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Jesse Van Amelsvoort

Biographic Data

ID80727
NAMEJesse Van Amelsvoort
GIVEN NAMESJesse
FAMILY NAMEVan Amelsvoort
SIGNATUREVAN AMELSVOORT J
AFFILIATIONSUniversity of Amsterdam
ORCID0000-0002-9521-5447
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS2
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Homoseksuele interpretatieproblemen

    Jesse Van Amelsvoort•ARTICLE•Tijdschrift voor Genderstudies•2025

    Amsterdam University Press is a leading publisher of academic books, journals and textbooks in the Humanities and Social Sciences. Our aim is to make current research available to scholars, students, innovators, and the general public. AUP stands for scholarly excellence, global presence, and engagement with the international academic community

  • Playing empire at home: Het Beursspel and Dutch popular colonial geopolitics in the 1940s

    Open Access•Xavier Guillaume, Jesse Van Amelsvoort•ARTICLE•Political Geography•2025•Cited by: 1•References: 21

    How is the geopolitical imaginary of colonial spaces produced in popular culture? This question is at the heart of this contribution which seeks to analyse how board games, as a popular culture artefact, are a venue to research the modes by which such spaces are not only represented but also 'at play’. Games are a window to people's geopolitical imaginaries and practices not only through games' representations and imaginaries, but also their leve…

  • Een succesverhaal: Beleid en beleving rondom aids in Nederland sinds 1982

    Open Access•Bram Mellink, Jesse Van Amelsvoort•ARTICLE•Tijdschrift voor Geschiedenis•2024

    A success story? Policy and experiences of AIDS in the Netherlands since 1982 The existing historiography on HIV/AIDS in the Netherlands can be characterised as a positive evaluation of policies adopted in the 1980s and 1990s. In the case of the HIV epidemic, the Dutch government’s approach to put community organisers representing gay men in charge is said to have prevented discrimination and stigmatisation. This way, the Netherlands’ consensus c…

  • Our America: Migratory dreams in Pajtim Statovci’s My Cat Yugoslavia and Crossing

    Open Access•Jesse Van Amelsvoort, Enrico Dal Bosco•ARTICLE•Continuum•2024•References: 4

    Europe was our America,' the protagonist of Pajtim Statovci's novel Crossing (2016) remarks as he prepares to leave Albania.In this novel and Statovci's dbut, My Cat Yugoslavia (2014), characters escape the violence and instability that erupts after the collapse of communism in Yugoslavia and Albania.Europe -erstwhile remote to them -promises safety, liberation and opportunity.In both novels, this migration ultimately problematizes the main chara…

  • Introduction: The cultural deliberation of Europe

    Jesse Van Amelsvoort, Margriet Van Der Waal•ARTICLE•Continuum•2024•References: 3

    This special issue started years ago as part of a collective reading group on the public sphere with colleagues at the University of Groningen, the Netherlands.A significant portion of our initial time was dedicated to understanding Jurgen Habermas ' (1989 [1962]) foundational contributions, which established the basis for a wideranging and complex field of study.This field spans social and political theory, media and communication studies, socio…

  • Introduction: Imagining Communities, Multilingually

    Open Access•Jesse Van Amelsvoort, Nicoletta Pireddu•ARTICLE•Parallax•2022•References: 6

  • I Heard Homer Sing”: Tsjêbbe Hettinga and the Paradoxes of European Multilingualism

    Jesse Van Amelsvoort•ARTICLE•Global Perspectives•2020

    Europe has always been multilingual, but since the Romantic era, this empirical truth has been denied, erased, or ignored. Contemporary globalization reconfigures the standard language ideology that has long been central to the continent’s self-understanding and political organization. This article explores some of the paradoxes of European multilingualism in the late twentieth and early twenty-first centuries by way of the work and authorship of…

