Eugenia Tomasini
Biographic Data
| ID | 807552 |
|---|---|
| NAME | Eugenia Tomasini |
| GIVEN NAMES | Eugenia |
| FAMILY NAME | Tomasini |
| SIGNATURE | TOMASINI E |
| AFFILIATIONS | Universidad de Buenos Aires |
| ORCID | 0000-0003-1573-1175 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 15 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Mineral beads in an early domestic space of Northwest Argentina: Complementary non-invasive analytical techniques for findings from the Soria 2 site in the Yocavil Valley, Catamarca, Argentina
Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals
Research on the materiality of Andean Colonial artistic heritage contributes to the knowledge on the cultural and social history of the region. In this work we present the results of an interdisciplinary and multi-analytical investigation on a mural painting of the church of Curahuara de Carangas in Bolivia. This painting has been hidden for years behind the main 18th century wooden altarpiece. Its stylistic and pictorial characteristics place it…
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting
Painting materials used in Spanish American Colonial art comprised pigments and binders from European origin as well as those that were already known in pre-Hispanic times. In recent years, we have identified for the first time the mineral atacamite, a basic copper chloride (Cu2Cl(OH)3), in Andean Colonial art pieces (Viceroyalty of Peru, 16th–18th centuries). This work proposes a methodology based on a multitechnical approach to identify and est…
The colors of San José pottery from Yocavil valley, Argentine Northwest. Strategy for the characterization of archaeological pigments using non-destructive techniques
Programa iconográfico y material en las pinturas murales de la iglesia de San Andrés de Pachama, Chile
Las escasas publicaciones que se refieren a los murales de la iglesia de Pachama ofrecen solo analisis parciales de su contenido, por tanto, uno de los principales aportes de este articulo sera ent
Micro‐Raman spectroscopy of carbon‐based black pigments
Carbon‐based black pigments are a wide group of dark‐colored materials, which are classified according to the starting material used and their method of manufacture. Raman spectroscopy is an ideal technique for the characterization of carbonaceous matter: crystalline carbon materials present well‐defined peaks, which can be easily assigned; amorphous carbon materials, on the other hand, show broad bands between 1300 and 1600 cm −1 . The aim of th…
Evidencias Químicas De Deterioro Ambiental en Manifestaciones Rupestres: Un Caso De Estudio Del Oeste Tinogasteño (Catamarca, Argentina)
Desde el punto de vista de los estudios químicos y espectroscópicos se discuten los diferentes pasos del trabajo de caracterización analítica de las muestras, focalizándose en los procesos fisicoquímicos que ocurren en las manifestaciones rupestres expuestas a factores ambientales. Se destaca el uso de técnicas vibracionales, tales como la microscopia Raman y la espectroscopia infrarroja, para el análisis de materiales orgánicos e inorgánicos. Se…
Programa iconográfico y material en las pinturas murales de la iglesia de San Andrés de Pachama, Chile
Las escasas publicaciones que se refieren a los murales de la iglesia de Pachama ofrecen solo analisis parciales de su contenido, por tanto, uno de los principales aportes de este articulo sera ent
The colors of San José pottery from Yocavil valley, Argentine Northwest. Strategy for the characterization of archaeological pigments using non-destructive techniques
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting
Painting materials used in Spanish American Colonial art comprised pigments and binders from European origin as well as those that were already known in pre-Hispanic times. In recent years, we have identified for the first time the mineral atacamite, a basic copper chloride (Cu2Cl(OH)3), in Andean Colonial art pieces (Viceroyalty of Peru, 16th–18th centuries). This work proposes a methodology based on a multitechnical approach to identify and est…
Evidencias Químicas De Deterioro Ambiental en Manifestaciones Rupestres: Un Caso De Estudio Del Oeste Tinogasteño (Catamarca, Argentina)
Desde el punto de vista de los estudios químicos y espectroscópicos se discuten los diferentes pasos del trabajo de caracterización analítica de las muestras, focalizándose en los procesos fisicoquímicos que ocurren en las manifestaciones rupestres expuestas a factores ambientales. Se destaca el uso de técnicas vibracionales, tales como la microscopia Raman y la espectroscopia infrarroja, para el análisis de materiales orgánicos e inorgánicos. Se…
Micro‐Raman spectroscopy of carbon‐based black pigments
Carbon‐based black pigments are a wide group of dark‐colored materials, which are classified according to the starting material used and their method of manufacture. Raman spectroscopy is an ideal technique for the characterization of carbonaceous matter: crystalline carbon materials present well‐defined peaks, which can be easily assigned; amorphous carbon materials, on the other hand, show broad bands between 1300 and 1600 cm −1 . The aim of th…
Evidencias Químicas De Deterioro Ambiental en Manifestaciones Rupestres: Un Caso De Estudio Del Oeste Tinogasteño (Catamarca, Argentina)
Desde el punto de vista de los estudios químicos y espectroscópicos se discuten los diferentes pasos del trabajo de caracterización analítica de las muestras, focalizándose en los procesos fisicoquímicos que ocurren en las manifestaciones rupestres expuestas a factores ambientales. Se destaca el uso de técnicas vibracionales, tales como la microscopia Raman y la espectroscopia infrarroja, para el análisis de materiales orgánicos e inorgánicos. Se…
Programa iconográfico y material en las pinturas murales de la iglesia de San Andrés de Pachama, Chile
Las escasas publicaciones que se refieren a los murales de la iglesia de Pachama ofrecen solo analisis parciales de su contenido, por tanto, uno de los principales aportes de este articulo sera ent
The colors of San José pottery from Yocavil valley, Argentine Northwest. Strategy for the characterization of archaeological pigments using non-destructive techniques
Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals
Research on the materiality of Andean Colonial artistic heritage contributes to the knowledge on the cultural and social history of the region. In this work we present the results of an interdisciplinary and multi-analytical investigation on a mural painting of the church of Curahuara de Carangas in Bolivia. This painting has been hidden for years behind the main 18th century wooden altarpiece. Its stylistic and pictorial characteristics place it…
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting
Painting materials used in Spanish American Colonial art comprised pigments and binders from European origin as well as those that were already known in pre-Hispanic times. In recent years, we have identified for the first time the mineral atacamite, a basic copper chloride (Cu2Cl(OH)3), in Andean Colonial art pieces (Viceroyalty of Peru, 16th–18th centuries). This work proposes a methodology based on a multitechnical approach to identify and est…
Mineral beads in an early domestic space of Northwest Argentina: Complementary non-invasive analytical techniques for findings from the Soria 2 site in the Yocavil Valley, Catamarca, Argentina
Art (5 works) · Archaeology (4 works) · Building materials and conservation (4 works) · Conservation Techniques and Studies (4 works) · Cultural Heritage Materials Analysis (4 works) · Geography (4 works) · Materials Science (4 works) · Mineralogy (3 works) · Pigment (3 works) · Art history (2 works)