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Richard A Waterman

Biographic Data

ID80520
NAMERichard A Waterman
GIVEN NAMESRichard A
FAMILY NAMEWaterman
SIGNATUREWATERMAN R A
AFFILIATIONSNorthwestern University
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS24
AUTHOR COUNT24
EDITOR COUNT0
FIRST PUBLICATION YEAR1944
LATEST PUBLICATION YEAR1971
H-INDEX3
  • Diprotodon to Detribalization: Studies of Change Among Australian Aborigines

    Isabel Mcbryde, Arnold R Pilling et al.•ARTICLE•Man•1971•Cited by: 14

  • General and Ethnology: Music in Bali: A Study in Form and Instrumental Organization in Balinese Orchestral Music. Colin McPhee

    Open Access•Richard A Waterman•ARTICLE•American Anthropologist•1967

  • The Exotic Sounds of Bali

    Richard A Waterman, Gamelan Gong Sekar Anjar et al.•ARTICLE•Ethnomusicology•1965

  • Cult Music of Trinidad

    Richard A Waterman, George Eaton Simpson•ARTICLE•Ethnomusicology•1963

  • Cuban Festival: Traditional Music of the Famous Havana Festival

    Richard A Waterman•ARTICLE•Ethnomusicology•1963

  • On Flogging a Dead Horse: Lessons Learned from the Africanisms Controversy

    Richard A Waterman•ARTICLE•Ethnomusicology•1963•Cited by: 1

    The perhaps inelegant title of this paper reflects my initial feeling of distaste when it was suggested that I read another paper indicating the importance of the African cultural background for certain present-day characteristics of the music and the folklore of the American Negro. By now, no one conversant with the literature and the subject matter doubts that the position assumed by Sir Harry Johnson and championed by Melville Herskovits is es…

  • The Story of the Original Dixieland Jazz Band

    Open Access•Richard A Waterman, H O Brunn•ARTICLE•Western Folklore•1962•Cited by: 3

  • The Anatomy of Jazz

    Richard A Waterman, Leroy Ostransky•ARTICLE•Ethnomusicology•1962

  • Folk Songs of the Caribbean

    Open Access•Richard A Waterman, Jim Morse•ARTICLE•Western Folklore•1959

  • Cultural Foundations of Education: An Interdisciplinary Exploration

    Richard A Waterman, Theodore Brameld et al.•ARTICLE•American Sociological Review•1958•Cited by: 4

  • Ant and Mythology: Myths of the Munkan. Ursula McConnel

    Open Access•Richard A Waterman•ARTICLE•American Anthropologist•1958

  • Negro Slave Songs in the United States

    Richard A Waterman, Miles Mark Fisher•ARTICLE•Journal of American Folklore•1955•Cited by: 1

  • Folk Song

    Richard A Waterman, John A Lomax et al.•ARTICLE•Journal of American Folklore•1950

  • Ethnology and Ethnography: Chopi Musicians: Their Music, Poetry atid Instrumenls. Hugh TRACEY

    Open Access•Richard A Waterman•ARTICLE•American Anthropologist•1950

  • The Role of Obscenity in the Folk Tales of the "Intellectual" Stratum of Our Society

    Richard A Waterman•ARTICLE•Journal of American Folklore•1949

    ALTHOUGH OBSCENITIES are fully functioning elements in the folk tales of all societies, they have an additional significance in connection with the tales told in modern urban America, in that they determine whether the mode of transmission of the tales is folkloristic, i.e., by world of mouth, or potentially literary. This is true because American literary tradition, for the most part, avoids obscenities. Non-obscene tales are frequently publishe…

  • The James A. Bland Album of Outstanding Songs

    Richard A Waterman, Charles Haywood et al.•ARTICLE•Journal of American Folklore•1949

  • Come a Singing

    Richard A Waterman, Marius Barbeau et al.•ARTICLE•Journal of American Folklore•1948