  • Narrating into Europe: Female Migrant Writers’ Voice and Representation

    Jesse Van Amelsvoort•ARTICLE•Politique européenne•2020•References: 1

  • Narrating into Europe: Female Migrant Writers’ Voice and Representation

    Open Access•Jesse Van Amelsvoort•ARTICLE•Politique européenne•2020•References: 3

    Cet article étudie The Embassy of Cambodia de Zadie Smith et L’últim patriarca de Najat El Hachmi, qui thématisent ce que Stuart Hall appelle “être dans, mais pas de l’Europe”. À travers des protagonistes qui sont toutes les deux des jeunes femmes, ces récits capturent et illustrent les changements en Europe amenés par les migrations et la mondialisation. En tant qu’œuvres littéraires, à travers le récit, ces fictions exemplifient la difficulté q…

  • Anxious about a Changing World: Twenty-First Century Low Countries Gothic Novels

    Open Access•Jesse Van Amelsvoort•ARTICLE•Dutch Crossing•2020•Cited by: 1•References: 16

    As the representation of Western modernity’s dark undercurrent, the Gothic novel has since its inception in the 1760s developed and transformed alongside that modernity. This paper looks at two contemporary Gothic novels from the Low Countries, Herman Franke’s Wolfstonen (2003) and Saskia de Coster’s Wat alleen wij horen (2015), which are occupied with contemporary globalisation and immigration to the Netherlands and Belgium. Both novels cast the…

  • Postcolonial transitions in Europe: Contexts, Practices and Politics

    Jesse Van Amelsvoort•ARTICLE•Interventions•2017•References: 1

    "Postcolonial transitions in Europe: contexts, practices and politics." Interventions, 19(1), pp. 147–148

  • Playing empire at home: Het Beursspel and Dutch popular colonial geopolitics in the 1940s

    Open Access•Xavier Guillaume, Jesse Van Amelsvoort•ARTICLE•Political Geography•2025•Cited by: 1•References: 21

    How is the geopolitical imaginary of colonial spaces produced in popular culture? This question is at the heart of this contribution which seeks to analyse how board games, as a popular culture artefact, are a venue to research the modes by which such spaces are not only represented but also 'at play’. Games are a window to people's geopolitical imaginaries and practices not only through games' representations and imaginaries, but also their leve…

  • Anxious about a Changing World: Twenty-First Century Low Countries Gothic Novels

    Open Access•Jesse Van Amelsvoort•ARTICLE•Dutch Crossing•2020•Cited by: 1•References: 16

    As the representation of Western modernity’s dark undercurrent, the Gothic novel has since its inception in the 1760s developed and transformed alongside that modernity. This paper looks at two contemporary Gothic novels from the Low Countries, Herman Franke’s Wolfstonen (2003) and Saskia de Coster’s Wat alleen wij horen (2015), which are occupied with contemporary globalisation and immigration to the Netherlands and Belgium. Both novels cast the…

  • Postcolonial transitions in Europe: Contexts, Practices and Politics

    Jesse Van Amelsvoort•ARTICLE•Interventions•2017•References: 1

    "Postcolonial transitions in Europe: contexts, practices and politics." Interventions, 19(1), pp. 147–148

  • I Heard Homer Sing”: Tsjêbbe Hettinga and the Paradoxes of European Multilingualism

    Jesse Van Amelsvoort•ARTICLE•Global Perspectives•2020

    Europe has always been multilingual, but since the Romantic era, this empirical truth has been denied, erased, or ignored. Contemporary globalization reconfigures the standard language ideology that has long been central to the continent’s self-understanding and political organization. This article explores some of the paradoxes of European multilingualism in the late twentieth and early twenty-first centuries by way of the work and authorship of…

  • Narrating into Europe: Female Migrant Writers’ Voice and Representation

    Jesse Van Amelsvoort•ARTICLE•Politique européenne•2020•References: 1

  • Narrating into Europe: Female Migrant Writers’ Voice and Representation

    Open Access•Jesse Van Amelsvoort•ARTICLE•Politique européenne•2020•References: 3

    Cet article étudie The Embassy of Cambodia de Zadie Smith et L’últim patriarca de Najat El Hachmi, qui thématisent ce que Stuart Hall appelle “être dans, mais pas de l’Europe”. À travers des protagonistes qui sont toutes les deux des jeunes femmes, ces récits capturent et illustrent les changements en Europe amenés par les migrations et la mondialisation. En tant qu’œuvres littéraires, à travers le récit, ces fictions exemplifient la difficulté q…

