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Ester Võsu

Biographic Data

ID808199
NAMEEster Võsu
GIVEN NAMESEster
FAMILY NAMEVõsu
SIGNATUREVÕSU E
AFFILIATIONSUniversity of Tartu
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS13
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2012
H-INDEX2
  • Smoking Out Local Traditions? Identity and Heritage Production in Southeast Estonian Rural Tourism Enterprises

    Open Access•Ester Võsu, Helen Sooväli-Sepping•ARTICLE•Folklore Electronic Journal of…•2012•Cited by: 1

    In this paper we explore the current process of the smoke sauna's transformation from a tradition into heritage in the context of rural tourism in Vru County, southeast Estonia. We examine the multiple meanings and values that the smoke carries from the tourism entrepreneur's perspective and the possible connections between the smoke sauna and personally interpreted cultural identity. Our theoretical approach handles heritage production as a sele…

  • Metaphorical analogies in approaches of Victor Turner and Erving Goffman

    Open Access•Ester Võsu•ARTICLE•Sign Systems Studies•2010•Cited by: 3•References: 22

    Metaphorical analogies have been popular in different forms of reasoning, theatre and drama analogy among them. From the semiotic perspective, theatre is a representation of reality. Characteristic to theatrical representation is the fact that for creating representations of reality it uses, to a great extent, the materiality and cultural codes that also constitute our everyday life; sometimes the means of representation are even iconically ident…

  • Performing Votianness Heritage Production, the Votian Museum and Village Feasts

    Open Access•Ergo-Hart Västrik, Ester Võsu•ARTICLE•Ethnologia Europaea•2010•Cited by: 1

    This article* investigates how Votian identity has been staged and performed in the context of the Votian Museum and in the course of the Luzhicy village feast. Our analysis concentrates on performative aspects of cultural heritage and ethnic identity related to the creation of specific cultural spaces. The Votian Museum is examined as the setting of the village feast, reflecting the display aspect of heritage and identity production. We focus on…

  • Mediation of Memory

    Open Access•Ester Võsu, Ene Kõresaar et al.•ARTICLE•Trames Journal of the Humanities…•2008•Cited by: 7•References: 10

    DOI: 10.3176/tr.2008.3.01 1. Introduction Memory has become one of buzzwords in today's humanities and social sciences. Concepts like 'collective memory' (Halbwachs 1950), 'lieux de memoire' (Nora 1989, 1996, 1998), 'cultural memory' (Bal et al. 1999), 'social memory' (Fentress and Wickham 1992, Misztal 2003), and many others catch our attention in titles of recently published books and articles, in tables of contents and lists of keywords. We ar…

  • Staging national identities in contemporary Estonian theatre and film

    Open Access•Ester Võsu, Alo Joosepson•ARTICLE•Sign Systems Studies•2005•Cited by: 1•References: 13

    This paper focuses on the ways in which national identities are staged in recent film and theatre productions in Estonia. We want to complement the prevalent approaches to nationality (Anderson 1983; Gellner 1983; Bhabha 1990), where the role of theatre and film as modellers of national identity are undervalued. National identity is a complex term that presupposes some clarification, which we gave by describing its dynamics today; its relation to…

  • Mediation of Memory

    Open Access•Ester Võsu, Ene Kõresaar et al.•ARTICLE•Trames Journal of the Humanities…•2008•Cited by: 7•References: 10

    DOI: 10.3176/tr.2008.3.01 1. Introduction Memory has become one of buzzwords in today's humanities and social sciences. Concepts like 'collective memory' (Halbwachs 1950), 'lieux de memoire' (Nora 1989, 1996, 1998), 'cultural memory' (Bal et al. 1999), 'social memory' (Fentress and Wickham 1992, Misztal 2003), and many others catch our attention in titles of recently published books and articles, in tables of contents and lists of keywords. We ar…

  • Metaphorical analogies in approaches of Victor Turner and Erving Goffman

    Open Access•Ester Võsu•ARTICLE•Sign Systems Studies•2010•Cited by: 3•References: 22

    Metaphorical analogies have been popular in different forms of reasoning, theatre and drama analogy among them. From the semiotic perspective, theatre is a representation of reality. Characteristic to theatrical representation is the fact that for creating representations of reality it uses, to a great extent, the materiality and cultural codes that also constitute our everyday life; sometimes the means of representation are even iconically ident…

  • Smoking Out Local Traditions? Identity and Heritage Production in Southeast Estonian Rural Tourism Enterprises

    Open Access•Ester Võsu, Helen Sooväli-Sepping•ARTICLE•Folklore Electronic Journal of…•2012•Cited by: 1

