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E Thomas Stanford

Biographic Data

ID80491
NAMEE Thomas Stanford
GIVEN NAMESE Thomas
FAMILY NAMEStanford
SIGNATURESTANFORD E T
AFFILIATIONSUniversity of North Carolina at Greensboro
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS4
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR1966
LATEST PUBLICATION YEAR2003
H-INDEX1
  • Spiritual

    E Thomas Stanford, Eleanor Stanford•ARTICLE•Callaloo•2003

    Eleanor Stanford is presently a graduate student in the Department of English at the University of Wisconsin. Her poems have appeared in Poetry, Atlanta Review, and Folio. She is working on a book about Cape Verde and her experiences there in the Peace Corps

  • Mexico, United States of

    Gerard Behague, E Thomas Stanford et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Diccionario de Musica en Mexico

    E Thomas Stanford, Gabriel Pareyon•ARTICLE•Latin American Music Review•1997•Cited by: 1

  • Yaqui; Music of the Pascola and Deer Dance

    E Thomas Stanford, Raymond Boley•ARTICLE•Ethnomusicology•1975

  • Music of the Tarascan Indians of Mexico; Music of Michoacan and Nearby Mestizo Country

    E Thomas Stanford, Henrietta Yurchenco•ARTICLE•Ethnomusicology•1974

  • El tamunangue

    E Thomas Stanford, Isabel Aretz•ARTICLE•Ethnomusicology•1973

  • The Mexican Son

    Open Access•E Thomas Stanford•ARTICLE•Yearbook of the International…•1972

    The word son is a venerable one in the history of Mexican song and dance. The use of the term dates at least from the sixteenth century — in the Spanish-speaking world as a whole, although ample evidence of its currency is not to be found until the second half of the seventeenth. Gaspar Sanz, in his work commonly called Guitarra española , first published in Zaragosa in 1674, uses the term interchangeably with danza and sonada , the latter term a…

  • Los pinguinos del norte; Tropical Songs from the Rio Grande Valley

    E Thomas Stanford, Chris Strachwitz•ARTICLE•Ethnomusicology•1972

  • Musica prehispanica y mestiza de Mexico

    E Thomas Stanford, Jose Raul Hellmer et al.•ARTICLE•Ethnomusicology•1970

  • Reply to L. F. Ramón y Rivera

    E Thomas Stanford•ARTICLE•Ethnomusicology•1969

  • The Real Mexico in Music and Song

    E Thomas Stanford, Henrietta Yurchenco•ARTICLE•Ethnomusicology•1969•Cited by: 1

  • Music in Aztec and Inca Territory

    Open Access•E Thomas Stanford, Robert Stevenson et al.•ARTICLE•ACDI - Anuario Colombiano de…•1968•Cited by: 2

  • Autoctono: Autentico folklore de Venezuela

    E Thomas Stanford, Luis Felipe Ramon Y Rivera et al.•ARTICLE•Ethnomusicology•1968

  • Lirica narrativa de Mexico: El corrido

    E Thomas Stanford, Vicente T Mendoza•ARTICLE•Ethnomusicology•1966

  • Investigacion folklorica en Mexico

    E Thomas Stanford, Baltasar Samper et al.•ARTICLE•Ethnomusicology•1966

  • Three Mexican Indian Carnival Songs

    E Thomas Stanford•ARTICLE•Ethnomusicology•1966

    Carnival has a singular importance among the present-day indigenous festivals of Mexico, to the point that there are regions in which there is not a single remnant of Indian ceremonial music or dance which is not associated with its celebration. Such is the case, for instance, in the faldas of the Malinche in the state of Tlaxcala, as my field notes show. The bibliography pertaining to carnival is very extensive, and it is not my intention to do …

  • Music in Aztec and Inca Territory

    Open Access•E Thomas Stanford, Robert Stevenson et al.•ARTICLE•ACDI - Anuario Colombiano de…•1968•Cited by: 2