  • Anxious about a Changing World: Twenty-First Century Low Countries Gothic Novels

    Open Access•Jesse Van Amelsvoort•ARTICLE•Dutch Crossing•2020•Cited by: 1•References: 16

    As the representation of Western modernity’s dark undercurrent, the Gothic novel has since its inception in the 1760s developed and transformed alongside that modernity. This paper looks at two contemporary Gothic novels from the Low Countries, Herman Franke’s Wolfstonen (2003) and Saskia de Coster’s Wat alleen wij horen (2015), which are occupied with contemporary globalisation and immigration to the Netherlands and Belgium. Both novels cast the…

  • Introduction: Imagining Communities, Multilingually

    Open Access•Jesse Van Amelsvoort, Nicoletta Pireddu•ARTICLE•Parallax•2022•References: 6

  • Een succesverhaal: Beleid en beleving rondom aids in Nederland sinds 1982

    Open Access•Bram Mellink, Jesse Van Amelsvoort•ARTICLE•Tijdschrift voor Geschiedenis•2024

    A success story? Policy and experiences of AIDS in the Netherlands since 1982 The existing historiography on HIV/AIDS in the Netherlands can be characterised as a positive evaluation of policies adopted in the 1980s and 1990s. In the case of the HIV epidemic, the Dutch government’s approach to put community organisers representing gay men in charge is said to have prevented discrimination and stigmatisation. This way, the Netherlands’ consensus c…

  • Our America: Migratory dreams in Pajtim Statovci’s My Cat Yugoslavia and Crossing

    Open Access•Jesse Van Amelsvoort, Enrico Dal Bosco•ARTICLE•Continuum•2024•References: 4

    Europe was our America,' the protagonist of Pajtim Statovci's novel Crossing (2016) remarks as he prepares to leave Albania.In this novel and Statovci's dbut, My Cat Yugoslavia (2014), characters escape the violence and instability that erupts after the collapse of communism in Yugoslavia and Albania.Europe -erstwhile remote to them -promises safety, liberation and opportunity.In both novels, this migration ultimately problematizes the main chara…

  • Introduction: The cultural deliberation of Europe

    Jesse Van Amelsvoort, Margriet Van Der Waal•ARTICLE•Continuum•2024•References: 3

    This special issue started years ago as part of a collective reading group on the public sphere with colleagues at the University of Groningen, the Netherlands.A significant portion of our initial time was dedicated to understanding Jurgen Habermas ' (1989 [1962]) foundational contributions, which established the basis for a wideranging and complex field of study.This field spans social and political theory, media and communication studies, socio…

  • Homoseksuele interpretatieproblemen

    Jesse Van Amelsvoort•ARTICLE•Tijdschrift voor Genderstudies•2025

    Amsterdam University Press is a leading publisher of academic books, journals and textbooks in the Humanities and Social Sciences. Our aim is to make current research available to scholars, students, innovators, and the general public. AUP stands for scholarly excellence, global presence, and engagement with the international academic community

  • Playing empire at home: Het Beursspel and Dutch popular colonial geopolitics in the 1940s

    Open Access•Xavier Guillaume, Jesse Van Amelsvoort•ARTICLE•Political Geography•2025•Cited by: 1•References: 21

    How is the geopolitical imaginary of colonial spaces produced in popular culture? This question is at the heart of this contribution which seeks to analyse how board games, as a popular culture artefact, are a venue to research the modes by which such spaces are not only represented but also 'at play’. Games are a window to people's geopolitical imaginaries and practices not only through games' representations and imaginaries, but also their leve…

Political science (6 works) · Sociology (6 works) · Law (4 works) · Politics (4 works) · Art (3 works) · Ethnology (2 works) · Geography (2 works) · History (2 works) · Law (2 works) · Representation (politics (2 works)

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