  • Outline of Anthropology

    Richard A Waterman, Melville Jacobs et al.•ARTICLE•Journal of American Folklore•1948

  • We Called It Music. A Generation of Jazz

    Richard A Waterman, Eddie Condon•ARTICLE•Journal of American Folklore•1948

  • American Folk Music for High School and Other Choral Groups

    Richard A Waterman, George Pullen Jackson et al.•ARTICLE•Journal of American Folklore•1947

  • Songs of Uvea and Futuna. E. G. B urrows

    Open Access•Richard A Waterman•ARTICLE•American Anthropologist•1946

  • Without Bitterness: Western Nations in Post-War Africa

    Richard A Waterman, A A Nwafor Orizu•ARTICLE•The American Historical Review•1945•Cited by: 1

  • The Dynamics of Culture Change

    Richard A Waterman, Bronislaw Malinowski•REVIEW•American Sociological Review•1945

  • A Black Byzantium; the Kingdom of Nupe in Nigeria

    Richard A Waterman, F Nadel•REVIEW•American Sociological Review•1944

    Originally published in 1942 this now classic book is a study of the Nupe of Northern Nigeria. The economic and political complexity of their kingdom evoked comparisons with the civilization of Byzantium. The detailed description and analysis of their social life and political institutions was the first study of a Muslim Emirate in Nigeria and as such is still an indispensable work

  • Diprotodon to Detribalization: Studies of Change Among Australian Aborigines

    Isabel Mcbryde, Arnold R Pilling et al.•ARTICLE•Man•1971•Cited by: 14

  • Cultural Foundations of Education: An Interdisciplinary Exploration

    Richard A Waterman, Theodore Brameld et al.•ARTICLE•American Sociological Review•1958•Cited by: 4

  • The Story of the Original Dixieland Jazz Band

    Open Access•Richard A Waterman, H O Brunn•ARTICLE•Western Folklore•1962•Cited by: 3

  • On Flogging a Dead Horse: Lessons Learned from the Africanisms Controversy

    Richard A Waterman•ARTICLE•Ethnomusicology•1963•Cited by: 1

    The perhaps inelegant title of this paper reflects my initial feeling of distaste when it was suggested that I read another paper indicating the importance of the African cultural background for certain present-day characteristics of the music and the folklore of the American Negro. By now, no one conversant with the literature and the subject matter doubts that the position assumed by Sir Harry Johnson and championed by Melville Herskovits is es…

  • Negro Slave Songs in the United States

    Richard A Waterman, Miles Mark Fisher•ARTICLE•Journal of American Folklore•1955•Cited by: 1

  • Without Bitterness: Western Nations in Post-War Africa

    Richard A Waterman, A A Nwafor Orizu•ARTICLE•The American Historical Review•1945•Cited by: 1

  • A Black Byzantium; the Kingdom of Nupe in Nigeria

    Richard A Waterman, F Nadel•REVIEW•American Sociological Review•1944

    Originally published in 1942 this now classic book is a study of the Nupe of Northern Nigeria. The economic and political complexity of their kingdom evoked comparisons with the civilization of Byzantium. The detailed description and analysis of their social life and political institutions was the first study of a Muslim Emirate in Nigeria and as such is still an indispensable work

  • Without Bitterness: Western Nations in Post-War Africa

    Richard A Waterman, A A Nwafor Orizu•ARTICLE•The American Historical Review•1945•Cited by: 1

  • The Dynamics of Culture Change

    Richard A Waterman, Bronislaw Malinowski•REVIEW•American Sociological Review•1945

  • Songs of Uvea and Futuna. E. G. B urrows

    Open Access•Richard A Waterman•ARTICLE•American Anthropologist•1946

  • American Folk Music for High School and Other Choral Groups

    Richard A Waterman, George Pullen Jackson et al.•ARTICLE•Journal of American Folklore•1947

  • Come a Singing

    Richard A Waterman, Marius Barbeau et al.•ARTICLE•Journal of American Folklore•1948