    In this paper we explore the current process of the smoke sauna's transformation from a tradition into heritage in the context of rural tourism in Vru County, southeast Estonia. We examine the multiple meanings and values that the smoke carries from the tourism entrepreneur's perspective and the possible connections between the smoke sauna and personally interpreted cultural identity. Our theoretical approach handles heritage production as a sele…

  • Performing Votianness Heritage Production, the Votian Museum and Village Feasts

    Open Access•Ergo-Hart Västrik, Ester Võsu•ARTICLE•Ethnologia Europaea•2010•Cited by: 1

    This article* investigates how Votian identity has been staged and performed in the context of the Votian Museum and in the course of the Luzhicy village feast. Our analysis concentrates on performative aspects of cultural heritage and ethnic identity related to the creation of specific cultural spaces. The Votian Museum is examined as the setting of the village feast, reflecting the display aspect of heritage and identity production. We focus on…

  • Staging national identities in contemporary Estonian theatre and film

    Open Access•Ester Võsu, Alo Joosepson•ARTICLE•Sign Systems Studies•2005•Cited by: 1•References: 13

    This paper focuses on the ways in which national identities are staged in recent film and theatre productions in Estonia. We want to complement the prevalent approaches to nationality (Anderson 1983; Gellner 1983; Bhabha 1990), where the role of theatre and film as modellers of national identity are undervalued. National identity is a complex term that presupposes some clarification, which we gave by describing its dynamics today; its relation to…

  • Staging national identities in contemporary Estonian theatre and film

    Open Access•Ester Võsu, Alo Joosepson•ARTICLE•Sign Systems Studies•2005•Cited by: 1•References: 13

    This paper focuses on the ways in which national identities are staged in recent film and theatre productions in Estonia. We want to complement the prevalent approaches to nationality (Anderson 1983; Gellner 1983; Bhabha 1990), where the role of theatre and film as modellers of national identity are undervalued. National identity is a complex term that presupposes some clarification, which we gave by describing its dynamics today; its relation to…

  • Mediation of Memory

    Open Access•Ester Võsu, Ene Kõresaar et al.•ARTICLE•Trames Journal of the Humanities…•2008•Cited by: 7•References: 10

    DOI: 10.3176/tr.2008.3.01 1. Introduction Memory has become one of buzzwords in today's humanities and social sciences. Concepts like 'collective memory' (Halbwachs 1950), 'lieux de memoire' (Nora 1989, 1996, 1998), 'cultural memory' (Bal et al. 1999), 'social memory' (Fentress and Wickham 1992, Misztal 2003), and many others catch our attention in titles of recently published books and articles, in tables of contents and lists of keywords. We ar…

  • Metaphorical analogies in approaches of Victor Turner and Erving Goffman

    Open Access•Ester Võsu•ARTICLE•Sign Systems Studies•2010•Cited by: 3•References: 22

    Metaphorical analogies have been popular in different forms of reasoning, theatre and drama analogy among them. From the semiotic perspective, theatre is a representation of reality. Characteristic to theatrical representation is the fact that for creating representations of reality it uses, to a great extent, the materiality and cultural codes that also constitute our everyday life; sometimes the means of representation are even iconically ident…

  • Performing Votianness Heritage Production, the Votian Museum and Village Feasts

    Open Access•Ergo-Hart Västrik, Ester Võsu•ARTICLE•Ethnologia Europaea•2010•Cited by: 1

    This article* investigates how Votian identity has been staged and performed in the context of the Votian Museum and in the course of the Luzhicy village feast. Our analysis concentrates on performative aspects of cultural heritage and ethnic identity related to the creation of specific cultural spaces. The Votian Museum is examined as the setting of the village feast, reflecting the display aspect of heritage and identity production. We focus on…

  • Smoking Out Local Traditions? Identity and Heritage Production in Southeast Estonian Rural Tourism Enterprises

    Open Access•Ester Võsu, Helen Sooväli-Sepping•ARTICLE•Folklore Electronic Journal of…•2012•Cited by: 1

    In this paper we explore the current process of the smoke sauna's transformation from a tradition into heritage in the context of rural tourism in Vru County, southeast Estonia. We examine the multiple meanings and values that the smoke carries from the tourism entrepreneur's perspective and the possible connections between the smoke sauna and personally interpreted cultural identity. Our theoretical approach handles heritage production as a sele…

Aesthetics (4 works) · Art (4 works) · Sociology (3 works) · Archaeology (2 works) · Balkans: History, Politics, Society (2 works) · Cultural heritage (2 works) · Cultural identity (2 works) · Estonian (2 works) · Ethnology (2 works) · History (2 works)

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