) · Aesthetics (3 works) · History (3 works) · History (3 works) · Political economy (3 works) · Art (2 works)

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