  • Outline of Anthropology

    Richard A Waterman, Melville Jacobs et al.•ARTICLE•Journal of American Folklore•1948

  • We Called It Music. A Generation of Jazz

    Richard A Waterman, Eddie Condon•ARTICLE•Journal of American Folklore•1948

  • The Role of Obscenity in the Folk Tales of the "Intellectual" Stratum of Our Society

    Richard A Waterman•ARTICLE•Journal of American Folklore•1949

    ALTHOUGH OBSCENITIES are fully functioning elements in the folk tales of all societies, they have an additional significance in connection with the tales told in modern urban America, in that they determine whether the mode of transmission of the tales is folkloristic, i.e., by world of mouth, or potentially literary. This is true because American literary tradition, for the most part, avoids obscenities. Non-obscene tales are frequently publishe…

  • The James A. Bland Album of Outstanding Songs

    Richard A Waterman, Charles Haywood et al.•ARTICLE•Journal of American Folklore•1949

  • Folk Song

    Richard A Waterman, John A Lomax et al.•ARTICLE•Journal of American Folklore•1950

  • Ethnology and Ethnography: Chopi Musicians: Their Music, Poetry atid Instrumenls. Hugh TRACEY

    Open Access•Richard A Waterman•ARTICLE•American Anthropologist•1950

  • Negro Slave Songs in the United States

    Richard A Waterman, Miles Mark Fisher•ARTICLE•Journal of American Folklore•1955•Cited by: 1

  • Cultural Foundations of Education: An Interdisciplinary Exploration

    Richard A Waterman, Theodore Brameld et al.•ARTICLE•American Sociological Review•1958•Cited by: 4

  • Ant and Mythology: Myths of the Munkan. Ursula McConnel

    Open Access•Richard A Waterman•ARTICLE•American Anthropologist•1958

  • Folk Songs of the Caribbean

    Open Access•Richard A Waterman, Jim Morse•ARTICLE•Western Folklore•1959

  • The Story of the Original Dixieland Jazz Band

    Open Access•Richard A Waterman, H O Brunn•ARTICLE•Western Folklore•1962•Cited by: 3

  • The Anatomy of Jazz

    Richard A Waterman, Leroy Ostransky•ARTICLE•Ethnomusicology•1962

  • Cult Music of Trinidad

    Richard A Waterman, George Eaton Simpson•ARTICLE•Ethnomusicology•1963

  • Cuban Festival: Traditional Music of the Famous Havana Festival

    Richard A Waterman•ARTICLE•Ethnomusicology•1963

  • On Flogging a Dead Horse: Lessons Learned from the Africanisms Controversy

    Richard A Waterman•ARTICLE•Ethnomusicology•1963•Cited by: 1

    The perhaps inelegant title of this paper reflects my initial feeling of distaste when it was suggested that I read another paper indicating the importance of the African cultural background for certain present-day characteristics of the music and the folklore of the American Negro. By now, no one conversant with the literature and the subject matter doubts that the position assumed by Sir Harry Johnson and championed by Melville Herskovits is es…

  • The Exotic Sounds of Bali

    Richard A Waterman, Gamelan Gong Sekar Anjar et al.•ARTICLE•Ethnomusicology•1965

  • General and Ethnology: Music in Bali: A Study in Form and Instrumental Organization in Balinese Orchestral Music. Colin McPhee

    Open Access•Richard A Waterman•ARTICLE•American Anthropologist•1967

  • Diprotodon to Detribalization: Studies of Change Among Australian Aborigines

    Isabel Mcbryde, Arnold R Pilling et al.•ARTICLE•Man•1971•Cited by: 14

History (18 works) · Art (12 works) · History (8 works) · Music History and Culture (7 works) · Geography (6 works) · Literature (6 works) · Sociology (6 works) · Art history (4 works) · Citation (4 works) · Computer Science (4 works)

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