  • Diccionario de Musica en Mexico

    E Thomas Stanford, Gabriel Pareyon•ARTICLE•Latin American Music Review•1997•Cited by: 1

  • The Real Mexico in Music and Song

    E Thomas Stanford, Henrietta Yurchenco•ARTICLE•Ethnomusicology•1969•Cited by: 1

  • Lirica narrativa de Mexico: El corrido

    E Thomas Stanford, Vicente T Mendoza•ARTICLE•Ethnomusicology•1966

  • Investigacion folklorica en Mexico

    E Thomas Stanford, Baltasar Samper et al.•ARTICLE•Ethnomusicology•1966

  • Three Mexican Indian Carnival Songs

    E Thomas Stanford•ARTICLE•Ethnomusicology•1966

    Carnival has a singular importance among the present-day indigenous festivals of Mexico, to the point that there are regions in which there is not a single remnant of Indian ceremonial music or dance which is not associated with its celebration. Such is the case, for instance, in the faldas of the Malinche in the state of Tlaxcala, as my field notes show. The bibliography pertaining to carnival is very extensive, and it is not my intention to do …

  • Music in Aztec and Inca Territory

    Open Access•E Thomas Stanford, Robert Stevenson et al.•ARTICLE•ACDI - Anuario Colombiano de…•1968•Cited by: 2

  • Autoctono: Autentico folklore de Venezuela

    E Thomas Stanford, Luis Felipe Ramon Y Rivera et al.•ARTICLE•Ethnomusicology•1968

  • Reply to L. F. Ramón y Rivera

    E Thomas Stanford•ARTICLE•Ethnomusicology•1969

  • The Real Mexico in Music and Song

    E Thomas Stanford, Henrietta Yurchenco•ARTICLE•Ethnomusicology•1969•Cited by: 1

  • Musica prehispanica y mestiza de Mexico

    E Thomas Stanford, Jose Raul Hellmer et al.•ARTICLE•Ethnomusicology•1970

  • The Mexican Son

    Open Access•E Thomas Stanford•ARTICLE•Yearbook of the International…•1972

    The word son is a venerable one in the history of Mexican song and dance. The use of the term dates at least from the sixteenth century — in the Spanish-speaking world as a whole, although ample evidence of its currency is not to be found until the second half of the seventeenth. Gaspar Sanz, in his work commonly called Guitarra española , first published in Zaragosa in 1674, uses the term interchangeably with danza and sonada , the latter term a…

  • Los pinguinos del norte; Tropical Songs from the Rio Grande Valley

    E Thomas Stanford, Chris Strachwitz•ARTICLE•Ethnomusicology•1972

  • El tamunangue

    E Thomas Stanford, Isabel Aretz•ARTICLE•Ethnomusicology•1973

  • Music of the Tarascan Indians of Mexico; Music of Michoacan and Nearby Mestizo Country

    E Thomas Stanford, Henrietta Yurchenco•ARTICLE•Ethnomusicology•1974

  • Yaqui; Music of the Pascola and Deer Dance

    E Thomas Stanford, Raymond Boley•ARTICLE•Ethnomusicology•1975

  • Diccionario de Musica en Mexico

    E Thomas Stanford, Gabriel Pareyon•ARTICLE•Latin American Music Review•1997•Cited by: 1

  • Mexico, United States of

    Gerard Behague, E Thomas Stanford et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Spiritual

    E Thomas Stanford, Eleanor Stanford•ARTICLE•Callaloo•2003

    Eleanor Stanford is presently a graduate student in the Department of English at the University of Wisconsin. Her poems have appeared in Poetry, Atlanta Review, and Folio. She is working on a book about Cape Verde and her experiences there in the Peace Corps

Art (11 works) · Geography (8 works) · History (6 works) · Humanities (5 works) · Latin American history and culture (5 works) · Visual arts (4 works) · Archaeology (3 works) · Cultural and Mythological Studies (3 works) · Literary and Cultural Studies (3 works) · Comparative Literary Analysis and Criticism (2 works)

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