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Va-Megn Thoj

Biographic Data

ID809807
NAMEVa-Megn Thoj
GIVEN NAMESVa-Megn
FAMILY NAMEThoj
SIGNATURETHOJ V
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS6
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2012
H-INDEX2
  • Beyond Gran Torino 's Guns

    Louisa Schein, Va-Megn Thoj et al.•ARTICLE•positions asia critique•2012•Cited by: 2•References: 3

    Clint Eastwood's feature film Gran Torino (2008) represents an ongoing site of cultural struggle from the perspective of Hmong Americans, not only because of issues around the portrayal of Hmong culture and society, but also because of the very fraught politics of the film's production process itself. This collaborative piece stages conversations and critiques so as to be stylistically consistent with the ensemble nature of film production, bring…

  • Occult Racism

    Open Access•Louisa Schein, Va-Megn Thoj•ARTICLE•American Quarterly•2007•Cited by: 4•References: 6

    When the fatal shooting of six hunters by a Hmong man in the woods of Wisconsin received sensationalized national coverage in 2004, Hmong Americans struggled with an intensification of the hostile typing that had haunted their arrival in the U.S. since 1975. Mainstream accounts asserted that the incident, whether from the point of view of the white hunters or that of the Hmong man, could not be interpreted as primarily racial, but more probably c…

  • Occult Racism

    Open Access•Louisa Schein, Va-Megn Thoj•ARTICLE•American Quarterly•2007•Cited by: 4•References: 6

    When the fatal shooting of six hunters by a Hmong man in the woods of Wisconsin received sensationalized national coverage in 2004, Hmong Americans struggled with an intensification of the hostile typing that had haunted their arrival in the U.S. since 1975. Mainstream accounts asserted that the incident, whether from the point of view of the white hunters or that of the Hmong man, could not be interpreted as primarily racial, but more probably c…

  • Beyond Gran Torino 's Guns

    Louisa Schein, Va-Megn Thoj et al.•ARTICLE•positions asia critique•2012•Cited by: 2•References: 3

    Clint Eastwood's feature film Gran Torino (2008) represents an ongoing site of cultural struggle from the perspective of Hmong Americans, not only because of issues around the portrayal of Hmong culture and society, but also because of the very fraught politics of the film's production process itself. This collaborative piece stages conversations and critiques so as to be stylistically consistent with the ensemble nature of film production, bring…

  • Occult Racism

    Open Access•Louisa Schein, Va-Megn Thoj•ARTICLE•American Quarterly•2007•Cited by: 4•References: 6

    When the fatal shooting of six hunters by a Hmong man in the woods of Wisconsin received sensationalized national coverage in 2004, Hmong Americans struggled with an intensification of the hostile typing that had haunted their arrival in the U.S. since 1975. Mainstream accounts asserted that the incident, whether from the point of view of the white hunters or that of the Hmong man, could not be interpreted as primarily racial, but more probably c…

  • Beyond Gran Torino 's Guns

    Louisa Schein, Va-Megn Thoj et al.•ARTICLE•positions asia critique•2012•Cited by: 2•References: 3

    Clint Eastwood's feature film Gran Torino (2008) represents an ongoing site of cultural struggle from the perspective of Hmong Americans, not only because of issues around the portrayal of Hmong culture and society, but also because of the very fraught politics of the film's production process itself. This collaborative piece stages conversations and critiques so as to be stylistically consistent with the ensemble nature of film production, bring…

Art (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Sociology (2 works) · Art history (1 work) · Asian American and Pacific Histories (1 work) · Cinema and Media Studies (1 work) · Film director (1 work) · Geographies of human-animal interactions (1 work) · Human sexuality (1 work)

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